The past decade has witnessed new interpretations of the great themes of traditional European garden art in profusion. Drawing on his intensive studies of some 30 influential European projects, Udo Weilacher presents a panorama of the most significant developments since the publication of his groundbreaking work Between Landscape Architecture and Land Art in 1996. Examples of the cooperation between landscape designers and architects are given special attention in case studies taken from the United Kingdom, the Netherlands, France, Spain, Denmark, Germany and Switzerland. In addition, US landscape designer Kathryn Gustafson, artists such as Dani Karavan, and the architectural theorist Charles Jencks are featured, along with their European works.
Duisburg-Nord Landscape Park in Germany, the Plateau de Kirchberg in Luxembourg, Parco Dora in Turin, Italy and numerous other projects designed and built by Peter Latz and Partners stand as examples of an up-to-date and intelligent approach to alternative environmental technologies and the reclamation of extensive industrial landscapes. In Peter Latz’s landscape architecture, ecological and social concerns are translated into an individual aesthetic language that aims to achieve a timeless quality. The different layers and meanings of the sites rich in history are revealed and woven into networks of spatial and temporal relationships that follow rules of their own – the syntax of landscape. A sense of process and dynamism in sustainable landscape structures characterises the works, works that are open for change: they are spaces in development, not parks as finite set pieces. Peter Latz is professor emeritus of the Technische Universität München and has held guest professorships at the University of Pennsylvania and Harvard University. Udo Weilacher is professor for Landscape Architecture and Industrial Landscape at the Technische Universität München.
Distinctively Dieter Kienast: his gardens, parks, cemeteries and enclosures bear the unmistakeable imprint of his blend of nature and artifice, order and chaos, geometry and organic forms -- sometimes stringent, sometimes playful, and not without irony. This special edition brings together a selection of his most significant creations drawn from the highly successful three volume Birkhauser edition of his complete works. Udo Weilacher, landscape architect and lecturer at the University of Hannover, illuminates Kienast's accomplishments and his influence in an accompanying essay.
In recent years, the discipline of landscape architecture has repositioned itself between ecological and artistic design. One of the leading figures in this development was Ernst Cramer. Active in the 1950s, 1960s and 1970s, he worked in close cooperation with architects and artists, leading garden design from romantic images of nature to more abstract forms, paving the way for the subsequent orientation towards modern art and architectural forms. With his provocative exhibition gardens, which include the Poet s Garden in Zurich and the Theatre Garden in Hamburg, Cramer prompted international controversy not least in the USA where his work was honoured by the Museum of Modern Art in New York. However, most of his 1400 projects were private gardens and urban spaces commissioned by well-known companies and private individuals of the time and can be found in Switzerland, Germany, Italy and the Middle East.
Duisburg-Nord Landscape Park in Germany, the Plateau de Kirchberg in Luxembourg, Parco Dora in Turin, Italy and numerous other projects designed and built by Peter Latz and Partners stand as examples of an up-to-date and intelligent approach to alternative environmental technologies and the reclamation of extensive industrial landscapes. In Peter Latz’s landscape architecture, ecological and social concerns are translated into an individual aesthetic language that aims to achieve a timeless quality. The different layers and meanings of the sites rich in history are revealed and woven into networks of spatial and temporal relationships that follow rules of their own – the syntax of landscape. A sense of process and dynamism in sustainable landscape structures characterises the works, works that are open for change: they are spaces in development, not parks as finite set pieces. Peter Latz is professor emeritus of the Technische Universität München and has held guest professorships at the University of Pennsylvania and Harvard University. Udo Weilacher is professor for Landscape Architecture and Industrial Landscape at the Technische Universität München.
The past decade has witnessed new interpretations of the great themes of traditional European garden art in profusion. Drawing on his intensive studies of some 30 influential European projects, Udo Weilacher presents a panorama of the most significant developments since the publication of his groundbreaking work Between Landscape Architecture and Land Art in 1996. Examples of the cooperation between landscape designers and architects are given special attention in case studies taken from the United Kingdom, the Netherlands, France, Spain, Denmark, Germany and Switzerland. In addition, US landscape designer Kathryn Gustafson, artists such as Dani Karavan, and the architectural theorist Charles Jencks are featured, along with their European works.
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