Designers and students and even top creatives can find in this book fresh trends, inspiring content and new sources of inspiration in the world of typography. The World's Best Typography: The Yearbook of the Type Directors Club of NY (published for the first time 1980) is a bible of inspiration for typography practitioners and enthusiasts. Within its pages, top creatives as well as publishers and students can find role models, fresh trends, inspiring content and new sources of inspiration. Readers will be inspired by the intersection of craftsmanship and creation, of classical skills and trailblazing innovations. Here, trends are identified and set, as the around 750 illustrations, 263 awarding-winning designs from 39 countries and 46 new fonts presented clearly illustrate. Designers from all over the world compete to appear in the book. Previously divided into two competitions, one each for Communications Design and Typeface Design, the program is now a single competition consisting of three disciplines: Type Design, Typography and, for the first time, Lettering, which has its own jury. The Award for Typographic Excellence is the ticket to the best agencies in the world. The yearbook also reflects the latest typography trends, sets standards, is a collector's item and distinguishes its owners as visual thought leaders. In one book you can see works from thirty-nine countries and regions, which include: Australia, Austria, Belgium, Brazil, Canada, China, Colombia, Finland, France, Germany, Greece, India, Israel, Italy, Japan, Lebanon, Macau, Malta, Moldova, The Netherlands, New Zealand, Philippines, Norway, Poland, Portugal, Russia, Singapore, South Korea, Spain, Switzerland, Taiwan, Thailand, Turkey, United Arab Emirates, United Kingdom, United States, Venezuela and Vietnam. This edition also includes a special index listing the principal typefaces used and the names of their designers. The Judges' Choices section features the winning entries that have been singled out as each judge's personal favorite; these pieces are accompanied not only by the judges' comments but also by designer statements. These components--along with this year's chairs, Kimya Gandhi and Trisha Tan --exemplify the enormous vitality of the typography profession.
Typography 24 is the latest edition of the well-established graphic design annual of the Type Directors Club (TDC.) Devoted exclusively to typography, this book presents the 240 winning designs selected by the TDC from over 2,000 entries worldwide. Models of excellence and innovation, they encompass a variety of categories -- books, magazines, corporate identities, logotypes, stationery, annual reports, video & web graphics, and posters. This year's volume also features the 15 winners of the TDC's fifth annual typeface design competition, with each winning entry displayed in full color, accompanied by complete information about the designer, client, and type design.
Presents examples of publishing that exhibit the highest standards of graphic design in the areas of promotion, advertising, editorials, and information
For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. TYPOGRAPHY 27 is the only annual devoted exclusively to typography and presents the finest work in this field for the year 2006. Selected from approximately 2300 international submissions to the fiftieth Type Directors Club competition, the 240 winning designs are models of excellence and innovation in the use of type design, encompassing wide range of categories, including books, magazines, corporate identities, logotypes, stationery, annual reports, video and web graphics, and posters.
For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 33 is the only annual devoted exclusively to typography and presents the finest work in the field for the year 2011. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories including books, magazines, corporate identities, logos, stationery, annual reports, video and web graphics, and posters.
A showcase of the year's best typographic work in print and on screen in advertising, communications, education, marketing, and publishing. The only annual publication devoted exclusively to the art of type, Typography 35 presents the finest work in the field for 2013. Selected from approximately 2,300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories in diverse fields, including books, magazines, corporate branding, logos, stationery, annual reports, video and web graphics, and posters. Each year, the Type Directors Club selects a prominent design studio or designer to curate the latest Typography book and select the winners of their annual typography competition. Tremendous creative freedom is given to each studio, allowing the annual to evolve dramatically with each new publication. Typography 35 is designed by American graphic designer, creative director, and educator Brian Collins, who was the chief creative officer of the Brand Innovation Group, Ogilvy & Mather, from 1998-2007.
For the past 50 years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual competitions. This annual presents the finest work in the field during the past year.
The Tokyo Type Directors Club has been in existence for the past twenty years. It has constantly challenged what is thought of as typography, typographics and type design whilst at the same time being a bastion of the more traditional craft of typography. Every year, twenty of Japan's leading typographers and graphic designers meet to judge the Tokyo TDC's annual competition. Presented here are a selection of entries from 2014, from all over the world including Chile, Turkey, Germany, Holland, the UK, France, Israel, the USA, Japan and China. The works are geographically and culturally diverse, in a broad range of media and materials. Established in 1987, The Tokyo Type Directors Club has held an annual competition every year since 1991. It is recognised as the most stimulating and radical design organisation in Japan. The number of members at present is 170. Text in English and Japanese. 500 colour illustrations
The Tokyo Type Directors Club has been in existence for the past twenty years. It has constantly challenged what is thought of as typography, typographics and type design whilst at the same time being a bastion of the more traditional craft of typography. Every year, twenty of Japan's leading typographers and graphic designers meet to judge the Tokyo TDC's annual competition. Presented here are a selection of entries from 2013, from all over the world including Chile, Turkey, Germany, Holland, the UK, France, Israel, the USA, Japan and China. The works are geographically and culturally diverse, in a broad range of media and materials. Esablished in 1987, The Tokyo Type Directors Club has held an annual competition every year since 1991. It is recognized as the most stimulating and radical design organization in Japan. The number of members at present is 170. Text in English & Japanese.
A showcase of the year's best typographic work in print and on screen in advertising, communications, education, marketing, and publishing. The only annual publication devoted exclusively to the art of type, Typography 35 presents the finest work in the field for 2013. Selected from approximately 2,300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories in diverse fields, including books, magazines, corporate branding, logos, stationery, annual reports, video and web graphics, and posters. Each year, the Type Directors Club selects a prominent design studio or designer to curate the latest Typography book and select the winners of their annual typography competition. Tremendous creative freedom is given to each studio, allowing the annual to evolve dramatically with each new publication. Typography 35 is designed by American graphic designer, creative director, and educator Brian Collins, who was the chief creative officer of the Brand Innovation Group, Ogilvy & Mather, from 1998-2007.
For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 34 is the only annual devoted exclusively to typography and presents the finest work in the field for the year 2012. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories including books, magazines, corporate identities, logos, stationery, annual reports, video and web graphics, and posters. Typography 34 is designed by Chip Kidd.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.