Through close analysis of primary source textual documents produced by the Foreign Service Institute (FSI) between 1947 and 1968, this unique text reveals the undocumented influence of the FSI on K-12 language instruction and assessment in the United States. By investigating the historical development of the FSI and its attitudes and practices around language learning and bilingualism, this text provides in-depth insight into the changing value of bilingualism in the US, and highlights how the FSI’s practices around language instruction and assessment continue to influence language instruction in American public schools. By mapping the development and integration of language proficiency assessments which strongly resemble those used by the FSI, historical analysis uncovers key political and economic motivations for increased promotion of language instruction in the US education system. Providing insights into issues of language instruction and assessment in public education that persist today, this book will be particularly useful to researchers and students interested in how policy formation has shaped language instruction and assessment in US public schools.
The innate immune system comprises the cells and mechanisms that are the first line of defence against infection by other organisms. This book provides a comprehensive synopsis of eye diseases, their immunological mechanisms and the role of the immune cells and mediators. Beginning with an introduction to the role of the innate immune system, the following chapters discuss the different types of immune cells in the eye and their role in the etiopathogenesis of various diseases including glaucoma and age-related macular degeneration. Edited by Manfred Zierhut, recognised expert from the University of Tuebingen Germany, this book is presented in an easy to read format, enabling practitioners to understand even the most sophisticated eye disorders from an immunological perspective. Key points Comprehensive synopsis of the role of the innate immune system in eye diseases Covers different types of immune cells Edited by internationally recognised specialist in Germany
The first major exhibition catalog on Jörg Immendorff (1945-2007) since his death, this volume offers a thematic overview of more than four decades of the artist's work, with more than 120 iconic paintings. For All Beloved in the World offers a thematic overview of the work of this German artist, whose identity is deeply enshrined in his home country's history and characterized by a post-war background. More than 120 works do not follow a strict chronology of the works; instead they present the key element in the development of Immendorff's oeuvre in chapters. They give a nuanced view of the artist's life and work and include some of the rarest loans, bringing together more than four decades of the artist's work united with iconic paintings. It was not until the end of the 1970s that Immendorff decided to shift his threefold existence as a political activist, teacher and painter to the side of art. The year 1976 was key in some respects; Immendorff participated in the Venice Biennale with a flyer campaign that attacked the 'deprivation of personal liberty' in the GDR and called for international artistic co-operation as a vehicle to overcome it; this was followed in 1978 by the beginning of his Café Deutschland series, inspired by Renato Guttuso's Café Greco, which Immendorff had seen in an exhibition in Cologne. With his work on the Café Deutschland series, Immendorff's painting became more expressive through his bold use of colour and gesture, thereby also freeing him of ideologically imbued emblematics. The process of change introduced here, with its formal and substantive opening-up, developed into the artist's last work phase, a visual-linguistic 'clearing' in the sense of a new pictorial energy and lightness, which Immendorff once described as a 'liberation blow'.
One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photographing images from daily news reports that bear witness to protest, riots, war and violence, as well as their consequences. She saves the images digitally, prints them out and reworks them by means of painting and drawing. Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accompanied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives. Artistic exposure of media images and their rhetoric With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk
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