The work opens with a critical review of developments in Protestant and Catholic Theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. From here, von Balthasar turns to the central theme of the volume: the question of theological knowledge. He re-examines the nature of Christian believing (here he quickly draws widely on such theological figures as Anselm, Pascal and Newman) which gives due place to the particular kind of 'knowing' which develops within the personal relationship to the believer to the God mediated through the revelation-form of Jesus Christ.
The work opens with a critical review of developments in Protestant and Catholic Theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. From here, von Balthasar turns to the central theme of the volume: the question of theological knowledge. He re-examines the nature of Christian believing (here he quickly draws widely on such theological figures as Anselm, Pascal and Newman) which gives due place to the particular kind of 'knowing' which develops within the personal relationship to the believer to the God mediated through the revelation-form of Jesus Christ.
opens with a critical review of developments in Protestant and Catholic theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. Then, von Balthasar turns to the central theme of the volume, the question of theological knowledge. He re-examines the nature of Christian believing, drawing widely on such theological figures as Anselm, Pascal and Newman.
initiates von Balthasar's study of the biblical vision and understanding of God's glory. Starting with the theopanies of the Patriarchal period, it shows how such glory is most fully expressed in the graciousness of the Covenant relationship between God and Israel.
This second edition of Hans Urs von Balthasar's book on Adrienne von Speyr is his personal introduction to the Swiss medical doctor, convert, and mystic, whose message and mission he believed to be vitally important for the Church. Von Balthasar was the spiritual director of von Speyr for almost thirty years as she progressed in the life of grace. She helped him to found the Community of Saint John, an international secular institute, and she wrote more than sixty books on various topics, including prayer, Scripture, sacraments, and saints, which continue to bear fruit for those seeking to deepen their understanding of Catholic spirituality and theology. This book contains three main sections. The first includes a short account of Adrienne's life, which describes her childhood, conversion, and mission; an analysis of her most important theological concerns; and an overview of her published and unpublished works. The second is a collection of enlightening statements that Adrienne made about herself, which illuminate both her exterior and interior life. The third section contains prayers that she herself wrote, which best reveal her spirit.
The Swiss theologian Huldrych Zwingli (1484–1531) was one of the most prominent reformers and the founder of the Reformed Protestant Church in the Swiss Confederation. During the last hundred years more than 200 titles from his private library have been discovered. They give an interesting insight into his interests and sources. The present book contains not only an extensive introduction and a catalogue of these books and manuscripts, but also an inventory of the lost works possessed by Zwingli. They open the door to Zwingli’s study and to the intellectual world of an important reformer.
The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.
Includes criticism and interpretation of the views of the New Testament, Origen, Augustine, Thomas Aquinas, and Maurice Blondel on Hell, salvation, and damnation.
This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama.
The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.
The fourth volume in von Balthasar's essays is built around the theme of Spirit and Institution, the two central features of the Church which Balthasar approaches from different angles. The third volume is built around the theme of the Holy Spirit as the Creator Spirit. The first volume was constructed around the mid-point of the Word become man, and the second volume around the Church which becomes configured to him. The first part of the book looks at who man is, and then examines the distinctively Christian experience of God. Part two is a whole section on the Church which includes topics like celibacy and the priesthood today, how we should love the Church, and understanding Christian mysticism. The third and final part is an eschatology in which Balthasar gives a brilliant summary of heaven, hell and purgatory.
Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.
Man has long wrestled with the problem of finding meaning in history. It is not surprising that, as a Christian, Hans Urs von Balthasar finds the meaning of history in Christ, its center and Lord. What may surprise and stimulate us is the theological mastery with which von Balthasar traces the effects of Christ's lordship upon the daily life of the Christian. In this book we have one of the indispensable sources for understanding Balthasar's Catholic Christocentrism. Here we find elaboration of the striking statement that Jesus Christ is "the Idea made concrete, personal, historical: universale concretum et personale"?which means that Christ is the universally valid in the here and now. Characteristic of von Balthasar, the book inspires spiritually as much as it informs theologically. Von Balthasar follows Saint Irenaeus in viewing theology through the drama of history, and presents Jesus Christ as the norm by which all history?secular history as well as salvation history?ought to be interpreted. As God, Jesus is the universal norm for all humanity who stands outside of history; as man he became particular within history. By seeking to become one with him, our own history becomes meaningful, purposeful, and significant.
Von Balthasar shows the tension between the necessary unity in Christianity and the diversity that should and must exist. Today when most people talk about pluralism and really mean dissent and rebellion, von Balthasar shows how genuine variety is both possible and desirable within Catholic unity.
Written in 1951 (with a second edition in 1961), this book takes its place within an impressive array of attempts to wrestle with Karl Barth's theology from a Catholic point of view. The book adopts the twofold strategy of presenting an exposition of "the whole of Barth's thought," while doing so for the purpose of a confessional dialogue among theologians. Not to be construed as an "Introduction to the Theology of Karl Barth," Balthasar's effort is to provide a Catholic response which, though not "official", nonetheless seeks to express a common direction and movement within Catholicism. The Theology of Karl Barth shows how a rethinking of basic issues in fundamental theology-concerning the relation of nature and grace, philosophy and theology, the "analogy of being" and the "analogy of faith"-might lead to a rapprochement between the two great rivers of Christianity, without compromising the center of gravity of either. In the process the book makes a major contribution to renewed understanding of Christianity in a secularized modern world. Co-published with Communio Books. "This reflection by one of the century's great Catholic theologians on the theology of one of the century's great Protestant theologians is an example of ecumenical dialogue at its best. One finds here a sympathetic and at the same time faithfully Catholic discussion of the major issues surrounding Barth's christocentricity. The appearance of an unabridged English translation of this book could hardly be more timely for the current religious situation in North America." - David L. Schindler, Gagnon Professor of Fundamental Theology, John Paul II Institute "No one should think he can quickly dispose of questions posed here offhandedly. It was precisely because writers were in the habit during the time of the Reformation of theologizing with a hammer that the split in the Church became irreparable. And to work at overcoming this split means much effort. Only the patient need apply." - Hans Urs von Balthasar
Virtually every aspect of Catholicism which is controversial within the Church or a stumbling block to non-Catholic Christians is treated in this book. Rather than avoiding what is most glaringly un-modern or what is most criticized by non-Catholics, Balthasar reviews these elements one by one, and shows how they are rooted in the central Christian mysteries and the commonly accepted tradition. What is specifically Catholic is not defended polemically, but described in such a way that others can see, even from their own point of view, the inner consistency with the mystery affirmed by all. Here is a form of thought which is truly ecumenical precisely because it is fully Catholic. "We are not only interested in those aspects of the mystery of the Roman Catholic Church which set her apart from the other Christian communities, but also to show how often they are central beliefs by describing what is specifically Catholic in such a way that the partner in dialogue can see, even from his own standpoint, the inner consistency." - Hans Urs von Balthasar
Preface by Henri Cardinal de Lubac Postscript and foreword by Jacques Servais, S.J. In the 1960's, Fr. Hans Urs von Balthasar gave two conferences in Paris on the subject of redemption. One considered the perspective of Christ the Redeemer. The other gave a view of the redemption from the perspective of Mary and the Church, consenting to the sacrifice of Jesus. These two conferences are what Fr. Jacques Servais, S.J., in his foreword calls "a lantern of the Word", shedding light amidst the advancing turmoil of the postconciliar period. These conferences were later collected by the eminent theologian Henri Cardinal de Lubac, S.J., in a single volume along with an anthology of meditations on the Passion by the mystic Adrienne von Speyr, and selected by von Balthasar. In this new edition, prepared for the centenary of the birth of Hans Urs von Balthasar, Fr. Servais, the director of Casa Balthasar in Rome, provides an extensive postscript illuminating the text along with the original preface by de Lubac. "I had the joy of knowing and associating with this renowned Swiss theologian. I am convinced that his theological reflections preserve their freshness and profound relevance undiminished to this day and that they incite many others to penetrate ever further into the depths of the mystery of the Faith, with such an authoritative guide leading them by the hand." - Pope Benedict XVI
This is the introduction to the second part of the trilogy which is von BalthasarÕs major work. The Glory of the Lord approaches revelation from the standpoint of the beautiful. The final part of the trilogy, the Theo-Logic, will treat Christian revelation from the standpoint of the true. In this first volume von Balthasar shows how many of the trends of modern theology (e.g. ÒeventÓ, ÒhistoryÓ, ÒorthopraxyÓ, ÒdialogueÓ, Òpolitical theologyÓ) point to an understanding of human and cosmic reality as a divine drama. He will then consider objections to such a theological dramatic theory and also the relationship between the Church and the theatre. This volume assembles the materials and the themes that will make it possible in subsequent volumes to develop this theological dramatic theory. "Émeeting Balthasar was for me the beginning of a lifelong friendship I can only be thankful for. Never again have I found anyone with such a comprehensive theological and humanistic education as Balthasar and de Lubac, and I cannot even begin to say how much I owe to my encounter with them." ÑJoseph Ratzinger (Pope Benedict XVI) Ê
This book is perhaps one of the most misunderstood works of Catholic theology of our time. Critics contend that von Balthasar espouses universalism, the idea that all men will certainly be saved. Yet, as von Balthasar insists, damnation is a real possibility for anyone. Indeed, he explores the nature of damnation with sobering clarity. At the same time, he contends that a deep understanding of God’s merciful love and human freedom, and a careful reading of the Catholic tradition, point to the possibility—not the certainty—that, in the end, all men will accept the salvation Christ won for all. For this all-embracing salvation, von Balthasar says, we may dare hope, we must pray and with God’s help we must work. The Catholic Church’s teaching on hell has been generally neglected by theologians, with the notable exception of von Balthasar. He grounds his reflections clearly in Sacred Scripture and Catholic teaching. While the Church asserts that certain individuals are in heaven (the saints), she never declares a specific individual to be in hell. In fact, the Church hopes that in their final moments of life, even the greatest sinners would have repented of their terrible sins, and be saved. Sacred Scripture states, “God ... desires all men to be saved and to come to the knowledge of the truth. For there is one God, and there is one mediator between God and man, the man Christ Jesus, who gave himself as a ransom for all” (1 Tim 2:4–5).
In Hans Urs von Balthasar's masterwork, The Glory of the Lord, the great theologian used the term "theological aesthetic" to describe what he believed to the most accurate method of interpreting the concept of divine love, as opposed to approaches founded on historical or scientific grounds. In this newly translated book, von Balthasar delves deeper into this exploration of what love means, what makes the divine love of God, and how we must become lovers of God in the footsteps of saints like Francis de Sales, John of the Cross and Therese of Lisieux. Based in the theological aesthetic form, Love Alone is Credible brings a fresh perspective on an oft-explored subject. A deeply insightful and profound theological meditation that serves to both deepen and inform the faith of the believer.
The fourth volume in von Balthasar's essays is built around the theme of Spirit and Institution, the two central features of the Church which Balthasar approaches from different angles. The third volume is built around the theme of the Holy Spirit as the Creator Spirit. The first volume was constructed around the mid-point of the Word become man, and the second volume around the Church which becomes configured to him. The first part of the book looks at who man is, and then examines the distinctively Christian experience of God. Part two is a whole section on the Church which includes topics like celibacy and the priesthood today, how we should love the Church, and understanding Christian mysticism. The third and final part is an eschatology in which Balthasar gives a brilliant summary of heaven, hell and purgatory.
From Luther to Kierkegaard, from Heidegger to Sartre, the theme of anguish has dominated both philosophy and spiritual theology. In our ""societies of depression"" where individuals confront their own loneliness, this theme has recently regained its intensity. In these dense and luminous pages, he is not content merely to show how much this feeling is profoundly inscribed in the heart and the word of God-from the Psalms to the Gospels-but he enters into intimate dialogue with contemporary thought and in particular its existentialist expression. For Balthasar, the Christian faith does not offer a ready made response, but is simultaneously a journey through the torment of the cross and the liberation from fear by the gift of grace. In the wake of a Bernanos, or a P覵y, Balthasar emphasizes how much confidence in God leads to a hope which is inexhaustible.
The second English-language edition of the Small Fragment Set Manual was enthusiastically received and quickly went into a second printing. In preparing a third edition, we found it necessary to revise the text extensively and partly restructure it. The reasons for this are numerous. Experience of recent years has brought technical refinements in the operative treatment of many types of small fracture. Many of these changes stem from the small-fragment-set training programs conducted in Switzerland since 1980, and also from courses and symposia that have been held in other European countries and the United States. These events were occasions for a fruitful ex change of experience with surgeons who were critical of our methods. As a result of this exchange, we perceived a need both to revise our indications and to give greater attention to alternative techniques. We also felt it necessary to respond to criticisms of the first two editions concerning the catalog-like instrument lists and illustrations, and the attention given to fundamental techniques. Many surgeons who work or would like to work with small implants, especially those practicing abroad, are inexperienced in operations on the larger bones. It is imperative that these colleagues be given a basic introduction to the "biomechanical thinking" of the Swiss Association for the Study of Internal Fixation (ASIF).
Based on the bestselling book, Rivers of North America, this new guide stands as the only primary source of complete and comparative baseline data on the biological and hydrological characteristics of more than 180 of the highest profile rivers in Europe. With numerous full-color photographs and maps, Rivers of Europe includes conservation information on current patterns of river use and the extent to which human society has exploited and impacted them. Rivers of Europe provides the information ecologists and conservation managers need to better assess their management and meet the EU legislative good governance targets. - Coverage on more than 180 European rivers - Summarizes biological, ecological and biodiversity characteristics - Provides conservation managers with information to resolve conflicts between recreational use of rivers, their use as a water supply, and the need to conserve natural habitats - Data on river hydrology (maximum , minimum and average flow rates), seasonal variation in water flow - Numerous full-color photographs - Information on the underlying geology and its affect on river behaviour
Architecture in Dialogue with an Activated Ground sets out to validate the role of the unreasonable in the design process. Using case study projects, architect Urs Bette gives an insight into the epistemological processes of his creative practice, and unveils the strategies he deploys in order to facilitate the poetic aspects of architecture within a discourse whose evaluation parameters predominantly involve reason. Themes discussed include the emergence of space from the staged opposition between the architectural object and the site, and the relationship between emotive cognition and analytic synthesis in the design act. In both cases, there is a necessary engagement with forms of ‘unreasonable’ thought, action or behaviours. By arguing for the usefulness and validity of the unreasonable in architecture, and by investigating the performative relationship between object and ground, Bette contributes to the discourse on extensions, growth and urban densification that tap into local histories and voices, including those of the seemingly inanimate – the architecture itself and the ground it sits upon – to inform the site-related production of architectural character and space. In doing so, he raises debates about the values pursued in design approval processes, and the ways in which site-relatedness is both produced and judged.
What differentiates Christianity from other religions? Key to Christian self-understanding is the recognition of the importance and glorification of divine love. In this sketch Balthasar presents a theological aesthetic that covers both the study of perception and the self-expression of divine glory. Christian belief is thus re-assessed through the lens which sees the glory of God's love."--
The third volume of Theo-Drama is considered the most central book of Fr. von Balthasar's entire theological project. Structrually it is the middle volume of the middle part of his theological trilogy: Glory of the Lord, Theo-Drama, and Theo-Logic. More significantly, it contains von Balthasar's synthetic treatment of the central mysteries of the Catholic Faith: Christ, Mary, the Church, man and the Trinity. The various elements of von Balthasar's theological reflection converge here, and here as nowhere else one can find the systematic elaboration of his Christology, Mariology, ecclesiology, anthropology and trinitarian doctrine. It is both a one-volume compendium of this theology and a key to his trilogy and other writings.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Defend your system against the real threat of computer viruses with help from this comprehensive resource. Up-do-date and informative, this book presents a full-scale analysis on computer virus protection. Through use of case studies depicting actual virus infestations, this guide provides both the technical knowledge and practical solutions necessary to guard against the increasing threat of virus attacks.
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