The influence on the interplay of technical progress, imagination and functional variety in footbridges are different from those affecting large-scale bridges. This fact has resulted in an exhaustible variety of distinctive design, as is beautifully illustrated by the selection of footbridges shown in this book. Essays clearly explain the technical aspects and the aesthetic potential of different structure designs. Footbridges contains detailed presentations of 90 european bridges, with text, comprehensive and detail plans, and photographs taken especially for the volume. With projects by Arup, Jürg Conzett, Foster and Partners, Happold, Schlaich Bergermann and Partners, Wilkinson Eyre, Jiri Strasky and others. The examples are organized chronologically in thematically focused chapters: lightweight bridges, moving bridges, covered bridges, taut-ribbon suspension bridges, arch bridges, etc. For those whose curiosity is aroused by the insight given into this type of bridge building, a compilation of 120 more footbridges, listed by location, provide a starting point for further investigation. Ursula Baus is an independent architecture critic and the author of numerous books and technical articles. She teaches at Stuttgart University. Mike Schlaich is a professor of massive construction at the Technische Universität (Technical University) in Berlin and a partner of the firm Schlaich Bergermann and Partners. Wilfried Dechau is a photographer – he lives and works in Stuttgart and specializes in architecture, bridges, and portraits.
Bridges have become a focus of increased attention and awareness in the last ten years as highly visible elements that define the urban and nonurban landscape. This book contains detailed presentations of some sixty-five bridges from ten European countries, with text, comprehensive and detail plans, and photographs taken especially for the volume.
Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States. As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime.
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