This book reconstructs Spinoza's theory of the human mind against the backdrop of the twofold notion that subjective experience is explainable and that its successful explanation is of ethical relevance, because it makes us wiser, freer, and happier. Doing so, the book defends a realist rationalist interpretation of Spinoza's approach which does not entail commitment to an ontological reduction of subjective experience to mere intelligibility. In contrast to a long-standing tradition of Hegelian reading of Spinoza's Ethics, it thus defends the notion that the experience of finite subjects is fully real.
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
In this stunning collection of stories, bestselling author Ursula Hegi focuses on the problems of love -- familial, parental, conjugal, and emergent. With compassion and her "unfailing immediacy of language," she raises the struggles of her characters to a plane of recognition that enables them to transcend despair. Life and death, age and youth, attained hopes and unearned pleasures, provide the human settings for a brilliant exploration of life at its most pointed and significant.
Why do infants and toddlers seem to have a heightened awareness of the paranormal—and an often marked ability to interact with the unknown? And why do these qualities and abilities seem to mysteriously disappear during adolescence? There's Something Under the Bed! explores the often complex relationships between children and the paranormal, and focuses special attention on the sometimes startling realities behind children's "imaginations." This book will help you: Distinguish whether your child’s imaginary friend is the product of his or her mind, a harmless spirit in the house, or something more malicious. Trace the links between children’s ever-changing beliefs and folklore, fairy tales, and popular culture. Understand the real phenomena behind ghosts, fairies, angels, and possessions. Foster a healthy relationship between your child and the paranormal. Protect your children from fear and danger.
Together for the first time, all 5 standalone novels from the Hugo and Nebula award–winning writer who reinvented science fiction, including one restored to print Spans from the 1971 classic The Lathe of Heaven to her career-crowning 2008 masterpiece Lavinia This 7th volume in the definitive Library of America edition of Ursula K. Le Guin’s works presents 5 remarkable standalone novels that showcase her boundless creativity and literary range. In the Locus Award–winning The Lathe of Heaven (1971), one of Le Guin’s most admired works of science fiction, George Orr begins have effective dreams: dreams that change reality itself. But when he turns to the sleep researcher William Haber for help, the doctor sees an opportunity to use Orr’s strange gift for his own ends. A former Terran prison colony on the planet Victoria seems destined for revolution in The Eye of the Heron (1978), when the authoritarian leaders in the City try to assert control over the peaceful farmers who have been sent to live around them. The Beginning Place (1980) is a parable-like story in which Hugh and Irena have both found their way to the Beginning Place, a gateway to another world. The two initially become enemies, but must learn to work together when the utopia they’ve found turns out to have a shadow. The long out-of-print Searoad: Chronicles of Klatsand (1991) is a Winesburg, Ohio-like series of linked stories set in a small vacation town on the Oregon coast, where some of the characters have come for a weekend and some for longer, but all are pilgrims in the grip of inexpressible longings. And Le Guin’s final, powerfully feminist novel, Lavinia (2008), reimagines Virgil's Aeneid from the perspective of a woman who, in poet's telling, never speaks a word. Special features include an appendix presenting three essays by Le Guin related to the novels, previously unseen hand-drawn maps by author herself, helpful annotation, and a chronology of Le Guin's life and career. Brought together here for the first time, these 5 remarkable standalone novels showcase a Hugo and Nebula Award–winning master at her very best.
From multi-award-winning, literary legend Ursula K. Le Guin comes a speculative fiction classic, The Beginning Place. Fleeing from the monotony of his life, Hugh Rogers finds his way to "the beginning place"—a gateway to Tembreabrezi, an idyllic, unchanging world of eternal twilight. Irena Pannis was thirteen when she first found the beginning place. Now, seven years later, she has grown to know and love the gentle inhabitants of Tembreabrezi, or Mountaintown, and she sees Hugh as a trespasser. But then a monstrous shadow threatens to destroy Mountaintown, and Hugh and Irena join forces to seek it out. Along the way, they begin to fall in love. Are they on their way to a new beginning...or a fateful end? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
US prime time television drama of the earlier broadcast era featured self-contained storylines and (mostly) amnesiac protagonists. This changed with the arrival of what television scholar Horace Newcomb termed cumulative narrative: Prime-time series of a new era adopted narrative features more typical for daytime soap opera, and leading characters began to remember where they came from. This study explores the organisational patterns and generic implications leading to the rise of cumulative storytelling. It also points to further venues of analysis for backstory narratives and diegetic memory in general.
Eleven short stories are united by the common theme of a woman's journey. Her voyage begins with a repressive childhood in an authoritarian, war-torn society and continues through periods of awakening and self-discovery in which she finds the hidden strength to support herself in new worlds and raise a family. Although the stories are quite different in time and place, in mood and color, there is a thread that connects the main character with each happening, each new encounter, each mishap and each joy. The tales show a woman enamored with the ideal of love yet unable to understand and enjoy sex. It is a woman who adores men but is afraid of their physical power, their superior muscular strength, a woman who had many lovers, not to mention two husbands, but was unable or unwilling to hold on to them.
Listen to Hip Hop! Exploring a Musical Genre provides an overview of hip-hop music for scholars and fans of the genre, with a focus on 50 defining artists, songs, and albums. Listen to Hip Hop! Exploring a Musical Genre explores non-rap hip hop music, and as such it serves as a compliment to Listen to Rap! Exploring a Musical Genre (Greenwood Press, Anthony J. Fonseca, 2019), which discussed at length 50 must-hear rap artists, albums, and songs. This book aims to provide a close listening/reading of a diverse set of songs and lyrics by a variety of artists who represent different styles outside of rap music. Most entries focus on specific songs, carefully analyzing and deconstructing musical elements, discussing their sound, and paying close attention to instrumentation and production values—including sampling, a staple of rap and an element used in some hip hop dance songs. Though some of the artists included may be normally associated with other musical genres and use hip hop elements sparingly, those in this book have achieved iconic status. Finally, sections on the background and history of hip hop, hip hop's impact on popular culture, and the legacy of hip hop provide context through which readers can approach the entries.
Bridges have become a focus of increased attention and awareness in the last ten years as highly visible elements that define the urban and nonurban landscape. This book contains detailed presentations of some sixty-five bridges from ten European countries, with text, comprehensive and detail plans, and photographs taken especially for the volume.
From America to Zanzibar, the popularity of wine has skyrocketed in recent years. While millions of people have come to appreciate wine’s taste, a growing number of collectors also recognize it as a sound investment. For these savvy individuals, as well as top chefs and wine aficionados, the wine auction has become an important place to find superior wines. Now, renowned wine auctioneer Ursula Hermacinski has written The Wine Lover’s Guide to Auctions to explain how wine auctions really work so that you, too, can become a successful player. The guide begins by exploring the history of wine auctions. It then provides information on wine basics and details the auction process—for buyers and sellers. Rounding out the book are helpful hints for starting or expanding your wine collection, choosing the best auction house for your needs, and organizing your own wine tasting.
We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
The Middle Ages in Western Europe extended from roughly 500 to 1500 c.e. During these thousand years, hundreds of monastic communities were founded and played important roles in religious, economic, social, literary and even military realms. Each had different emphases and goals, ranging from aristocratic monasteries and nunneries that offered comfort and security, to rural institutions that specialized only in the most ascetic lifestyles. This book has two goals. The first is to detail the most significant monastic and secular events of the Middle Ages in Western Europe, such as the decline of the Roman Catholic Church, the rise of Protestantism and the various types and purposes of monasteries and nunneries. The second is to introduce some notable (and unusual) individuals who made their mark upon the Middle Ages-- such as Eustache, the French monk who became a pirate and made a pact with the Devil.
In opposition to Elizabeth Bowen, the superbly gifted Irish-English short story writer, who was not enticed by the idea of art as self-expression, other novelists believe that writing is autobiographical. The characters in the six stories that comprise Iridescent Stumbles are based on actual encounters. Their physical and psychological make-ups vary. Men and women either appear as shadowy reflections or are more sharply exposed depending upon the background into which they are set. In The upstairs Studio a woman, no longer in her thirties and her younger lover, a well over six feet tall runner, go late at night to their hide-out, an artist‘s studio in a semi rural location. During their love-making the enticing female‘s body appears in dreamlike sequences as a coveted symbol of a medieval monk‘s forbidden sexual cravings, and also changes into Selene who seduces Endymion in his sleep. In the runner‘s arms his inamorata whispers about a swim in the shark-infested Red Sea where she‘s encircled by a pod of dolphins that resemble a gam of sharks. The lovers erotic trysts end when the sprinter gets married again and his second young wife produces two healthy offspring. If a reader has enjoyed The upstairs Studio, he/she will most likely take pleasure too in March Mornings and Nights (a second richly varied love story), Hawaii (a mother-daughter team taking thrilling glimpses at the Aloha State‘s intrinsic, natural splendor and the diversity of Kanaka Maoli people), Tous les jours d‘Europe (fictionalizes a woman‘s journey into past personal occurrences in Europe), Lush Summer Days at Gaby‘s in the Birkshires (recalls annual holidays spent in Masschusetts) and Arizona with Sabine (explores parts of the United States enticing West). The author‘s style, the signature, if not the soul of a writer, so slippery, so hard to catch, remains the same. Her style unerringly aims for its most important goal: beauty.
John Buchan's name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock. Yet there was vastly more to 'JB'. He wrote more than a hundred books – fiction and non-fiction – and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul – given a state funeral when he died, a deeply admired and loved Governor-General of Canada. His teenage years in Glasgow's Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life contains, at its heart, an enduring love story. Ursula Buchan, his granddaughter, has drawn on recently discovered family documents to write this comprehensive and illuminating biography. With perception, style, wit and a penetratingly clear eye, she brings vividly to life this remarkable man and his times.
Explore the Love, Light, and Joy of Spiritual Regression The benefits of past-life regression are many: recognizing the divine plan for your life, losing the fear of death, and meeting your soul guides. In Spiritual Regression for Peace & Healing, discover how to use regression to better understand and resolve fears, health issues, and karmic relationships and discover your special skills and talents in this life. Join author Ursula Demarmels as she shares dozens of fascinating case studies from more than 4,000 past-life regression sessions that she has conducted in her professional practice. Intimate and inspiring, these stories include heartwarming tales of people being reunited with their loved ones, friends, and even animal companions in spirit.
Rediscover the classic magical adventure of the Little Wooden Horse, brought to life with the original inside illustrations from the author of Milly-Molly-Mandy, Joyce Lankester Brisley. When Uncle Peder the toymaker falls on hard times, his little wooden horse must go out into the world to seek his fortune. But whether he's working in a coal mine, sailing the seven seas with a band of pirates or walking the tightrope in a circus, the loyal little horse only has one wish: to return to his beloved master. Originally published in 1938, Ursula Moray-Williams' The Adventures of the Little Wooden Horse is her most famous story and continues to be one of the most-loved classic stories of children's literature. With its glorious inside illustrations by Joyce Lankester Brisley and cover artwork from Catherine Rayner, this beautiful hardback edition is a truly special gift to treasure.
The bestselling author of Stones from the River and The Vision of Emma Blau renews her reputation as an extraordinary writer of short stories in this major collection that balances her reader on the magical border of laughter and sorrow. In Hotel of the Saints, Hegi enters the perspectives of lovers and loners, eccentrics and artists, children and parents: a musician tries to protect her daughter from loving a blind man; a seminary student yearns for the certainty of faith that belonged to him as a boy; a woman transcends her embarrassment for her first love, who has tripled in size. Ursula Hegi's bicultural background enriches these eleven luminous stories that are set in Europe, Mexico, and the United States. Her characters take risks in searching out the unique places where faith thrives for each of them -- a rundown hotel, the currents of Cabo San Lucas, the embrace of an ex-convict. And once again, she surrounds them with her elegant language and exquisite images.
Brilliantly stretching literary conventions, Ursula Hegi, author of the best-selling Stones from the River, creates a funny and original novel within a novel to explore the doubts, decisions, and "might-have-beens" that mark not only the writing process but life itself. As her "author" and her fictional heroine deal with their intrusions into each other's lives, Hegi reveals much about the choices women make, the ambiguities they face, and the often surprising ways reality and fiction merge.
′This book is a triumph in its clarity, scholarship and sheer scope. It is increasingly vital that criminologists understand crime and the criminal justice system in depth, and Ursula Smartt unmasks the mysteries and lays bare the complexities of law like few other writers on the subject. This is the book on criminal law that should be on the shelf of everyone connected to the criminal law′ - Baroness Helena Kennedy QC ′Law for Criminologists is a timely and concise introduction for those in criminology and law. Combining accessibility and scholarship, it will be welcomed by students and lecturers alike′ - Dr Azrini Wahidin, Reader and Programme Director for Criminology, Queen′s University Belfast ′Highly informative, comprehensive and reader-friendly - this groundbreaking book is essential reading for all who are engaged in the study of criminology′ - Peter Joyce, Manchester Metropolitan University This practical guide introduces students to the basic principles of the law, enabling a comprehensive understanding of criminology and criminal justice. Law for Criminologists will enthuse the student and teacher about the law whilst giving sound advice on how to achieve a thorough comprehension of the topic. Striking a much-needed balance between essential law for criminologists, and commentary on current legal issues, this book provides the reader with a full understanding of: " the workings of the law in England, Wales, Scotland and Northern Ireland " the European Union legal frameworks " the law of evidence and the criminal process " punishment and sentencing " human rights issues " the differences between youth justice and adult criminal legislation " how to undertake independent legal research and further reading in the discipline. Packed with extensive learning aids including case studies, boxed notes, sample examination questions, appendices of statutes and cases and a comprehensive glossary, this book is vital for all students in criminology and criminal justice. As well as an extensive foreword by Baroness Helena Kennedy QC.
Biography of the life of Alec Chiu and his marriage to Ursula Blank, including childhood in China and raising a family in Wisconsin. Written by his wife, Ursula Blank-Chiu.
Defining the aims of psychoanalysis was not initially a serious complex problem. However, when Freud began to think of the aim as being one of scientific research, and added the different formulations of aim (for example, that the aim was to make the patient's unconscious conscious) it became an area of tension which affected the subsequent development of psychoanalysis and the resolution of which has profound implications for the future of psychoanalysis. In What Do Psychoanalysts Want? the authors look at the way psychoanalysts have defined analysis both here and in America, from Freud down to the present day. From this basis they set out a theory about aims which is extremely relevant to clinical practice today, discussing the issues from the point of view of the conscious and unconscious processes in the psychoanalyst's mind. Besides presenting a concise history of psychoanalysis, its conflicts and developments, which will be of interest to a wide audience of those interested in analysis, this book makes important points for the clinician interested in researching his or her practice.
This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women’s health; and how they satirized the notion of the womb’s insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories.
Bielski captures over 160 years of Chicago's haunted history with her distinctive blend of lively storytelling, in-depth historical research, and insights from parapsychology. 29 photos.
The book is the first corpus-based study giving a comprehensive overview of English items which have been used as adverbial connectors ('conjuncts', 'linking adverbials'), from Old English to Present-Day English. The author analyses different characteristics of the make-up, functions and use of connectives, and considers morphological and syntactic factors as well as pragmatic, textlinguistic and socio-cultural aspects.
From early colonial encounters to the ecological disasters of the twenty-first century, the performativity of contact has been a crucial element in the political significance of the beach. Conceptualising the beach as a creative trope and as a socio-cultural site, as well as an aesthetically productive topography, this collection examines its multiplicity of meanings and functions as a natural environment engendering both desire and fear in the human imagination from the Victorian period to the present. The contributors examine literature, film, and art, in addition to moments of encounter and environmental crisis, to highlight the beach as a social space inspiring particular codes of behaviour and specific discourses, as a geographical frontier between land and water, as an historical site of contact and conflict, and as a vacationscape promising regeneration and withdrawal from everyday life. The diversity of the beach is reflected in the geographical range, with essays on locales and texts from Britain, Ireland, the Caribbean, South Africa, the United States, Polynesia, and New Zealand. Focusing on the changed function of the beach as a result of processes of industrialisation and the rise of a modern leisure and health culture, this interdisciplinary volume theorises the beach as a demarcater of the precarious boundary between land and the sea, as well as between nature and culture.
The fourth edition of Media and Entertainment Law has been fully updated, analysing some of the most recent judgments in media law from across the United Kingdom, such as Cliff Richard v the BBC, Max Schrems v Facebook and the Irish Information Commissioner, developments on the ‘right to be forgotten’ (NT1 and NT2) and ABC v Daily Telegraph (Sir Philip Green). The book’s two main themes are freedom of expression and an individual’s right to privacy. Regulation of the communication industries is covered extensively, including discussion of the print press and its online editions following Leveson, traditional broadcasting regulations for terrestrial TV and radio as well as media activities on converged devices, such as tablets, iPads, mobile phone devices and ‘on demand’ services. Intellectual property law (specifically copyright) in the music and entertainment industries is also explored in the book’s later chapters. Also new to this edition are sections on: A focus on freedom of expression: its philosophical foundations; the struggles of those who have fought for it; and the varied ways in which the courts interpret freedom of expression regarding the taking and publishing of photographs. The ‘right to be forgotten’, data breaches, and the General Data Protection Regulation (GDPR). The media’s increasing access to the courts, particularly when considering the privacy of those who are suspected of sexual offences. Press regulators, broadcasting and advertising regulations, and film and video regulations. Election and party-political broadcast regulations, with a focus on social media and recent election fraud. The emergence of online music distribution services, internet radio and free digital streaming music services, and their effect on the music industry. The fourth edition also features a variety of pedagogical features to encourage critical analysis of case law and one’s own beliefs.
The second edition of a comprehensive introduction to machine learning approaches used in predictive data analytics, covering both theory and practice. Machine learning is often used to build predictive models by extracting patterns from large datasets. These models are used in predictive data analytics applications including price prediction, risk assessment, predicting customer behavior, and document classification. This introductory textbook offers a detailed and focused treatment of the most important machine learning approaches used in predictive data analytics, covering both theoretical concepts and practical applications. Technical and mathematical material is augmented with explanatory worked examples, and case studies illustrate the application of these models in the broader business context.
The American Drug Culture uses sociological and other perspectives to examine drug and alcohol use in U.S. society. The text is arranged topically, rather than by categories of drugs, and explores diverse contexts of drug use including popular culture; sexuality; the legal and criminal justice systems; other social institutions; and mental and physical health. It features more coverage of alcohol, the most widely-used drug in the U.S., than other texts for this course. Authors Thomas S. Weinberg, Gerhard Falk, and Ursula Falk include case studies from their field research to give you empathetic insights into the situation of those with substance and alcohol use disorders.
This book is both an introductory text and reference guide to the main issues facing journalists today, including social media, fake news, and regulators. The text covers the law of the United Kingdom – including Scots and Northern Irish devolved legislation – as well as human rights and EU laws. This book covers essential areas such as: privacy, confidentiality, freedom of expression and media freedom, defamation, contempt of court, regulation of the print press and broadcast regulation as well as discussions on fake news and how to regulate online harm. There is a section on intellectual property law, covering mainly copyright. Court reporting and how to report on children, young people and victims of sexual offences receive particular attention in this book with relevant cases in user-friendly format. The engaging writing style is aimed to enthuse students, practitioners and lecturers with plenty of examination and practice materials. The text is packed with extensive learning aids including case studies, boxed notes, sample examination questions, appendices of statutes and cases and a glossary. It is intended as a complete course textbook for students and teachers of journalism, media, communications and PR courses, focusing on diploma courses, NCTJ examinations and broadcast journalism courses such as the BJTC. The book’s international focus would also make it ideal reading for journalists from across the world who are working in the UK. The book presumes no prior legal knowledge.
The Spanish Communist exile and Francophone Holocaust writer Jorge Semprun (1923-) is a major contributor to contemporary debates on the politics and ethics of remembering the Franco era, Communism and the Holocaust in French, Spanish and broader European contexts. His sophisticated literary testimonies have become landmark texts not least for their commitment to represent the lived experience of history. In this first detailed study in English of Jorge Semprun's writing, Ursula Tidd shows how Semprun explores the parameters of self-writing as an address to the other in a richly intertextual corpus which weaves together history, fiction and auto/bio/thanatography, and gives voice to the traumatic experiences of geographical and political exile and concentration camp internment. Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester, UK.
From multi-award-winning, literary legend Ursula K. Le Guin comes a speculative fiction classic, The Eye of the Heron. In Victoria on a former prison colony, two exiled groups—the farmers of Shantih and the City dwellers—live in apparent harmony. All is not as it seems, however. While the peace-loving farmers labor endlessly to provide food for the City, the City Bosses rule the Shantih with an iron fist. When a group of farmers decide to form a new settlement further away, the Bosses retaliate by threatening to crush the "rebellion." Luz understands what it means to have no choices. Her father is a Boss and he has ruled over her life with the same iron fist. Luz wonders what it might be like to make her own choices. To be free to choose her own destiny. When the crisis over the new settlement reaches a flash point, Luz will have her chance. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hetti Crane has been a good woman all her life; good wife, a good mother, a good homemaker. It has always beenenough...until now. At age fifty-eight she finds herself a widow without anyincome or savings. Not able to pay the rent, she loses her hometoo. Hetti falls into a deep depression. She has only one wish; todie. But life demands to be lived. This is the story of her struggle to overcome hopelessness,homelessness, and, finally, confinement to a mental ward.
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