New Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.
New Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.
Benvenuto a Santa Caterina - a picturesque Tuscan village where the bells of the local Abbey chime loudly across the idyllic green hillsides. But today, at noon, Sister Isabella notices an eerie quiet; the bells are silent. Puzzled, Isabella makes a horrific discovery: Sister Raffaella is lying lifeless in the cloister! Though it appears she fell from the belfry, a cryptic number etched in the dust near her body suggests otherwise... While Mother Superior is insisting that it's an accident, Isabella isn't convinced. Together with the young Carabiniere Matteo, Isabella begins an investigation of her own and soon uncovers a dark secret... now only divine intervention can help! Monastery, murder and dolce vita - a crime series like a holiday under the Italian sun. Fans of Richard Osman's "Thursday Murder Club" will love this humorous cosy crime read. An intrepid nun makes it her life's work to solve crimes, large and small, that are committed in a picturesque Tuscan village, Santa Caterina. Carabiniere Matteo is happy for this heavenly help, because as Santa Caterina's only policeman, he certainly has his hands full! Valentina Morelli is a German author. With the Sister Isabella Series, she pays homage to her spiritual homeland, and captures the unique feel of life in Tuscany. For her, murder mysteries are a way of telling human stories.
International investment law is one of the most dynamic fields of international law, and yet it has been criticised for failing to strike a fair balance between private and public interests. In this valuable contribution to the current debate, Valentina Vadi examines the merits and pitfalls of arbitral tribunals’ use of the concepts of proportionality and reasonableness to review the compatibility of a state’s regulatory actions with its obligations under international investment law.
In recent years, concerns have arisen in investor-state arbitration with regard to the magnitude of the decision-making power allocated to investment treaty tribunals. This book explores whether the use of analogies can improve the functioning of such arbitration, and how such analogies might be drawn.
Through a historical analysis of the link between Italian American migration in the 20th century and the investigation of the minutes of the Board of Directors and the financial statements of the American Chamber of Commerce in Italy, this book provides a privileged observation point for the study of the economic relations between Italy and the United States throughout the twentieth century. Showing that the Chamber played a fundamental role in highlighting the changes of Italian economy and society, and in strengthening the cooperation between the two countries, it retraces a long-lasting tradition of trade and business, and depicts a solid and enduring relationship between Italy and the United States.
In Johann Froben, Printer of Basel, Valentina Sebastiani offers a comprehensive account of the life and printing production of Froben, a major representative of early modern Europe’s most refined printing traditions. Some five centuries after they first appeared in print, Sebastiani provides a bibliography of the 329 Froben editions published in Basel between 1491 and 1527 (including an analysis of some 2,500 copies held in more than twenty-five libraries worldwide), listing the paratextual and visual elements that distinguish Froben’s books as well as economic, technical, and editorial details related to their production and distribution. Sebastiani’s study sheds new light on Froben’s family and career, his involvement in the editing and publication of Erasmus’ works, and the strategies he adopted to market them successfully.
365 Real-Life Superheroes is packed full of real stories about true superheroes: from Galileo to Greta Thunberg – or, in Australia, from Eddie Mabo to Lowitja O'Donoghue. Among the heroes profiled are sportspeople, scientists, journalists, explorers, doctors, astronauts, musicians, artists and activists. Each has been chosen because they display a particular heroic attribute: courage, intelligence, creativity, determination, justice or generosity. This charming illustrated collection of stories will entertain and, above all, inspire young readers. For readers aged 9 to 12.
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