This book outlines the main properties of Asian literatures in the period of 'reflective traditionalism', when the creation of a vast body of aesthetically significant works was coupled with the emergence of literary self-awareness.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.
Scholarly works considering traditional Malay letters from a literary point of view are scarce. In this book, classical Malay literature of the 16th through the 19th centuries is viewed in the context of more than a millennium of medieval Malay letters. In the first part, based on a reconstruction of the literary self-awareness of the Malays, a model is offered of classical Malay literature as an integral, hierarchically arranged a ‘anthropomorphic’ system, the impetus for its formation being the Islamization of the Malay world. A study of the origin and evolution of all genres of Malay literature, as well as an analysis of some exemplary works with special reference to their poetics, provide the factual basis for the suggested model. The second part of the book treats of the aesthetics of classical Malay literature, first and foremost the central notion of the sphere of beauty, ‘the beautiful’ (indah). Its divine origin, internal properties-such as the diversity of manifestations, perfection, orderliness-capable of arousing love and thus producing a harmonizing effect on the human psyche, are considered, as well as the synthesis of Hindu-Javanese and Muslim components in Malay literature aesthetics. This is the first study that aims to present a coherent view of the entire body of classical Malay literature. In a novel and stimulating approach, the organizing principles of Malay literature are seen as a system in which the various genres are allotted their proper place.
In their search for solutions to problems concerning the dynamics of the Earth as a self-gravitating body, the authors have applied the fundamentals found in their book “Jacobi Dynamics” (1987, Reidel). First, satellite observations have shown that the Earth does not remain in hydrostatic equilibrium, which forms the physical basis of modern geodynamics. Secondly, satellite data have established a relationship between the planet’s polar moment of inertia and the potential of the Earth’s outer force field, which proves the most basic point of Jacobi dynamics. This allowed the authors to revise their derivation of the classical virial theorem, introducing the concept of a volumetric force and volumetric moment, and so to obtain a generalized virial theorem in the form of Jacobi’s equation. The main dynamical effects are: the kinetic energy of oscillation of the interacting particles, which explains the physical meaning and nature of gravitational forces; separation of shells of a self-gravitating body with respect to its mass density; differences in angular velocities of the shell’s rotation; continuity in variance of the potential of the outer gravitational force field, together with reductions in the envelope of the interacting masses (volumetric center of gravity); the nature of Earth, Moon and satellite precession; the nature and generating mechanism of the planet’s electromagnetic field; the common nature of gravitational and electromagnetic energy, and other related issues. The work is a logical continuation of the book "Jacobi Dynamics" and is intended for researchers, teachers and students engaged in theoretical and experimental research in various branches of astronomy, geophysics, planetology and cosmogony, and for students of celestial, statistical, quantum and relativistic mechanics and hydrodynamics.
This work discusses the problem of physical meaning of the three main dynamical properties of matter motion, namely gravitation, inertia and weightlessness. It considers that Newtonian gravitation and Galileo’s inertia are the centrifugal effects of interaction energy of a self-gravitating n-body system and its potential field. A self-gravitating celestial body appears to be an excellent natural centrifuge that is rotated by the energy of interacting elementary particles. Weightlessness is a consequence of the centrifugal effect of elementary particles interaction that appears at differentiation of a body matter with respect to density. The author analyzes the problem of creation of mass particles and elements from the elementary particles of “dark matter”, and discusses the basic physics of the Jacobi dynamics from the viewpoint of quantum gravitation. Chapters assert that the fundamentals of Jacobi dynamics completely correspond to conditions of natural centrifuges. The centrifuge is an excellent experimental model for the study of dynamical effects in solving the many body problem. In this book, readers may follow the demonstration of some of those studies and follow derivations, solutions and conclusions that provide a solid basis for further research in celestial mechanics, geophysics, astrophysics, geo- and planetary sciences.
Scholarly works considering traditional Malay letters from a literary point of view are scarce. In this book, classical Malay literature of the 16th through the 19th centuries is viewed in the context of more than a millennium of medieval Malay letters. In the first part, based on a reconstruction of the literary self-awareness of the Malays, a model is offered of classical Malay literature as an integral, hierarchically arranged a ‘anthropomorphic’ system, the impetus for its formation being the Islamization of the Malay world. A study of the origin and evolution of all genres of Malay literature, as well as an analysis of some exemplary works with special reference to their poetics, provide the factual basis for the suggested model. The second part of the book treats of the aesthetics of classical Malay literature, first and foremost the central notion of the sphere of beauty, ‘the beautiful’ (indah). Its divine origin, internal properties-such as the diversity of manifestations, perfection, orderliness-capable of arousing love and thus producing a harmonizing effect on the human psyche, are considered, as well as the synthesis of Hindu-Javanese and Muslim components in Malay literature aesthetics. This is the first study that aims to present a coherent view of the entire body of classical Malay literature. In a novel and stimulating approach, the organizing principles of Malay literature are seen as a system in which the various genres are allotted their proper place.
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