John Buchan's name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock. Yet there was vastly more to 'JB'. He wrote more than a hundred books – fiction and non-fiction – and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul – given a state funeral when he died, a deeply admired and loved Governor-General of Canada. His teenage years in Glasgow's Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life contains, at its heart, an enduring love story. Ursula Buchan, his granddaughter, has drawn on recently discovered family documents to write this comprehensive and illuminating biography. With perception, style, wit and a penetratingly clear eye, she brings vividly to life this remarkable man and his times.
SHORTLISTED FOR INSPIRATIONAL BOOK OF THE YEAR AT THE 2014 GARDEN MEDIA GUILD AWARDS. The wonderfully evocative story of how Britain’s World War Two gardeners – with great ingenuity, invincible good humour and extraordinary fortitude – dug for victory on home turf. A Green and Pleasant Land tells the intriguing and inspiring story of how Britain's wartime government encouraged and cajoled its citizens to grow their own fruit and vegetables. As the Second World War began in earnest and a whole nation listened to wireless broadcasts, dug holes for Anderson shelters, counted their coupons and made do and mended, so too were they instructed to ‘Dig for Victory’. Ordinary people, as well as gardening experts, rose to the challenge: gardens, scrubland, allotments and even public parks were soon helping to feed a nation deprived of fresh produce. As Ursula Buchan reveals, this practical contribution to the Home Front was tackled with thrifty ingenuity, grumbling humour and extraordinary fortitude. The simple act of turning over soil and tending new plants became important psychologically for a population under constant threat of bombing and even invasion. Gardening reminded people that their country and its more innocent and insular pursuits were worth fighting for. Gardening in wartime Britain was a part of the fight for freedom.
Ursula Buchan shares with us her own experiences and gardening preferences: her dislike of herb gardens, and timid planting, her battles with plastic netting and problems with doing the church flowers. As well as a mine of practical information, Good in a Bed is an intriguing picture of the development of gardening during the 1980s and 1990s.
Here, Ursula Buchan shares with the reader her own experiences and preferences: her dislike of herb gardens and timid planting, her battles with plastic netting and problems with doing the church flowers. As well as a gold-mine of practical information, Good in a Bed is an intriguing picture of the development of gardening during the 1980s and 1990s.
Selected from the best of Ursula Buchan's journalism from the past 15 years, these writings demonstrate her individual take on gardening and modern gardeners. Politics, practicalities and personalities of the gardening world all find a place in this collection, alongside flowers, garden design, ecological friends and foes. She shivers at the thought of grass snakes, warms to the soft perfection of Shirley Poppies, hunts for plants in Nepal, fails to master machinery, pulls a fast one with climbers and somehow manages to give seaweed a good press.
Ursula Buchan shares with us her own experiences and gardening preferences: her dislike of herb gardens, and timid planting, her battles with plastic netting and problems with doing the church flowers. As well as a mine of practical information, Good in a Bed is an intriguing picture of the development of gardening during the 1980s and 1990s.
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Good Trip" is a short story originally published in the collection The Wind's Twelve Quarters.
Every novella by Ursula K. Le Guin, an icon in American literature, collected for the first time in one breathtaking volume. Ursula K. Le Guin has won multiple prizes and accolades from the Medal for Distinguished Contribution to American Letters to the Newbery Honor, the Nebula, Hugo, World Fantasy, and PEN/Malamud Awards. She has had her work collected over the years, but never as a complete retrospective of her longer works as represented in the wonderful The Found and the Lost. Includes: -Vaster Than Empires and More Slow -Buffalo Gals, Won't You Come Out Tonight -Hernes -The Matter of Seggri -Another Story or a Fisherman of the Inland Sea -Forgiveness Day -A Man of the People -A Woman's Liberation -Old Music and the Slave Women -The Finder -On the High Marsh -Dragonfly -Paradises Lost This collection is a literary treasure chest that belongs in every home library.
For more than four decades, Ursula K. Le Guin has enthralled readers with her imagination, clarity, and moral vision. The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and five Hugo and five Nebula Awards, this renowned writer has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity. Here are stories that explore complex social interactions and troublesome issues of gender and sex; that define and defy notions of personal relationships and of society itself; that examine loyalty, survival, and introversion; that bring to light the vicissitudes of slavery and the meaning of transformation, religion, and history. The first six tales in this spectacular volume are set in the author's signature world of the Ekumen, "my pseudo-coherent universe with holes in the elbows," as Le Guin describes it -- a world made familiar in her award-winning novel The Left Hand of Darkness. The seventh, title story was hailed by Publishers Weekly as "remarkable . . . a standout." The final offering in the collection, Paradises Lost, is a mesmerizing novella of space exploration and the pursuit of happiness. In her foreword, Ursula K. Le Guin writes, "to create difference-to establish strangeness-then to let the fiery arc of human emotion leap and close the gap: this acrobatics of the imagination fascinates and satisfies me as no other." In The Birthday of the World, this gifted literary acrobat exhibits a dazzling array of skills that will fascinate and satisfy us all.
This collection of mainstream stories, written from the early eighties to the mid-nineties, is a stunning example of the virtuosity of the legendary Ursula K. Le Guin. Diffusing the traditional boundaries of realism, magical realism, and surrealism, Le Guin finds the detail that reveals the strange in everyday life, or the unexpected depths of an ordinary person. Written with wit, zest, and a passionate sense of human frailty and toughness, Unlocking the Air is superb fiction by a beloved storyteller at the height of her power.
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Rule of Names" is a short story originally published in the collection The Wind's Twelve Quarters.
Jane has a city adventure in this fourth book in legendary author Ursula K. Le Guin’s bestselling Catwings chapter book series, now with a new look! Jane, the youngest of the Catwings, thinks that life on the farm is absolutely boring. Looking for adventure, she takes to the skies to explore all the world has to offer. But when she flies through the window of a friendly-seeming human, Jane finds herself captured—and forced to make TV appearances as Miss Mystery, the fabulous winged cat. How can she possibly explore the world now? Is there anywhere Jane can be truly free?
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Winter's King" is a short story originally published in the collection The Wind's Twelve Quarters.
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Things" is a short story originally published in the collection The Wind's Twelve Quarters.
Memer is a child of rape; when the Alds took the beautiful city of Ansul, they descecrated or destroyed everything of beauty. The Waylord they imprisoned and tortured for years until finally he is freed to return to his home. Though crippled, he is not destroyed. His life still has purpose. Memer is the daughter of his House, the daughter of his heart. The Alds, a people who love war, cannot and will not read: they believe that in words lie demons that will destroy the world. All the city's libraries, the great treasure trove of knowledge of ages past, are burned, except for those few volumes secreted inthe Waylord's hidden room. But times are changing. Gry Barre of Roddmant and Orrec Caspro of Caspromant have arrived in the city. Orrec is a story-teller, the most famous of all: he has the gift of making. His wife Gry's gift is that of calling; she walks with a halflion who both frightens and fascinates the Alds. This is Memer's story, and Gry's and Orrec's, and it is the story of a conquered people craving freedom.
Praise for Ursula K. Le Guin's short story collections: "It is the author's more serious work that displays her talents best. . . . [A] classy and valuable collection."—Publishers Weekly "A master of the craft."—Neil Gaiman The Unreal and the Real is a two-volume selection of Ursula K. Le Guin's best stories. It is a much-anticipated event and there is no doubt it will delight, amuse, and provoke. Where on Earth explores Le Guin's satirical, risky, political, and experimental earthbound stories. Ursula K. Le Guin has received the PEN–Malamud and National Book Awards, among others. She lives in Portland, Oregon.
She's showing no signs of losing her brilliance. She is unparalleled in creating fantasy peopled by finely drawn and complex characters... GIFTS has the simplicity of fairy tale and the power of myth' GUARDIAN 'Le Guin is a writer of phenomenal power' OBSERVER Orrec, the son of the Brantor of Caspromant, and Gry, daughter of the Brantors of Barre and Rodd, have grown up together, running half-wild across the Uplands. The people there are like their land: harsh and fierce and prideful; ever at war with each other. Only the gifts keep the fragile peace. The Barre gift is calling animals. The women of Cordemant have the power of blinding, or making deaf, or taking away speech. The Rodds can send a spellknife into a man's heart. The Callems can move heavy things - even buildings, even hills. The Caspro gift is the worst and best of all: it is the gift of undoing: an insect, an animal, a place ... Orrec and Gry are the heirs to Caspro and Barre. Gry's gift runs true, but she refuses to call animals for the hunt. Orrec too is a problem, for his gift of undoing is wild: he cannot control it - and that is the most dangerous gift of all ... GIFTS is Ursula Le Guin at her best: an exciting, moving story beautifully told.
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "April in Paris" is a short story originally published in the collection The Wind's Twelve Quarters.
North to Orsinia and the boundaries between reality and madness ... South to discover Antarctica with nine South American women ... West to find an enchanted harp and the borderland between life and death ... and onward to all points on and off the compass. Twenty astonishing stories from acclaimed author Ursula K. Le Guin carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.
Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about. Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive “dirt children” in a society of sword and silk, whose determination to enter “that possible even when unattainable space in which there is room for justice” leads to a violent and loving end. Plus: Le Guin’s scandalous and scorching Harper’s essay, “Staying Awake While We Read,” (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America’s best-known SF author. And delivers.
Set in the same universe as Le Guin’s The Left Hand of Darkness and The Dispossessed, these five linked Hainish stories follow far-future human colonies living in the distant solar system Here for the first time is the complete suite of five linked stories from Ursula K. Le Guin’s acclaimed Hainish series, which tells the history of the Ekumen, the galactic confederation of human colonies founded by the planet Hain. First published as Four Ways to Forgiveness, and now joined by a fifth story, Five Ways to Forgiveness focuses on the twin planets Werel and Yeowe—two worlds whose peoples, long known as “owners” and “assets,” together face an uncertain future after civil war and revolution. In “Betrayals” a retired science teacher must make peace with her new neighbor, a disgraced revolutionary leader. In “Forgiveness Day,” a female official from the Ekumen arrives to survey the situation on Werel and struggles against its rigidly patriarchal culture. Embedded within “A Man of the People,” which describes the coming of age of Havzhiva, an Ekumen ambassador to Yeowe, is Le Guin’s most sustained description of the Ur-planet Hain. “A Woman’s Liberation” is the remarkable narrative of Rakam, born an asset on Werel, who must twice escape from slavery to freedom. Joined to them is “Old Music and the Slave Women,” in which the charismatic Hainish embassy worker, who appears in two of the four original stories, returns for a tale of his own. Of this capstone tale Le Guin has written, “the character called Old Music began to tell me a fifth tale about the latter days of the civil war . . . I’m glad to see it joined to the others at last.”
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Darkness Box" is a short story originally published in the collection The Wind's Twelve Quarters.
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
Orsinia ... a land of medieval forests, stonewalled cities, and railways reaching into the mountains where the old gods dwell. A country where life is harsh, dreams are gentle, and people feel torn by powerful forces and fight to remain whole. In this enchanting collection, Ursula K. Le Guin brings to mainstream fiction the same compelling mastery of word and deed, of story and character, of violence and love, that has won her the Pushcart Prize, and the Kafka and National Book Awards.
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