What is a contract in Islam? Is it an aspect of Muslim religion or of secular life? How much has it changed over the centuries? Undertaking a search that spans revelation, legal tradition, and the reality of the Muslim world, this book explores the Islamic contract (‘aqd in Arabic) as a ‘city’ at the crossroads of convergent paths of translation, comparison, and law in context. In particular, the book shows that only by re-orienting traditional categories of Western law-religion toward the East can an alternative path of discovery for the ‘aqd be advanced. Hence, through a fortuitous encounter with an Arab Girl, the reader will (re-)visit the Temple of Western modernity and explore a city ruled by Towers of dialectical forces, carrying a hermeneutical Ring that combines dialectics, Islamic studies, and media theory. This interdisciplinary approach will not only enrich our knowledge of the ‘aqd but also make it more understandable as a cultural and social construction to which both Muslims and non-Muslims have participated in forging its multiple representations. By inviting the readers ‘to know who they are’ while looking at her, the Arab Girl is already waiting for us to listen to the Islamic contract in a new way. By applying a distinctive law and religion approach to the study of the contract in Islam, the book provides a comprehensive exploration of a topic that is of interest to legal and economic comparatists as well as to readers in anthropology, Islamic and cultural studies, and it is also of topical meaning for today’s international lawyers and the operators of an increasingly multicultural and transnational market.
What is a contract in Islam? Is it an aspect of Muslim religion or of secular life? How much has it changed over the centuries? Undertaking a search that spans revelation, legal tradition, and the reality of the Muslim world, this book explores the Islamic contract (‘aqd in Arabic) as a ‘city’ at the crossroads of convergent paths of translation, comparison, and law in context. In particular, the book shows that only by re-orienting traditional categories of Western law-religion toward the East can an alternative path of discovery for the ‘aqd be advanced. Hence, through a fortuitous encounter with an Arab Girl, the reader will (re-)visit the Temple of Western modernity and explore a city ruled by Towers of dialectical forces, carrying a hermeneutical Ring that combines dialectics, Islamic studies, and media theory. This interdisciplinary approach will not only enrich our knowledge of the ‘aqd but also make it more understandable as a cultural and social construction to which both Muslims and non-Muslims have participated in forging its multiple representations. By inviting the readers ‘to know who they are’ while looking at her, the Arab Girl is already waiting for us to listen to the Islamic contract in a new way. By applying a distinctive law and religion approach to the study of the contract in Islam, the book provides a comprehensive exploration of a topic that is of interest to legal and economic comparatists as well as to readers in anthropology, Islamic and cultural studies, and it is also of topical meaning for today’s international lawyers and the operators of an increasingly multicultural and transnational market.
Valentino: Master of Couture is an exhibition at the Somerset House co-organized by Valentino himself, who selected over 130 dresses for the exhibition. The book focues as much on Valentino and his glamorous lifestyle as it does on his legendary dressmaking techniques and atelier. (The overwhelming success of Matt Tyrnauer's film Valentino: The Last Emperor attests to the public's hunger for "behind the scenes" glimpses of Valentino's life). The designers had unprecedented access to Valentino's personal archive, and the selected visual material includes personal photographs of and by Valentino and his close circle (often with glamorous women such as Jackie O., Elizabeth Taylor, Lee Radziwill, and the like) in his art-filled homes and at social events, giving the book the feel of a personal album and the viewer access to a unique life. The catalog also includes two photographic portfolios by Deborah Turbeville and Cathleen Naundorf, showing Valentino at work. A number of dresses in the exhibition sprinkled throughout the catalog rounds out this intimate look at the life of a design legend.
The first Italian designer to achieve international couture status, Valentino Garavani is renowned for his sophisticated clothes. His designs were initially available only to the rich and famous, and his fashion openings in Rome became a highlight of the social season for a quarter of a century. Now, his clothes are available in shops throughout the world and this supreme designer of style and elegance has helped to make high fashion available to woman worldwide.
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