This book offers a systematic introduction to the linguistic analysis of newspaper reports on crime. The author demonstrates how the linguistic analysis of newspaper texts helps to gain insight into the construction of offenders and victims in those texts and links the findings to criminological frameworks. Tabbert employs Critical Stylistics to explore the description of participants, the presentation of speech as well as actions, states or events, and other linguistic devices employed by journalists to present a particular image of an offender or a victim in the press. This book shows the fruitfulness of an interdisciplinary approach to reveal predominant discourse on crime in society and will be of great interest to researchers in linguistics, criminology and media studies.
Reports on crime in newspapers do not provide a neutral representation of criminals and their offences but instead construct them in accordance with societal discourse surrounding this issue. This book takes an interdisciplinary approach at the intersection of Linguistics, Criminology, and Media Studies and demonstrates how Linguistics can contribute to the study of crime in the media. By combining the tools offered by Corpus Linguistics and Critical Stylistics (a text-based framework for Critical Discourse Analysis), evidence is provided for predominant perceptions of crime and their underlying ideologies in both British and German society. This study names and illustrates the most significant linguistic devices used to construct offenders, victims, and crimes in two newspaper corpora compiled from the German and British press. These devices are then linked to criminological frameworks.
This book offers a systematic introduction to the linguistic analysis of newspaper reports on crime. The author demonstrates how the linguistic analysis of newspaper texts helps to gain insight into the construction of offenders and victims in those texts and links the findings to criminological frameworks. Tabbert employs Critical Stylistics to explore the description of participants, the presentation of speech as well as actions, states or events, and other linguistic devices employed by journalists to present a particular image of an offender or a victim in the press. This book shows the fruitfulness of an interdisciplinary approach to reveal predominant discourse on crime in society and will be of great interest to researchers in linguistics, criminology and media studies.
This book explores poetry by Sherko Bekas, a Kurdish writer and Swedish Tucholsky award winner, providing contextualising biography (with original new information from an interview with his son) and critical stylistic analyses of two selected poems. The authors also include a section on the Kurdish language and translation of the poems into English. There are very few English translations of some of Bekas' poems and no book so far on the stylistic or even linguistic analysis of his work, with the result that Bekas is not widely known in the "Western" world. This book aims to fill this lacuna in the literary and linguistic canon, and it will be of interest to students and scholars of Translation, Stylistics, Middle Eastern History and Literature.
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
Reports on crime in newspapers do not provide a neutral representation of criminals and their offences but instead construct them in accordance with societal discourse surrounding this issue. This book takes an interdisciplinary approach at the intersection of Linguistics, Criminology, and Media Studies and demonstrates how Linguistics can contribute to the study of crime in the media. By combining the tools offered by Corpus Linguistics and Critical Stylistics (a text-based framework for Critical Discourse Analysis), evidence is provided for predominant perceptions of crime and their underlying ideologies in both British and German society. This study names and illustrates the most significant linguistic devices used to construct offenders, victims, and crimes in two newspaper corpora compiled from the German and British press. These devices are then linked to criminological frameworks.
This book explores poetry by Sherko Bekas, a Kurdish writer and Swedish Tucholsky award winner, providing contextualising biography (with original new information from an interview with his son) and critical stylistic analyses of two selected poems. The authors also include a section on the Kurdish language and translation of the poems into English. There are very few English translations of some of Bekas' poems and no book so far on the stylistic or even linguistic analysis of his work, with the result that Bekas is not widely known in the "Western" world. This book aims to fill this lacuna in the literary and linguistic canon, and it will be of interest to students and scholars of Translation, Stylistics, Middle Eastern History and Literature.
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