Ursula Trommeshauser was born in Leipzig, Germany, in the winter of 1928 and became a Canadian citizen in 1960. She lived through World War II and wrote her first book. A true memory, but persons’ names are fictional. A special thanks goes to Mr. Don Denovan and Udo and Terry Trommeshauser for their help and patience to get this book done.
Journey to Freedom won the Eudora Welty Memorial Award in the National League of American Pen Women's nationwide fiction writing contest. Set in war-torn Europe of 1944, Journey to Freedom takes the reader inside the world of a young woman who becomes the victim of Hitler’s Racial Laws. Juliet Nestor, daughter of an “Aryan” father and a Jewish mother, is classified a “Mischling” and no longer considered a German citizen. Deportation to a Labor Camp looms over her. Her search for a refuge takes her to rural Eastern Prussia and Poland. On her adventurous journey she falls in love with a young German officer. A bittersweet love story ensues. Two strong Polish women, Vera and Olga, along with Paulie, a vulnerable little boy, befriend Juliet and help her to overcome the tragic events she ultimately has to face. The turbulent last months of WWII take Juliet back to Germany. In a small Bavarian town she experiences the final days of Germany’s brutal regime. Peace signifies a new and exciting beginning, but for Juliet Nestor there are still hurdles to overcome and deep emotional wounds to heal. Surprises unfold that will mesmerize the reader.
A Companion to Nordic Cinema presents a collection of original essays that explore one of the world’s oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema’s engagement with global audiences through coverage of such topics as Dogme 95, the avant-garde filmmaking movement begun by Danish directors Lars von Trier and Thomas Vinterberg, and the global marketing and distribution of Nordic horror and Nordic noir Offers fresh investigations of the work of global auteurs such as Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, Aki Kaurismäki, and Roy Andersson. Includes essays on Danish and Swedish television dramas, Finland’s eco-documentary film production, the emerging tradition of Icelandic cinema, the changing dynamics of Scandinavian porn, and many more
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