In this planning guide, the renowned lighting designer Ulrike Brandi documents all her findings on the topics of lighting design, daylight, sustainability and healthy living spaces. It is a challenge to create holistic lighting design in times of advancing mechanization, but it is the right thing to do in terms of achieving sustainability in the use of light and energy. The renowned lighting designer Ulrike Brandi explains this attitude with the words, “It’s better to make the most of natural light from the start, rather than compensating with artificial light afterwards”. The guideline Light Nature Architecture proves how essential, but also simple, it is to integrate natural light into architectural planning and thus into the design of healthy and pleasant living and working environments. This richly illustrated handbook is structured based on natural light phenomena and combines Ulrike Brandi’s wealth of experience, theoretical principles, and design methods to create a reference work and source of inspiration. Richly illustrated basic work for holistic lighting design Insight into the extensive practical experience and the individual approach of the renowned lighting designer Ulrike Brandi Source of inspiration for professional planners, architects and laypeople Available in English and German (Licht Natur Architektur, ISBN 9783035624083)
Kompakte, systematische Einführung in die Grundlagen der Tages- und Kunstlichtplanung Mehr als jedes verwendete Material bestimmt das Licht Raumwirkungen, erzeugt Stimmungen, inszeniert Architektur. In gut belichteten Räumen fühlen wir uns wohl und sind leistungsfähig, Licht fördert die Gesundheit. Darüber hinaus trägt eine sinnvolle Tages- und darauf abgestimmte Kunstlichtplanung - gerade in Bürogebäuden - wesentlich zur Energieeinsparung bei. Zusammengestellt von erfahrenen Fachautoren aus Praxis und Lehre, bietet der neue Band der Reihe Detail Praxis wichtige Grundlagen zur Tages- und Kunstlichtplanung. Neben einfachen Planungsregeln wie Grundrissgestaltung, Gebäudeorientierung und Fassadengliederung werden aktuelle Tages- und Kunstlichtsysteme vorgestellt und an Beispielprojekten erläutert.
The improvement of public lighting is an effective and economical way to enhance the attractiveness of urban downtown areas. Many cities in Germany and Europe have already recognized this fact and used master plans to create entirely new systems of urban lighting. They have been motivated to do so by the desire to compete with other cities and to upgrade and enhance their city centers. Although this trend is widespread and enduring, a typology of urban lighting has not been available until now. As a concrete and practical guide, this book establishes first standards for the field. Drawing on the author's experience, it addresses the technical and planning aspects of the task and provides important information on feasibility and possible financing models. Organized systematically and with a wealth of color illustrations, detail drawings, and implementation plans, it is an indispensable guide to successfully interacting with other planners, government departments, and investors. Ulrike Brandi (b. 1957), Dipl. Des. IALD DWB, is a lighting designer and the managing director of ULRIKE BRANDI LICHT GmbH in Hamburg. She designs lighting solutions for commercial buildings, natural settings, and cities. The firm has realized more than 300 projects throughout the world. Christoph Geissmar-Brandi, (b. 1958), Dr. phil., is an art historian, exhibition curator, and the author of many books in the field.
Assembled by experienced authors and experts from the worlds of practice and teaching, this volume provides an introduction to the most important aspects of natural and artificial lighting design. In addition to straightforward planning rules it also introduces and explains current natural and artificial lighting systems.
In this planning guide, the renowned lighting designer Ulrike Brandi documents all her findings on the topics of lighting design, daylight, sustainability and healthy living spaces. It is a challenge to create holistic lighting design in times of advancing mechanization, but it is the right thing to do in terms of achieving sustainability in the use of light and energy. The renowned lighting designer Ulrike Brandi explains this attitude with the words, “It’s better to make the most of natural light from the start, rather than compensating with artificial light afterwards”. The guideline Light Nature Architecture proves how essential, but also simple, it is to integrate natural light into architectural planning and thus into the design of healthy and pleasant living and working environments. This richly illustrated handbook is structured based on natural light phenomena and combines Ulrike Brandi’s wealth of experience, theoretical principles, and design methods to create a reference work and source of inspiration. Richly illustrated basic work for holistic lighting design Insight into the extensive practical experience and the individual approach of the renowned lighting designer Ulrike Brandi Source of inspiration for professional planners, architects and laypeople Available in English and German (Licht Natur Architektur, ISBN 9783035624083)
Kompakte, systematische Einführung in die Grundlagen der Tages- und Kunstlichtplanung Mehr als jedes verwendete Material bestimmt das Licht Raumwirkungen, erzeugt Stimmungen, inszeniert Architektur. In gut belichteten Räumen fühlen wir uns wohl und sind leistungsfähig, Licht fördert die Gesundheit. Darüber hinaus trägt eine sinnvolle Tages- und darauf abgestimmte Kunstlichtplanung - gerade in Bürogebäuden - wesentlich zur Energieeinsparung bei. Zusammengestellt von erfahrenen Fachautoren aus Praxis und Lehre, bietet der neue Band der Reihe Detail Praxis wichtige Grundlagen zur Tages- und Kunstlichtplanung. Neben einfachen Planungsregeln wie Grundrissgestaltung, Gebäudeorientierung und Fassadengliederung werden aktuelle Tages- und Kunstlichtsysteme vorgestellt und an Beispielprojekten erläutert.
The improvement of public lighting is an effective and economical way to enhance the attractiveness of urban downtown areas. Many cities in Germany and Europe have already recognized this fact and used master plans to create entirely new systems of urban lighting. They have been motivated to do so by the desire to compete with other cities and to upgrade and enhance their city centers. Although this trend is widespread and enduring, a typology of urban lighting has not been available until now. As a concrete and practical guide, this book establishes first standards for the field. Drawing on the author's experience, it addresses the technical and planning aspects of the task and provides important information on feasibility and possible financing models. Organized systematically and with a wealth of color illustrations, detail drawings, and implementation plans, it is an indispensable guide to successfully interacting with other planners, government departments, and investors. Ulrike Brandi (b. 1957), Dipl. Des. IALD DWB, is a lighting designer and the managing director of ULRIKE BRANDI LICHT GmbH in Hamburg. She designs lighting solutions for commercial buildings, natural settings, and cities. The firm has realized more than 300 projects throughout the world. Christoph Geissmar-Brandi, (b. 1958), Dr. phil., is an art historian, exhibition curator, and the author of many books in the field.
Church, nation and race compares the worldviews and factors that promoted or, indeed, opposed antisemitism amongst Catholics in Germany and England after the First World War. As a prequel to books on Hitler, fascism and genocide, the book turns towards ideas and attitudes that preceded and shaped the ideologies of the 1920s and 1940s. Apart from the long tradition of Catholic anti-Jewish prejudices, the book discusses new and old alternatives to European modernity offered by Catholics in Germany and England. This book is a political history of ideas that introduces Catholic views of modern society, race, nation and the ‘Jewish question’. It shows to what extent these views were able to inform political and social activity. Church, nation and race will interest academics and students of antisemitism, European history, German and British history.
In the Hobsbawmian long 19th century, gender and processes of sexualization and feminization have been crucial in the construction of the »Jewish Other«. Ulrike Brunotte explores how these processes came about by addressing imaginative, aesthetic, and epistemological questions. She analyzes how literature, psychoanalysis and the performing arts traverse and react to the ambivalence of racialized stereotypes. The »femininity puzzle« presents itself in two ways: first in the role of effeminization of the male Jew in antisemitic discourse, and then in the transgressive forms of femininity connected to Jewish women, especially the allosemitic orientalization in the figure of the »Beautiful Jewess«.
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