Vakuntas Tragedy of the Commons is a seminal piece of fictional writing that delves into the crevices of contemporary society. Divided into thematic realms, this book of poems is an awakening call for humanity to waken from slumber and pay heed to seemingly trivial issues of our times. The poet skillfully weaves into poetic form existential matters that human beings tend to gloss over. Readers will be at ease with the commonplace lexical choices that seem to be the poets stock-in-trade." - Dr. Peter Ngwafu Ajongwa, Albany State University
A Nation at Risk: A Personal Narrative of the Cameroonian Crisis should be construed as a requiem for what used to be known as the Republic of Cameroon. The overriding objective of this book is to shine the searchlight on the dysfunctional government of Cameroon under President Paul Biya, a minuscule man and matching mind, endowed with a gargantuan ego. Those who wish to comprehend the apocalypse toward which the Cameroonian nation has been propelled by the rogue government of Mr. Biya would do well to study the minds of the men at the helm. Mr. Biya and his henchmen enjoy playing at and for power. The politics of power is for them an act of intellectual masturbation. Even the diabolism inherent in the phenomenon of power is something they relish. In Nation at Risk, Peter Wuteh Vakunta, a prolific writer in his own right, has successfully pieced together a compelling narrative of the many facets of the crisis that has plagued Cameroon during the more than three-decade presidency of Mr. Paul Biya. Lucid and captivating, this landmark volume provides a seminal contribution to readers appreciation of the social, political, economic and cultural events that have shaped Cameroons history from the time of independence from colonial masters to date. Vakuntas penetrating analysis of the lackluster governmental modus operandi of President Biya is a must read for all Cameroonians and friends of Cameroon who feel deeply about the future of this often forgotten African nation. Dr. Peter Ngwafu Ajongwa, Associate Professor
English Without Tears: Mind Your P's and Q's is a practical textbook that delves into the nitty gritty of the English language spoken in this contemporaneous global village. Jettisoned by its biological mother, the English Language has been adopted, appropriated, nurtured and made to bear the hallmarks of global Englishes. It is still the English language in full communion with its ancestral roots, but it is English that been panel beaten almost out of shape and endowed with the speech mannerisms, elocutionary patterns and phonetic peculiarities of the non-native. The goal of this book has been to shed ample light on some grammatical and lexical incongruities that often disfigure the speech of Anglophones whose mother tongue is not English. We are hopeful that this work would meet the dire needs of students and instructors of the English language all over the world. The substance in this book is easily digestible; our lexical choices are devoid of convolution and our illustrations are down-to-earth. Ultimately, this book is our unapologetic contribution to the ongoing global Englishes revolution.
This study teases out the nexus between text typologies and translational paradigms. Camfranglais fictional works are not canonical texts; rather they find a niche in the corpus of peripheral ethnographic texts that require an interpretive approach to translational practice. Translators of Camfranglais literature cannot but be like the texts they translate - at once multilingual and multicultural. Given the Polytonal and multilingual composition of Camfranglais literary texts, the onus rests with translators charged with the onerous task of bridging communicative gaps to conceive models that are germane to the translation of these multi-coded texts.
Toward the Decolonization of the Europhone African Novel is a treatise on the problematics of language choice in Europhone African literature. Vakunta’s research is rooted in the notion that the postcolonial African fiction writer is at a crossroads of languages, groping for linguistic re-orientation. Using the prose of fiction of Patrice Nganang, Ahmadou Kourouma, Mercedes Fouda, Nazi Boni, and Gabriel K. Fonkou as corpus, he contends that postcolonial African fiction is an offshoot of a linguistic tinkering process that enables writers to tinker with the language of the ex-colonizer in a deliberate attempt to divest indigenous writing of its hegemonic vestiges.
This poetry collection, appropriately dedicated in derision of all the cloned dictators in Africa, is marked by the acerbic irony of the macabre poet on various themes emphasizing Africas dilemma past and present. The titles tell the whole story, from the confusion and contradictions of The Rabble, idiots called leaders claiming to liberate the people from mental slavery when they, pseudoleaders, are begging for a re-colonization, to Predators and Dogs of War with people being their own worst enemies. In the midst of such tragedy, the poet finds consolation in the action of a few Unsung Heroes standing up to the messengers of national deconstruction and destruction. Such Martyrdom, avers the poet, will need to be replicated many times over if Cameroon, his besieged country, and its macrocosmic representation, Africa, are to stand a chance of escaping from Apocalypse. The style here is innovative, as the poet weaves languages, colonial and national, into historical analysis in mocking patriotic robbers hailing the superstitious and omnipresent pre de la nation. Femi Ojo-Ade, Professor Emeritus, St. Marys College of Maryland, USA
“On perusing Stream of Consciousness: Poetics of the Universal by Peter Wuteh Vakunta, one is struck by the eclectic and englobing nature of themes broached. Vakunta’s poetry is both a transversal and longitudinal dissection of our world. The poet assumes the posture of a divinity casting interrogative glances at the deeds of humans. Not a single terrestrial creature evades his prying eyes. Even the most subtle creatures on Planet Earth are scathed by the poet’s effusion of vitriolic emotions. The poet pursues evil-doers right into their graves. Even in their death throes, he continues to deal them fatal blows. Armed with a caustic pen, this chronicler does not sit on the fence and watch events transpire. Instead, he speaks for the downtrodden of all races and social strata: black, white, yellow, Papuan, Andalusian, wretched, opulent. This adds grist to the title of the book. The poet distances himself from the rigor of Kant and the moralism of La Rochefoucauld. Weary of hearing the voices of humans in distress, he paints the portrait of another kind of Humanity. Vakunta’s poetry celebrates the harmonious cohabitation of verbal sophistry with the power of the word.” Tamegnon Demagbo, University of Indianapolis, USA
Poems from Abakwa in Cameroon Pidgin English is one patriotic rage. An anthology of sorts, this book of poems contains wisdom, inspirational reflections and witticisms for all. Through apt descriptions, illustrations, dialogues, interrogations and incisive phraseology, Peter Wuteh Vakunta creates an effective balance of colorful images that traces and documents disturbing accounts and evidences of corruption, greed, skewed values and life experiences that have assaulted his fatherland, betrayed political leaders and institutions, court judges, and parliamentarians as the police-cum-military continue to put their ambitions above the country's needs while forsaking future leaders-children. Vakunta describes how civil servants represent selfish interests and aspirations. Judges are intimidated as the nation's laws continue to be transgressed. The police and military continue to abuse the trust invested in them by civilians and misdirect their patriotism while virtually the entire nation continues to live shaky lives with a punctured integrity. Vakunta does this in popular lingos commonly used by musicians, business folks, and the common man under several labels-pidgin English, Camfranglais, Cam-tok, Camspeak, Majunga tok ..." Dr. Fidelis Achenjang, Union College, USA
This book is the celebration of one man's vendetta against a cancerous regime that thrives on the rape of democracy and human rights abuses. Lapiro de Mbanga, born Lambo Sandjo Pierre Roger on April 7, 1957 was a conduit for social change. He fought for change in his homeland and died fighting for change in Cameroon. Lapiro believed in the innate goodness of man but also had the conviction that absolute power corrupts absolutely. He was noted for contending that "power creates monsters." His entire musical career was devoted to fighting the cause of the downtrodden in Cameroon. He composed satirical songs on the socio-economic dysphonia in his beleaguered country. In his songs, he articulated the daily travails of the man in the street and the government-orchestrated injustices he witnessed. As a songwriter, Lapiro de Mbanga distinguished himself from his peers through bravado, valiance and the courage to say overtly what many a Cameroonian musician would only mumble in the privacy of their homes. Lapiro's anti-establishment music led to his arrest and imprisonment in September 2009 for three years. Released from prison on April 8, 2011 he was later given political asylum by the USA. On September 2, 2012 Lapiro relocated with some members of his family to Buffalo in New York where he died on March 16, 2014 after an illness. His revolutionary music and fighting spirit live on.
A Nation at Risk: A Personal Narrative of the Cameroonian Crisis should be construed as a requiem for what used to be known as the Republic of Cameroon. The overriding objective of this book is to shine the searchlight on the dysfunctional government of Cameroon under President Paul Biya, a minuscule man and matching mind, endowed with a gargantuan ego. Those who wish to comprehend the apocalypse toward which the Cameroonian nation has been propelled by the rogue government of Mr. Biya would do well to study the minds of the men at the helm. Mr. Biya and his henchmen enjoy playing at and for power. The politics of power is for them an act of intellectual masturbation. Even the diabolism inherent in the phenomenon of power is something they relish. In Nation at Risk, Peter Wuteh Vakunta, a prolific writer in his own right, has successfully pieced together a compelling narrative of the many facets of the crisis that has plagued Cameroon during the more than three-decade presidency of Mr. Paul Biya. Lucid and captivating, this landmark volume provides a seminal contribution to readers' appreciation of the social, political, economic and cultural events that have shaped Cameroon's history from the time of independence from colonial masters to date. Vakunta's penetrating analysis of the lackluster governmental modus operandi of President Biya is a must read for all Cameroonians and friends of Cameroon who feel deeply about the future of this often forgotten African nation. Dr. Peter Ngwafu Ajongwa, Associate Professor
In Content of Character: Poetics of Redemption, we argue that all that is necessary for evil to thrive in contemporary society is for decent people to do nothing. We contend that silence is not an option in contemporary society where sin and immorality seem to overshadow decency and the innate goodness of man. The crux of our contention in this book hinges on our conviction that the Church of Christ must live up to the expectations for which it exists. Christians the world over must overcome fear and step onto the bandwagon of foot soldiers of Jesus Christ, armed with spiritual weapons of faith, prayer, Biblical truth, self-sacrifice and agape love.
Vakuntas Tragedy of the Commons is a seminal piece of fictional writing that delves into the crevices of contemporary society. Divided into thematic realms, this book of poems is an awakening call for humanity to waken from slumber and pay heed to seemingly trivial issues of our times. The poet skillfully weaves into poetic form existential matters that human beings tend to gloss over. Readers will be at ease with the commonplace lexical choices that seem to be the poets stock-in-trade." - Dr. Peter Ngwafu Ajongwa, Albany State University
This study raises awareness to the emergence of a new genre in world literaturehybridized literature. It rejects the assumption according to which literatures written in less commonly taught languages should be subsumed into one universally accessible global idiom. Instead, Vakunta challenges literary scholars and readers of literature to regard untranslatability as the key to cross-cultural engagement. The books multiple approaches and innumerable sources generate complex interdisciplinary connections and provide an excellent introduction to a complex literary phenomenon alien to literati resident outside the officially bilingual multicultural and multilingual Republic of Cameroon.
Takumbeng and Other Poems from Abakwa is a tribute to the Takumbeng in Cameroon. This collection of poems celebrates the prowess of the Takembeng, a militant female secret society in the Northwest Region of Cameroon. The poems address human rights violations, rape of democracy, misgovernment, and other forms of societal ills that plague post-colonial Cameroon. It is written in impeccable Standard English. The strength of the book resides in the vastness of the thematic terrain broached.
Pidgin English is the chief medium of communication for the great majority of Cameroonians. It sustains a world view, culture and way of life. Pidgin embodies concepts that would at best be partially expressed in formal English. A critical understanding of Pidgin English requires not only a thorough grasp of the socio-cultural matrix from which the words and expressions originate but also an immersion in an Afro-centric worldview. Majunga Tok: Poems in Pidgin English is the poet's attempt at capturing these speech patterns of ordinary Cameroonians in written form. Pidgin English, also called broken English, is a lingua franca spoken not only in Cameroon but also in many West African countries, including Nigeria, Ghana, Sierra Leone and Liberia amonst others. This poetry anthology is inspired by the poet's desire to salvage a language that has been subjected to multiple forms of denigration because it is oral. In Cameroon, for instance, Pidgin English has been the target of myriad attacks from self-styled linguistic purists who claim that Pidgin is a bastardized variant of Standard English and, therefore, should not be allowed to thrive. The controversy and denigration directed at Amos Tutuola and his Pidgin English creative genius are vivid examples. This condescending attitude of speakers of Standard English stems from the fact that Pidgin is often associated with illiteracy.
Gravitas: Poetic Consciencism for Cameroon is the poets requiem for the geographical expression code-named Cameroon. Vakunta speaks with the audacity of a daredevil and the certitude of a seer. This long poem has the twin virtues of gravity and clarity of purpose. The poet eschews the banality and sophistry characteristic of poetry for poetrys sake. Passion, sarcasm, and incisive irony are the hallmarks of this long didactic poem. The poet subscribes to Salman Rushdies pronouncement that a poets duty is to say the unutterable, name the unnamable, unmask masquerading miscreants and shame the scum of society. In this poem, music serves as a clarion call for examination of conscience, and alcohol ceases to serve as opium of the people. A bittersweet potion, this book echoes the defiant voice of a son-of-the-soil at odds with his native land gone topsy-turvy.
Dissent: The Highest Stage of Patriotism is a treatise on dissent as the acme of love for one's fatherland. Arguing against the grain, the author avoids smug patriotism; that which manages to make everything about the homeland flawless and beautiful. It is the author's conviction that the greatness of a nation resides not in citizens' blind sycophancy, but rather in their willingness to call into question dereliction of duty by political leadership. The goal of this book is to educate global citizens on the quintessence of political vigilance.
Tori Shweet for Cameroon Pidgin English is a compendium of short stories written in Cameroons most widely spoken lingua franca commonly called Cameroon Pidgin English (CPE). The grassfields of Cameroon serves as the nursery where these culturally enriched stories are nurtured. The collection comprises animal trickster tales, bird survival tales and human-interest stories. In conformity with the philosophy of French novelist, Stendhal, this anthology of short stories is a mirror that reflects the folklore and mores of the ethnic groups that constitute the grassland region of Cameroon. It serves as a window to the worldview, mindset and value systems of the grafi.
Green Rape: Poetry for the Environment is an anthology of poems written in strong support of environmental literacy. Each poem is the poet's cry of protest against the rape of natural and built environments. The anthology examines a wide range of issues including the clash of global capitalism with environmental activism. It takes a close look at the major themes in international discourse on environmental degradation, climate change, renewable energy sources, global warming, Gene technology, biodiversity and more. The poet dispels a number of myths, notably the existence of an inexhaustible bank of natural resources at the disposal of Man. He attempts to provide a solution to the abusive and unbalanced utilization of scarce natural resources. In a unique way, the poems contribute to the fostering of environmental awareness that would contribute to the sustainable management of natural resources. The poet invites us to look beyond the doomsday rhetoric about the state of the environment and to commit more of our resources where they will do the most good to lifting the world's population out of poverty. The significance of this anthology to environmental education resides in its contribution to the debate on global sustainable development, especially efforts to protect the environment and eradicate poverty.
This collection makes a forceful case that official bilingualism is not a pipe-dream, but rather a powerful modus operandi with the potential to ease a myriad of socio-political bottlenecks.
In this book of poems, the poet speaks in a confident tone of apocalyptic utterances: advising, warning, denouncing, protesting, and lamenting. This long poem has the twin virtues of relevance and clarity of diction. The poet willfully eschews the irksome ineloquence and syntactic sophistry characteristic of traditional poetry. He adopts the tone of African Guardians of the Word, the griots. Passion, energy, and incisive irony are the hallmarks of this didactic work.
Aporia is a long prose poem that makes a case for the Ambazonian Revolution. It is my conviction that the task of the genuine intellectual is to speak up when no one dares to speak. When we draw a blank and cannot make sense of the events that have deeply perturbed our lives, we have recourse to the plume in a bid to externalize pent-up emotions. The impetus to write Aporia stemmed from the ongoing genocide in Cameroon; a civil war viewed by domestic and international observers as a by-product of the linguistic genocide, dysfunctional governance, lethal tribalism, brazen kleptomania and the deleterious governmental ineptitude that epitomize the body politic of the Republic of Cameroon. Each verse in the poem is an expression of the poet's frustration and anger in face of injustice that Anglophone Cameroonians have been the bullseye for decades.
The poems contained in this collection are cathartic songs. They convey an amalgam of experiences culled from the poet's peregrinations around the globe. Each poem translates an emotion. This anthology is the externalization of the poet's pent-up emotions, the vocalization of a piece of a mind that yearns to bring sanity to a world that has gone berserk.
Cry My Beloved Africa is a compendium of essays having as locus the continent of Africa. It comprises insightful observations on the politics, governmental systems, political economy, cultural practices, educational systems and natural phenomena that impact on the lives of Africans. True to the tradition of French novelist Stendhal, the author intends this work to serve as a mirror that reflects the day-to-day living of the different peoples that inhabit the fifty-three nation-states in Africa. It is directed to contemporary Africa and to the relationship between Africa and the rest of the globe. The didactic value of the book resides in its suitability to the young and the old. The language is clear and free of sophistry.
Grassfields Stories from Cameroon is an anthology of short stories. It comprises animal trickster tales, bird survival tales, and human-interest stories. The compendium is a reflection of the mores, cultures, and value systems of the indigenous peoples of the Northwest Province of Cameroon. It is motivated by the author's keen interest in the preservation of Cameroonian oral traditions in written form. These stories deal with the day-to-day life of the sedentary and the globe-trotter. Each story is sufficient onto itself. The author has intentionally avoided chronology in the order of presentation of the stories. Whether you read the stories in the order in which they are presented or dart about as your fancy dictates, you will feel the abundance of richness and entertainment the book contains. The didactic value of this collection of short stories resides in its suitability to readers of all age groups. The uniqueness of the volume lies in its universal appeal. Peter Wuteh Vakunta was born and raised in the village of Bamunka-Ndop in Cameroon where he worked as senior translator at the Presidency of the Republic before immigrating to America. He is an alumnus of Sacred Heart College-Mankon. Vakunta obtained his Bachelor degrees in Cameroon and Nigeria; MA and MSE degrees in Cameroon and the U.S.A. At present, Vakunta and his family live in Madison, U.S.A. He teaches in the Department of French and Italian at the University of Wisconsin-Madison where he is also completing his PhD dissertation titled: Translation in Literature: Indigenization in the Francophone Text. Vakunta is poet, storyteller and essayist. His published works include Better English: Mind Your P's and Q's, Lion Man and Other Stories (short stories), Brainwaves (poems), Pandora's Box (poems). African Time and Pidgin Verses (poems), Square Pegs in Round Holes (essays) and It Takes Guts (essays). Vakunta's literary works have earned him several awards in the U.S.A, U.K and Africa.
No Love Lost is a tale of troubled times in which the storyteller strives to return to wholesomeness a society whose values have jumped the rail. Set in the 'No Man's Land' of Ongola, the novel unravels the corruption and influence-peddling endemic in this African country. Framed around the travails of an unemployed university graduate, the story is the gripping depiction of one man's vendetta against a society at odds with itself. Among others, the novel explores the themes of identity crisis, political gerrymandering, individual and collective greed, love and marriage, and class exploitation to weave an enduring tapestry of great human interest. Written against the backdrop of nascent neo-colonialism No Love Lost combines the traditional and the modern; the private and the public to demonstrate that the quest for truth and justice behooves all and sundry. The author infuses the narrative with oral traditions to capture the reader's attention in a compelling style. This is a refreshing work by a writer whose heart throbs for his people and their plight.
English Without Tears: Mind Your P's and Q's is a practical textbook that delves into the nitty gritty of the English language spoken in this contemporaneous global village. Jettisoned by its biological mother, the English Language has been adopted, appropriated, nurtured and made to bear the hallmarks of global Englishes. It is still the English language in full communion with its ancestral roots, but it is English that been panel beaten almost out of shape and endowed with the speech mannerisms, elocutionary patterns and phonetic peculiarities of the non-native. The goal of this book has been to shed ample light on some grammatical and lexical incongruities that often disfigure the speech of Anglophones whose mother tongue is not English. We are hopeful that this work would meet the dire needs of students and instructors of the English language all over the world. The substance in this book is easily digestible; our lexical choices are devoid of convolution and our illustrations are down-to-earth. Ultimately, this book is our unapologetic contribution to the ongoing global Englishes revolution.
This study raises awareness to the emergence of a new genre in world literature-hybridized literature. It rejects the assumption according to which literatures written in less commonly taught languages should be subsumed into one universally accessible global idiom. Instead, Vakunta challenges literary scholars and readers of literature to regard untranslatability as the key to cross-cultural engagement. The book's multiple approaches and innumerable sources generate complex interdisciplinary connections and provide an excellent introduction to a complex literary phenomenon alien to literati resident outside the officially bilingual multicultural and multilingual Republic of Cameroon.
Grassfields Stories from Cameroon is an anthology of short stories. It comprises animal trickster tales, bird survival tales, and human-interest stories. The compendium is a reflection of the mores, cultures, and value systems of the indigenous peoples of the Northwest Province of Cameroon. It is motivated by the author's keen interest in the preservation of Cameroonian oral traditions in written form. These stories deal with the day-to-day life of the sedentary and the globe-trotter. Each story is sufficient onto itself. The author has intentionally avoided chronology in the order of presentation of the stories. Whether you read the stories in the order in which they are presented or dart about as your fancy dictates, you will feel the abundance of richness and entertainment the book contains. The didactic value of this collection of short stories resides in its suitability to readers of all age groups. The uniqueness of the volume lies in its universal appeal. Peter Wuteh Vakunta was born and raised in the village of Bamunka-Ndop in Cameroon where he worked as senior translator at the Presidency of the Republic before immigrating to America. He is an alumnus of Sacred Heart College-Mankon. Vakunta obtained his Bachelor degrees in Cameroon and Nigeria; MA and MSE degrees in Cameroon and the U.S.A. At present, Vakunta and his family live in Madison, U.S.A. He teaches in the Department of French and Italian at the University of Wisconsin-Madison where he is also completing his PhD dissertation titled: Translation in Literature: Indigenization in the Francophone Text. Vakunta is poet, storyteller and essayist. His published works include Better English: Mind Your P's and Q's, Lion Man and Other Stories (short stories), Brainwaves (poems), Pandora's Box (poems). African Time and Pidgin Verses (poems), Square Pegs in Round Holes (essays) and It Takes Guts (essays). Vakunta's literary works have earned him several awards in the U.S.A, U.K and Africa.
Gravitas: Poetic Consciencism for Cameroon is the poet’s requiem for the geographical expression code-named Cameroon. Vakunta speaks with the audacity of a daredevil and the certitude of a seer. This long poem has the twin virtues of gravity and clarity of purpose. The poet eschews the banality and sophistry characteristic of poetry for poetry’s sake. Passion, sarcasm, and incisive irony are the hallmarks of this long didactic poem. The poet subscribes to Salman Rushdie’s pronouncement that a poet’s duty is to say the unutterable, name the unnamable, unmask masquerading miscreants and shame the scum of society. In this poem, music serves as a clarion call for examination of conscience, and alcohol ceases to serve as opium of the people. A bittersweet potion, this book echoes the defiant voice of a son-of-the-soil at odds with his native land gone topsy-turvy.
Poems from Abakwa in Cameroon Pidgin English is one patriotic rage. An anthology of sorts, this book of poems contains wisdom, inspirational reflections and witticisms for all. Through apt descriptions, illustrations, dialogues, interrogations and incisive phraseology, Peter Wuteh Vakunta creates an effective balance of colorful images that traces and documents disturbing accounts and evidences of corruption, greed, skewed values and life experiences that have assaulted his fatherland, betrayed political leaders and institutions, court judges, and parliamentarians as the police-cum-military continue to put their ambitions above the country's needs while forsaking future leaders-children. Vakunta describes how civil servants represent selfish interests and aspirations. Judges are intimidated as the nation's laws continue to be transgressed. The police and military continue to abuse the trust invested in them by civilians and misdirect their patriotism while virtually the entire nation continues to live shaky lives with a punctured integrity. Vakunta does this in popular lingos commonly used by musicians, business folks, and the common man under several labels-pidgin English, Camfranglais, Cam-tok, Camspeak, Majunga tok ..." Dr. Fidelis Achenjang, Union College, USA
On perusing Stream of Consciousness: Poetics of the Universal by Peter Wuteh Vakunta, one is struck by the eclectic and englobing nature of themes broached. Vakuntas poetry is both a transversal and longitudinal dissection of our world. The poet assumes the posture of a divinity casting interrogative glances at the deeds of humans. Not a single terrestrial creature evades his prying eyes. Even the most subtle creatures on Planet Earth are scathed by the poets effusion of vitriolic emotions. The poet pursues evil-doers right into their graves. Even in their death throes, he continues to deal them fatal blows. Armed with a caustic pen, this chronicler does not sit on the fence and watch events transpire. Instead, he speaks for the downtrodden of all races and social strata: black, white, yellow, Papuan, Andalusian, wretched, opulent. This adds grist to the title of the book. The poet distances himself from the rigor of Kant and the moralism of La Rochefoucauld. Weary of hearing the voices of humans in distress, he paints the portrait of another kind of Humanity. Vakuntas poetry celebrates the harmonious cohabitation of verbal sophistry with the power of the word.
Green Rape: Poetry for the Environment is an anthology of poems written in strong support of environmental literacy. Each poem is the poet's cry of protest against the rape of natural and built environments. The anthology examines a wide range of issues including the clash of global capitalism with environmental activism. It takes a close look at the major themes in international discourse on environmental degradation, climate change, renewable energy sources, global warming, Gene technology, biodiversity and more. The poet dispels a number of myths, notably the existence of an inexhaustible bank of natural resources at the disposal of Man. He attempts to provide a solution to the abusive and unbalanced utilization of scarce natural resources. In a unique way, the poems contribute to the fostering of environmental awareness that would contribute to the sustainable management of natural resources. The poet invites us to look beyond the doomsday rhetoric about the state of the environment and to commit more of our resources where they will do the most good to lifting the world's population out of poverty. The significance of this anthology to environmental education resides in its contribution to the debate on global sustainable development, especially efforts to protect the environment and eradicate poverty.
In Content of Character: Poetics of Redemption, we argue that all that is necessary for evil to thrive in contemporary society is for decent people to do nothing. We contend that silence is not an option in contemporary society where sin and immorality seem to overshadow decency and the innate goodness of man. The crux of our contention in this book hinges on our conviction that the Church of Christ must live up to the expectations for which it exists. Christians the world over must overcome fear and step onto the bandwagon of foot soldiers of Jesus Christ, armed with spiritual weapons of faith, prayer, Biblical truth, self-sacrifice and agape love.
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