Theatre of Real People offers fresh perspectives on the current fascination with putting people on stage who present aspects of their own lives and who are not usually trained actors. After providing a history of this mode of performance, and theoretical frameworks for its analysis, the book focuses on work developed by seminal practitioners at Berlin's Hebbel am Ufer (HAU) production house. It invites the reader to explore the HAU's innovative approach to Theatre of Real People, authenticity and cultural diversity during the period of Matthias Lilienthal's leadership (2003–12). Garde and Mumford also elucidate how Theatre of Real People can create and destabilise a sense of the authentic, and suggest how Authenticity-Effects can present new ways of perceiving diverse and unfamiliar people. Through a detailed analysis of key HAU productions such as Lilienthal's brainchild X-Apartments, Mobile Academy's Blackmarket, and Rimini Protokoll's 100% City, the book explores both the artistic agenda of an important European theatre institution, and a crucial aspect of contemporary theatre's social engagement.
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
Recent socially engaged Western theatre has shown an intense fascination with putting contemporary people on stage. This text analyses how innovative forms of this theatre present and invite encounters between participants from diverse backgrounds through a study of the work arising from Germany's Hebbel am Ufer theatre in Berlin. In so doing it opens up the work of an important European theatre and illuminates a distinct and prevalent mode of performance and aesthetic trend.
Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage. With central examples drawn from Australia and Germany from the 1930s to the present day, the book considers theatre and internationalization through a range of theoretical lenses and methodological practices, including archival research, aviation history, theatre historiography, arts policy, organizational theory, language analysis, academic-practitioner insights, and literary-textual studies. While drawing attention to the ways in which theatre and internationalization might be contributing productively to each other and to the communities in which they operate, it also acknowledges the limits and problematic aspects of internationalization. Taking an unusually wide approach to theatre, the book includes chapters by specialists in popular commercial theatre, disability theatre, Indigenous performance, theatre by and for refugees and other migrants, young people as performers, opera and operetta, and spoken art theatre. An excellent resource for academics and students of theatre and performance studies, especially in the fields of spoken theatre, opera and operetta studies, and migrant theatre, Theatre and Internationalization explores how theatre shapes and is shaped by international flows of people, funds, practices, and works.
Although Alzheimer's disease has been well documented throughout the twentieth century, no biography has been written of the man who was its namesake. This biography is the first, and it covers the life of Alois Alzheimer (1864-1915), his discovery of the disease that currently afflicts some thirty to forty million people, and his subsequent research.
This book is the first English translation of the German architect Bruno Taut’s early twentieth-century anthology Die Stadtkrone (The City Crown). Written under the influence of World War I, Taut developed The City Crown to promote a utopian urban concept where people would live in a garden city of ’apolitical socialism’ and peaceful collaboration around a single purpose-free crystalline structure. Taut’s proposal sought to advance the garden city idea of Ebenezer Howard and rural aesthetic of Camillo Sitte’s urban planning schemes by merging them with his own ’city crown’ concept. The book also contains contributions by the Expressionist poet Paul Scheerbart, the writer and politician Erich Baron and the architectural critic Adolf Behne. Although the original German text was republished in 2002, only the title essay of The City Crown has previously been translated into English. This English translation of Taut’s full anthology, complete with all illustrations and supplementary texts, fills a significant gap in the literature on early modern architecture in Germany and the history of urban design. It includes a translators’ preface, introduction and afterword to accompany the original composition of essays, poems, designs and images. These original texts are accompanied by illustrations of Taut’s own designs for a utopian garden city of 300,000 inhabitants and over 40 additional historic and contemporary examples. The new preface to The City Crown explains the premise for the English translation of Taut’s anthology, its organization and the approaches taken by the translators to maintain the four different voices included in the original work. Matthew Mindrup’s introduction critically examines the professional and intellectual developments leading up to and supporting Bruno Taut’s proposal to advance the English garden city concept with a centralized communal structure of glass, the city crown. Through the careful examination of original
Explore the bustling, cosmopolitan playground of Sydney or dive in to a wonderland of coral gardens and colorful sea life. Discover an adventure-lover's paradise with Moon Sydney & The Great Barrier Reef. Inside you'll find: Strategic itineraries ranging from five days to two weeks, with ideas for divers, wildlife enthusiasts, beachgoers, history buffs, families with kids, and more The top sights and unique experiences: See the iconic Sydney Opera House, stroll past the ferries crisscrossing the harbor, and get a feel for Sydney's history at The Rocks. Learn to surf at Bondi Beach or stroll along the pine tree-lined promenade at Manly Beach. Get up close and personal with the animals at Taronga Zoo, snorkel and dive the Great Barrier Reef, spot crocodiles on the Daintree River, or take a cablecar ride above the rainforest's canopy in Kuranda. Indulge in a four-course meal with stunning harbor views at Quay, sample fresh oysters, or feast on a casual meal beachside after a long day of swimming and exploring Honest advice on when to go, how to get around, and where to stay from expert traveler Ulrike Lemmin-Woolfrey Detailed maps and full-color photos throughout Background information on health and safety, the landscape, history, and culture, plus a 30-page guide to Australia's diverse wildlife, including koalas, kangaroos, and platypuses Full coverage of Sydney, the Southern Reef, Townsville and nearby islands, Cairns, Port Douglas, and more With Moon Sydney's expert advice and local insight, you can have the trip of a lifetime. Exploring more of the South Pacific? Check out Moon New Zealand or Moon Fiji.
Ulrike Lemmin-Woolfrey has lived in more than five countries, and her current residency in Australia has made her an expert at life "down under." Lemmin-Woolfrey provides insight and firsthand advice on making the move to Australia, and she outlines all the information needed in a smart, organized, and straightforward manner. Moon Living Abroad in Australia makes the moving and transition process easy for businesspeople, students, teachers, retirees, and professionals. Moon Living Abroad in Australia is packed with essential information and must-have details on setting up daily life, including obtaining visas, arranging finances, gaining employment, choosing schools, and finding health care. This relocation guide also includes practical advice on how to rent or buy a home for a variety of needs and budgets, whether it's an apartment in Sydney or a home across the continent in Perth.
Biogenic toxins are fascinating natural products characterized by an enormous diversity of chemical structures and pharmacological activities. They not only pose hazards to humans and animals, but they are important components in the interplay of substances and living beings in nature and, moreover, important sources for new drugs. The present book is the first volume of the 5-volume series "Natural Poisons and Venoms". Volumes 1-3 cover poisons produced by plants, volume 4 summarizes poisons and venoms of animals and volume 5 deal with poisons of fungi, cyanobacteria, and other microorganisms. This volume starts with a fundamental chapter on history, chemistry and pharmacology of natural toxins, importance of the toxins for their producer, potential danger for humans and animals, and general aspects of toxicology including notes for first aid and proposals for clinical measures. The following chapters focus on the poisonous representatives of terpenes and the related steroids. The reader will be informed about the botany and occurrence of plants producing these toxins, the chemistry, the biogenesis and the pharmacology of the toxins, possible causes of poisonings, precautions to avoid poisonings, symptoms of poisonings of humans and animals, proposals for treatment measures and the possible usefulness, in the past, in present and in the future, of these toxins, especially for the development of new medicines. Numerous images of plants and chemical structural formulas complete the book. Extensive lists of literature references are given. The handbook is intended for physicians, veterinarians, pharmacists, chemists, biochemists, food chemists and biologists, for the students in the relevant fields, and also for interested laymen. You will be informed about all aspects of natural toxins based on the latest knowledge.
Yeshua Unlocked tells the story of Jesus in a unique way. It traces Jesus' life chronologically by splicing the four gospels in their entirety, without omitting anything. At the same time it intertwines the cultural, political, religious and Old Testament context in which Jesus lived. As a result the readers is brought face to face with the person of Jesus ...
As the portrait of a fringe group, this book invites the reader to engage with the phenomenon of outcasts; it orders the rich material – which has grown out of numerous projects of artistic research with female drug users in European prisons and therapy institutions – and sets it into context. In this way, the conditions which have become structurally embedded in social processes are laid open and made perceptible as a matter of public concern. The biographical and artistic work with the inmates, the correspondence, the interventions in the isolated, public, and cultural sphere, the minutes, reflections, and results of the interdisciplinary exchange with scientists are comprehensively documented and illustrated.
I'm an outright rationalist, an atheist, left the church at eighteen, I have never been interested in mysticism, the occult, telepathy or anything of that sort ... Whenever it's a question of having to believe in something instead of being given proof, I opt out ..." After her daughter has died in a riding accident, Valerie's world becomes completely unhinged. Suddenly a horse called Gitanes turns up and declares he is a medicine horse and has come to heal her soul. The horse owner, Tom, a half-breed Indian, invites Valerie to join him on a journey to Arizona in the USA. There amongst the descendants of native Americans Valerie undergoes spiritual initiation into unknown worlds. Gradually she becomes aware of the special gifts horses have ...
After World War II Berlin became one of the playgrounds of the Cold War; the Berlin Wall made the division between East and West, between ‘capitalism’ and ‘communism’ in 1961 highly visible, though it did remove Berlin from front-line politics. East and West Berlin had turned into shop-windows of ideologies – West Berlin representing the lure of a market economy, East Berlin the promise of socialism. It is, then, fitting that the fall of the Wall in 1989 awarded Berlin such a prominent role. It was here that the development after Reunification of East and West became a closely observed event – and, well beyond Germany, Berlin appeared to represent fundamental developments throughout Europe at the time. Today, Berlin is the capital of reunified Germany and therefore one of the key political players in the European Union (EU) and it’s now a desirable destination for young entrepreneurs. The Historical Dictionary of Berlin contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 300 cross-referenced entries on important personalities, places, institutions, and events. This book is an excellent resource for students, researchers, and anyone wanting to know more about Berlin.
This book offers a detailed study of how the practices and notions of the Basel Mission regarding women and gender were received, conceptualised and negotiated in local terms in pre and early colonial Ghanaian societies, 1843-1885.
For nearly three decades The LaTeX Companion has been the essential resource for anyone using LaTeX to create high-quality documents. Just like the earlier editions, this completely updated third edition is designed to serve as the stable core resource for users: covering all aspects of document production, from detailed micro-typography questions and macro-typography (heading design, lists, mathematics, tables, graphics, fonts, page-layout, etc.) to bibliography and index production. All chapters have been thoroughly revised and in many cases largely extended to describe new important functionality and features. More than 5,000 add-on packages have been analyzed in detail, out of which roughly 10% have been chosen for inclusion in The LaTeX Companion. All important aspects of these packages are described to provide the user once again with a satisfying one-stop-shop experience for the decade to come. Following the concept of the earlier versions, the new edition is full of novel tips and tricks for using LaTeX in both traditional and modern typesetting, and also shows you how to customize layout features to your own needs--from phrases and paragraphs to headings, lists, and pages. Inside you will find: Expert advice on using LaTeX's formatting tools to create publications of all types and sizes--memos, articles, books, or even encyclopedias. In-depth coverage of all essential extension packages--e.g., for tabular and technical typesetting, floats and captions, multicolumn layouts, graphics, or font selection--including discussions of the underlying typographic and TeXnical concepts. Detailed techniques for generating and typesetting contents lists, bibliographies, indexes, etc. Full coverage of the latest packages for all types of documents--mathematical, multilingual, and many more. Tips and tricks for LaTeX programmers and systems support. Detailed help on all error messages, including those troublesome low-level TeX errors. New to this edition: Inclusion of, or more details on, important new or changed large-scale packages, e.g., biblatex, fontspec, hyperref, mathtools, siunitx, tcolorbox, tikz, and unicode-math, to name just a few. Coverage of newer engine developments, e.g., the use of Unicode engines with LaTeX. Discussion of all vital changes to LaTeX itself, which is undergoing a transformation to keep it relevant in the years to come. Examples are the new hook management system for LaTeX, the extended document command syntax, and the inclusion of the LaTeX3 programming layer into the LaTeX format. Inclusion of many new, useful (smaller) packages in all chapters--each offering additional functionality. Two new chapters devoted to the use of high-quality fonts for text and math (OpenType, TrueType, and Type 1), now available for use with LaTeX. They offer a comprehensive set of samples to choose from (more than 120 text font families and 40 math font layouts), compiled with the help of an expert font designer. Revised discussions of multi-lingual support by the authors of the babel system to typeset text from a wide range of languages and cultures. The chapter on bibliography generation now also covers the styles made available with biblatex and biber. More than 1,500 fully tested examples (an increase of 30%) that illustrate the text and solve typographical and technical problems--all ready to run! In short, the two parts of The LaTeX Companion, Third Edition, cover all you need to know about LaTeX use in the twenty-first century, while also offering expertly curated discussions of the best add-on packages now available--over 500 are covered! The examples can be downloaded from https://ctan.org/pkg/tlc3-examples. Register your book for convenient access to downloads, updates, and/or corrections as they become available.
In the Hobsbawmian long 19th century, gender and processes of sexualization and feminization have been crucial in the construction of the »Jewish Other«. Ulrike Brunotte explores how these processes came about by addressing imaginative, aesthetic, and epistemological questions. She analyzes how literature, psychoanalysis and the performing arts traverse and react to the ambivalence of racialized stereotypes. The »femininity puzzle« presents itself in two ways: first in the role of effeminization of the male Jew in antisemitic discourse, and then in the transgressive forms of femininity connected to Jewish women, especially the allosemitic orientalization in the figure of the »Beautiful Jewess«.
Living into Inheritance: A Winter Solstice Observance By: Gabriele Ulrike Stauf, Ph.D Living into Inheritance: A Winter Solstice Observance is a collection of poems describing a woman's journey. As in most life journeys, the poems reflect ambivalence, self-doubt, daring, loss, and resolution to questions that accompany the unfolding of life. Resolution to struggles is possible and revelatory of deep truths. The uniqueness of the book derives from the turns of phrase used to express emotions and questions. It reflects both the immigrant experience and the absence of a parental figure. The poet's point of view is shaped by these two aspects of her life. It is a true sense of community, especially for those readers whose life experiences have presented them with the task of reconciling loss and finding a path uniquely their own.
Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage. With central examples drawn from Australia and Germany from the 1930s to the present day, the book considers theatre and internationalization through a range of theoretical lenses and methodological practices, including archival research, aviation history, theatre historiography, arts policy, organizational theory, language analysis, academic-practitioner insights, and literary-textual studies. While drawing attention to the ways in which theatre and internationalization might be contributing productively to each other and to the communities in which they operate, it also acknowledges the limits and problematic aspects of internationalization. Taking an unusually wide approach to theatre, the book includes chapters by specialists in popular commercial theatre, disability theatre, Indigenous performance, theatre by and for refugees and other migrants, young people as performers, opera and operetta, and spoken art theatre. An excellent resource for academics and students of theatre and performance studies, especially in the fields of spoken theatre, opera and operetta studies, and migrant theatre, Theatre and Internationalization explores how theatre shapes and is shaped by international flows of people, funds, practices, and works.
This book is the first English translation of the German architect Bruno Taut’s early twentieth-century anthology Die Stadtkrone (The City Crown). Written under the influence of World War I, Taut developed The City Crown to promote a utopian urban concept where people would live in a garden city of ’apolitical socialism’ and peaceful collaboration around a single purpose-free crystalline structure. Taut’s proposal sought to advance the garden city idea of Ebenezer Howard and rural aesthetic of Camillo Sitte’s urban planning schemes by merging them with his own ’city crown’ concept. The book also contains contributions by the Expressionist poet Paul Scheerbart, the writer and politician Erich Baron and the architectural critic Adolf Behne. Although the original German text was republished in 2002, only the title essay of The City Crown has previously been translated into English. This English translation of Taut’s full anthology, complete with all illustrations and supplementary texts, fills a significant gap in the literature on early modern architecture in Germany and the history of urban design. It includes a translators’ preface, introduction and afterword to accompany the original composition of essays, poems, designs and images. These original texts are accompanied by illustrations of Taut’s own designs for a utopian garden city of 300,000 inhabitants and over 40 additional historic and contemporary examples. The new preface to The City Crown explains the premise for the English translation of Taut’s anthology, its organization and the approaches taken by the translators to maintain the four different voices included in the original work. Matthew Mindrup’s introduction critically examines the professional and intellectual developments leading up to and supporting Bruno Taut’s proposal to advance the English garden city concept with a centralized communal structure of glass, the city crown. Through the careful examination of original
How can there be only one dedicated hospital in the country for our children?' When Madiba asked this question, he sowed the seeds of a challenge that would grow into a legacy. A seed may be small but its size is disproportionate to what it can become over time. The Nelson Mandela Children's Hospital was a project that seemed impossible when it was just an idea that started with ten people seated around a dinner table. As they discussed the state of healthcare in the country and shared their experiences, they realised that it was the children of Southern Africa who were the most disadvantaged by the lack of dedicated paediatric facilities. At the end of the evening a statement by the late Dr Nthato Motlana took hold and became the catalyst for a remarkable journey: 'I will speak to Nelson,' he said. With South Africa's first democratically elected president Nelson Mandela's backing, the board of the Children's Fund was inspired to take up the challenge to address this vital need. After years of global research and advice from experts in numerous different fields a Trust was formed to oversee the project and, critically, to set about raising the one billion rand it would take to build, equip and staff a state-of-the-art children's hospital. The stories behind the planning for, fundraising and building of the Nelson Mandela Children's Hospital are inspiring, personal, and sometimes heart-breaking. It was a long and arduous journey, beset with difficulties, but the dedicated team's commitment and courage prevailed to create a living legacy that will truly impact the lives of children for generations to come. Today, the Nelson Mandela Children's Hospital in Johannesburg is a proud testimony to a uniquely African story which honours the memory of a great statesman and celebrates the children for whom he cared so deeply.
Research in and on architecture is as complex as the discipline itself with its different specialist fields, and therefore the results often remain unconnected. Research Culture in Architecture combines digital and analog research issues and demonstrates how important cross-disciplinary cooperation in architecture is today. The complexity and increasing specialization are elaborated on in the various chapters and then linked to the core of architecture, i.e. design. Scientists from the theoretical and practical fields present research results in the following subjects: "design methodology", "architectural space, perception, and the human body", "analog and digital timber construction", "visualization", "robotics", "architectural practice and research", and "sustainability".
Since the mid-1990s, the black experience in Britain has begun to be (re)negotiated intensely, with a strong focus on history. Narrative Projections of a Black British History considers narratives that construct, or engage with, aspects of a black British history. Part I poses the question of what sort of narratives have emerged from, and in turn determine, key events (such as the iconic 'Windrush' moment) and developments and provides basic insights into theoretical frameworks. It also offers a large number of comparative readings, considering both 'factual' and 'fictional' forms of representation such as history books, documentary films, life writing, novels, and drama, and identifies main strands, 'official' narratives and countercurrents. Part II embarks on close readings and analyses of a selection of narratives that can be classed as reactions to the 'established' historical culture. Overall, the book draws attention to collective currents and individual positions, affirmative and critical approaches: Together, they form a representative image of a specific moment in the ongoing debate about a black British history.
This book is a work of political archaeology. It focuses on the people and events at a particular colonial farm in Germantown, Pennsylvania; their stories provide a micro and macro view of economic, social, demographic, and agro-ecological change. Cresheim Farm shows how one mostly unknown but strategically placed piece of land—home to an extraordinary array of people, including early anti-slavery and anti-Nazi activists, the first woman editor of the Saturday Evening Post and a robber baron—can tell, affect and reflect the history of a nation. The writing is historically grounded and academic, future-oriented, deeply researched, and immediate. Cresheim Farm serves as a lens through which to observe and understand social forces, such as the launching point of freedom and democracy movements, white privilege, slavery, and genocidal westward expansion. The past lives on in all of us.
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
Viola has nothing left to lose. Her husband and children died in a car accident. Since then, the writer has not written a line. Trying to find serenity, she books a lonely cottage at the Jamaican ocean front. Destiny wants her to meet Patrick, a charismatic businessman and Daniel, a truly Jamaican horse trainer. The unique beauty of the Caribbean island, the blessed people, their hard struggle and the encounters with the two so different men give her life a completely new turn. Little by little she finds love again - in a place where Viola would never have expected it.
Drawing on the experiences of thirty-seven diverse women who are active in the AIDS and breast cancer movements, The Personal and the Political provides an in-depth look at the social and political dimensions of AIDS and breast cancer within the context of social movement and feminist theories. While it is generally assumed that activists' reasons for getting involved in either the AIDS or breast cancer movements differ, Boehmer uncovers similarity in women's motivations, finding that activism depends on both a personal and a political link to the disease. The work pays particular attention to diversity issues such as race, class, and sexual orientation and explores the women's motivations, how they view their activism, and how their activism relates to their identities. The author lets the women speak for themselves, interspersing their voices throughout the text. The book highlights similarities and differences between the activists in both movements and between the movements themselves, offering some intriguing conclusions.
In The Other in the School Stories: A Phenomenon in British Children’s Literature Ulrike Pesold examines the portrayal of class, gender, race and ethnicity in selected school stories and shows how the treatment of the Other develops over a period of a century and a half. The study also highlights the transition from the traditional school story to the witch school story that by now has become a subgenre of its own. The school stories that are analysed include selected works by Thomas Hughes, Rudyard Kipling, Enid Blyton and J.K. Rowling.
The study aims to describe value-formations in the area of family life and partnership in West and East Germany, the Czech Republic and Poland. The analysis of personal advertisements allowed the identification of basic values and attitudes that shape a culturally specific concept of life and partnership in each society. The comparison showed a systematic relationship: specifics in economic conditions, historical heritage and national past effect the idea of a good life and a good partnership.
If God is really Love, why does God have to punish wrongdoing? Why is sin such a big deal to God? And if God is really Love, why is his punishment for wrongdoing so harsh? Why death? There comes a point when the traditional answers to questions such as these no longer really satisfy, but throw up yet more questions: does God value justice more than relationship? Why is God so hell-bent on perfection? What kind of God is unable to forgive without punishment? Why does someone have to die in order for relationship with God to take place? Can this kind of God really be trusted? This book digs deep into the Bible as it tackles these questions head-on - with refreshing, inspiring and faith-building conclusions ... and without a single pat answer!
Buildings can breathe naturally, without the use of mechanical systems, if you design the spaces properly. This accessible and thorough guide shows you how in more than 260 color diagrams and photographs illustrating case studies and CFD simulations. You can achieve truly natural ventilation, by considering the building's structure, envelope, energy use, and form, as well as giving the occupants thermal comfort and healthy indoor air. By using scientific and architectural visualization tools included here, you can develop ventilation strategies without an engineering background. Handy sections that summarize the science, explain rules of thumb, and detail the latest research in thermal and fluid dynamics will keep your designs sustainable, energy efficient, and up-to-date.
This commentary offers the reader a set of letters (or letter parts) written by Cicero, Paul, and Seneca, which have been selected against the Transformational Leadership categories of ‘idealised influence’, ‘inspirational motivation’, ‘intellectual stimulation’, and ‘individualised consideration’. Chapter 1 offers introduction into authors and theory: all three letter writers are considered as ancient leadership figures composing leadership letters. The letters selected are presented in original text facing a translation (Chapter 2). Chapter 3 provides analysis and discussion of each letter, and aims to introduce the reader to the historical and literary contexts before reading the letter through the lenses of Transformational Leadership theory. Chapter 4 sums up the findings on each letter and each letter writer in light of Transformational Leadership and its categories. The volume is aimed at all those who are studying the function of ancient letter-writing – especially the letters of Cicero, Paul, or Seneca.
Theatre of Real People offers fresh perspectives on the current fascination with putting people on stage who present aspects of their own lives and who are not usually trained actors. After providing a history of this mode of performance, and theoretical frameworks for its analysis, the book focuses on work developed by seminal practitioners at Berlin's Hebbel am Ufer (HAU) production house. It invites the reader to explore the HAU's innovative approach to Theatre of Real People, authenticity and cultural diversity during the period of Matthias Lilienthal's leadership (2003–12). Garde and Mumford also elucidate how Theatre of Real People can create and destabilise a sense of the authentic, and suggest how Authenticity-Effects can present new ways of perceiving diverse and unfamiliar people. Through a detailed analysis of key HAU productions such as Lilienthal's brainchild X-Apartments, Mobile Academy's Blackmarket, and Rimini Protokoll's 100% City, the book explores both the artistic agenda of an important European theatre institution, and a crucial aspect of contemporary theatre's social engagement.
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