When I was born, the doctors told my mom that if I did survive I would have lots of health problems and be blind, deaf and severely mentally delayed . . . Boy were they wrong!" —Tyler Gordon Fifteen-year-old Tyler Gordon's journey from a regular kid growing up in San Jose, California, to a nationally recognized artist wasn’t without its challenges. For the first six years of his life he was fully deaf, which led to a stutter and bullying. Art gave him a creative outlet for his pain. Then, after painting a portrait of Kamala Harris and posting it on social media, he received a call from the vice president herself! Soon his art was everywhere. He had an interview with the The Today Show. He was the youngest artist featured in the Beverly Center. His portrait of LeBron James graced the cover of TIME Magazine. And that was only the beginning! Here is a debut picture book by partially deaf prodigy Tyler Gordon, featuring his bold paintings of over 30 icons—musicians, artists, writers, civils rights leaders, sports legends, change-makers, record-setters, and more—alongside short explanations of how these people inspire him. If Tyler can make art and follow his dreams, you can, too. We all can.
From teen activist and artistic prodigy Tyler Gordon comes a heartwarming picture book inspired by his own life about a boy with a speech difference who learns the power of self-expression through art. There once was a young boy who had trouble with words. He paused and stuttered and stammered, which made school really tough. But with encouragement from his mom and a paintbrush in hand, he learns that finding your voice isn’t about being perfect—it’s about being true to yourself. For fans of I Talk Like a River and Amanda Gorman, The Boy Who Found His Voice is a joyful and empowering testament to art, empathy, and having self-confidence even in the face of doubt. Don't miss Tyler Gordon's bold picture book debut We Can: Portraits of Power.
Something has gone seriously wrong with the American economy. The American economy has experienced considerable growth in the last 30 years. But virtually none of this growth has trickled down to the average American. Incomes have been flat since 1985. Inequality has grown, and social mobility has dropped dramatically. Equally troubling, these policies have been devastating to both American productivity and our long-term competitiveness. Many reasons for these failures have been proposed. Globalization. Union greed. Outsourcing. But none of these explanations can address the harsh truth that many countries around the world are dramatically outperforming the U.S. in delivering broad middle-class prosperity. And this is despite the fact that these countries are more exposed than America to outsourcing and globalization and have much higher levels of union membership. In What Went Wrong, George R. Tyler, a veteran of the World Bank and the Treasury Department, takes the reader through an objective and data-rich examination of the American experience over the last 30 years. He provides a fascinating comparison between the America and the experience of the “family capitalism" countries: Australia, Austria, Belgium, Denmark, France, Germany, the Netherlands, and Sweden. Over the last 30 years, they have outperformed the U.S. economy by the only metric that really matters—delivering better lives for their citizens. The policies adopted by the family capitalist countries aren't socialist or foreign. They are the same policies that made the U.S. economy of the 1950s and 1960s the strongest in the world. What Went Wrong describes exactly what went wrong with the American economy, how countries around the world have avoided these problems, and what we need to do to get back on the right track.
Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites. In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.
This is a chronology of the most famous songs from the years before rock 'n' roll. The top hits for each year are described, including vital information such as song origin, artist(s), and chart information. For many songs, the author includes any web or library holdings of sheet music covers, musical scores, and free audio files. An extensive collection of biographical sketches follows, providing performing credits, relevant professional awards, and brief biographies for hundreds of the era's most popular performers, lyricists, and composers. Includes an alphabetical song index and bibliography.
Silk Stockings and Ballot Boxes is a narrative history of organized, politically active white women in twentieth-century New Orleans. Viewing their involvement as a link between pre-1920s progressivism and 1960s feminism. Pamela Tyler tells how these upper- and middle-class women sought and exercised power at the state and local levels through lobbying, fund-raising, endorsements, watchdog activities, volunteer work, voting, and candidacy. Beginning with an overview of New Orleans politics in the early twentieth century, Tyler looks at the presuffrage political activities of New Orleans women and discusses the relatively dormant state of women's political life in New Orleans in the 1920s. From there she traces, in the careers of the city's women leaders, a shift away from humanitarian, social justice issues toward politics. Subsequent chapters focus on Hilda Phelps Hammond and the Louisiana Women's Committee's crusade against Huey Long's political machine in the 1930s, Martha Gilmore Robinson and the nonpartisan activities of the Woman Citizens' Union and the League of Women Voters in the 1930s and 1940s, and the partisanship and direct political influence of the Independent Women's Organization in the 1940s and 1950s. The final chapters consider Martha Gilmore Robinson's unsuccessful bid for a seat on the New Orleans city council in 1954 and the civil rights activities in the 1950s and 1960s of Urban League stalwart Rosa Freeman Keller, now judged to be the most effective white liberal of her time in New Orleans. Throughout, Tyler places her subjects and their stories in the context of such national trends and events as the Depression. World War II, McCarthyism, and the civil rightsmovement. She discusses, for example, the New Orleans League of Women Voters' purge of suspected Communist sympathizers in 1947-48 and the involvement of a coterie of women's organizations in community efforts during the public school integration crisis from 1959 to 1961. Tyler also discusses the insularity of New Orleans society, the limiting effects of race- and class-consciousness on many of her subjects, and the postwar decline in the domination by elites of the women's political scene in New Orleans. Though they considered themselves to be neither liberals nor feminists, the women Tyler portrays worked within existing social norms and political frameworks to challenge male hegemony in public life and embrace greater individual freedom and participation in government. Filled with previously untold, or only partially told, stories about some of Louisiana's most memorable political figures - female and male - Silk Stockings and Ballot Boxes will broaden our views on southern activism.
NATIONAL BESTSELLER • From The New York Times baseball columnist, an enchanting, enthralling history of the national pastime as told through the craft of pitching, based on years of archival research and interviews with more than three hundred people from Hall of Famers to the stars of today. The baseball is an amazing plaything. We can grip it and hold it so many different ways, and even the slightest calibration can turn an ordinary pitch into a weapon to thwart the greatest hitters in the world. Each pitch has its own history, evolving through the decades as the masters pass it down to the next generation. From the earliest days of the game, when Candy Cummings dreamed up the curveball while flinging clamshells on a Brooklyn beach, pitchers have never stopped innovating. In K: A History of Baseball in Ten Pitches, Tyler Kepner traces the colorful stories and fascinating folklore behind the ten major pitches. Each chapter highlights a different pitch, from the blazing fastball to the fluttering knuckleball to the slippery spitball. Infusing every page with infectious passion for the game, Kepner brings readers inside the minds of combatants sixty feet, six inches apart. Filled with priceless insights from many of the best pitchers in baseball history--from Bob Gibson, Steve Carlton, and Nolan Ryan to Greg Maddux, Mariano Rivera, and Clayton Kershaw--K will be the definitive book on pitching and join such works as The Glory of Their Times and Moneyball as a classic of the genre.
At the end of WWII, themes in music shifted from soldiers' experiences at war to coming home, marrying their sweethearts, and returning to civilian life. The music itself also shifted, with crooners such as Bing Crosby and Frank Sinatra replacing the Big Bands of years past. Country music, jazz, and gospel continued to evolve, and rhythm and blues and the new rock and roll were also popular during this time. Music is not created without being influenced by the political events and societal changes of its time, and the Music of the Postwar Era is no exception. *includes combined musical charts for the years 1945-1959 *approximately 20 black and white images of the singers and musicians who represent the era's music
In June 2009, the democratically elected president of Honduras was kidnapped and whisked out of the country while the military and business elite consolidated a coup d’etat. To the surprise of many, Canada implicitly supported the coup and assisted the coup leaders in consolidating their control over the country. Since the coup, Canada has increased its presence in Honduras, even while the country has been plunged into a human rights catastrophe, highlighted by the assassination of prominent Indigenous activist Berta Cáceres in 2016. Drawing from the Honduran experience, Ottawa and Empire makes it clear that Canada has emerged as an imperial power in the 21st century.
Chronicling astonishing shifts in public attitudes toward reproduction, May reveals the intersection between public life and the most private part of our lives--sexuality, procreation, and family.
Although the United States has always portrayed itself as a sanctuary for the world's victim's of poverty and oppression, anti-immigrant movements have enjoyed remarkable success throughout American history. None attained greater prominence than the Order of the Star Spangled Banner, a fraternal order referred to most commonly as the Know Nothing party. Vowing to reduce the political influence of immigrants and Catholics, the Know Nothings burst onto the American political scene in 1854, and by the end of the following year they had elected eight governors, more than one hundred congressmen, and thousands of other local officials including the mayors of Boston, Philadelphia, San Francisco, and Chicago. After their initial successes, the Know Nothings attempted to increase their appeal by converting their network of lodges into a conventional political organization, which they christened the "American Party." Recently, historians have pointed to the Know Nothings' success as evidence that ethnic and religious issues mattered more to nineteenth-century voters than better-known national issues such as slavery. In this important book, however, Anbinder argues that the Know Nothings' phenomenal success was inextricably linked to the firm stance their northern members took against the extension of slavery. Most Know Nothings, he asserts, saw slavery and Catholicism as interconnected evils that should be fought in tandem. Although the Know Nothings certainly were bigots, their party provided an early outlet for the anti-slavery sentiment that eventually led to the Civil War. Anbinder's study presents the first comprehensive history of America's most successful anti-immigrant movement, as well as a major reinterpretation of the political crisis that led to the Civil War.
An accessible and empirically rich introduction to Canada’s engagements in the world since confederation, this book charts a unique path by locating Canada’s colonial foundations at the heart of the analysis. Canada in the World begins by arguing that the colonial relations with Indigenous peoples represent the first example of foreign policy, and demonstrates how these relations became a foundational and existential element of the new state. Colonialism—the project to establish settler capitalism in North America and the ideological assumption that Europeans were more advanced and thus deserved to conquer the Indigenous people—says Shipley, lives at the very heart of Canada. Through a close examination of Canadian foreign policy, from crushing an Indigenous rebellion in El Salvador, “peacekeeping” missions in the Congo and Somalia, and Cold War interventions in Vietnam and Indonesia, to Canadian participation in the War on Terror, Canada in the World finds that this colonial heart has dictated Canada’s actions in the world since the beginning. Highlighting the continuities across more than 150 years of history, Shipley demonstrates that Canadian policy and behaviour in the world is deep-rooted, and argues that changing this requires rethinking the fundamental nature of Canada itself.
Search is not just a box and ten blue links. Search is a journey: an exploration where what we encounter along the way changes what we seek. In this book, the authors weave together the theories of information seeking with the practice of user interface design.
Rebecca Davis promises to raise her dying sister's newborn son as her own. She also agrees to help a female slave reach freedom. It's the right thing to do, but can she trust her fellow conspirators without endangering her future or her son? Her handsome contact, Jared Hollingsworth, won't discuss their mission, but her attraction to him has Rebecca fearing she will endanger not only her freedom--but her heart. Jared Hollingsworth refuses to use slave labor. Despite this sentiment, he's been able to keep his plantation going, even while mourning the death of his wife and son. Now, thanks to his notorious cousin, Jared is in danger of losing Oak Hill. When he meets Rebecca Davis, he isn't ready to love again, but she may be just what he needs to save his home and his heart. When he discovers Rebecca embroiled in a conspiracy, will he follow his heart and dare to love again? Or will he risk her heart to save his beloved plantation?
The metaphor is a hallmark of Classical Hebrew poetry. Some metaphors, such as “Yhwh is king” or “Yhwh is warrior,” play a foundational role. The same does not hold for metaphors from the fishing industry. Because they had access to only two major freshwater sources, archaeological research demonstrates that this industry did not play a major socioeconomic role in ancient Israel. Fishing has nevertheless made a substantial contribution to prophetic and wisdom literature. All metaphors manifest reality, but given the physical circumstances of a largely agrarian, nonmarine society, what does the sustained presentation of fishing metaphors in the Hebrew Bible communicate? Examining the use of fishing images in the Hebrew Bible is a formidable task that demands an open mind and a capacity to mine the gamut of contemporaneous evidence. In Fishers of Fish and Fishers of Men, Tyler Yoder presents the first literary study devoted to the fishing images used in the Hebrew Scriptures as well as in the Mesopotamian textual records. This calls for a penetrating look into cultural contact with Israel’s neighbors to the east (Mesopotamia) and southwest (Egypt). Though nearly all fishing metaphors in the Hebrew Bible carry overt royal or divine connotations that mirror uses well-attested in Mesopotamian literature, this comparative analysis remains a largely untapped area of research. In this study of the diverse literary qualities of fishing images, Yoder offers a holistic understanding of how one integral component of ancient Near Eastern society affected the whole, bringing together the assemblage of disparate materials related to this field of study to enable scholars to integrate these data into related research and move the conversation forward.
This lively history of the Frankenstein myth, illuminated by dozens of pictures and illustrations, is told with skill and humor. Hitchcock uses film, literature, history, science, and even punk music to help readers understand the meaning of this monster made by man.
Showing the inseparability of the British idealists' social and political radicalism from the inherent logic of idealism, this book makes extensive use of previously unpublished British idealist manuscripts.
First Published in 1980 Victoria and Albert at Home describes the sitting, construction, and decorating of the two royal residences at Osborne and Balmoral and paints a memorable portrait of the Queen’s family and her Court beside the Solent and the Dee. At the time of their marriage the royal couple had the use of many crown properties, but, except for Windsor Castle, they found none to their taste and began to look for a home of their own. Sir Robert Peel found them an estate on the Isle of Wight, which was peaceful, beautiful, and at that time sufficiently remote from London. However, when access from London became swifter and easier, their privacy was lost, and they looked elsewhere for a second private family residence. A small estate in Scotland was recommended and Prince Albert once again designed the house, this time in Scottish baronial style. Drawing on memories, archives, and family papers, some of which, with a number of illustrations, have never been published before, Tyler Whittle has written an interesting, entertaining, and vivid account of life at a time so very much more elegant and yet, at the same time, so very much robust than anything that can be imagined today. This is a must read for students and scholars of British history, and Royal history.
Fifty years ago, in November 1947, Brown & Root helped Kerr-McGee build the first out-of-sight-land offshore platform that produced oil. The date is widely celebrated as the birth of the modern offshore industry. In the years since this historic occasion, Brown & Root has continued to pioneer in the design and construction of offshore pipelines and platforms. Along with the rest of the offshore industry, the company has helped develop technology capable of finding and producing oil in deepwater and in harsh environments around the world.This history puts a human face on the process of technological change. Using the words of many of those who took part in Brown & Root's offshore activities, this book recounts their efforts to find practical ways to recover offshore oil. Building on lessons learned in the Gulf of Mexico before and after World War II, the company's personnel adapted offshore technologies to conditions encountered in Venezuela, the Middle East, Alaska, and other regions before becoming one of the first engineering and construction companies to confront the challenge of North Sea development in the 1960's.Through times of boom and bust in the oil industry, the search for effective technology had continued. The process has not always been smooth, but the results have been impressive. As we enter a new and exciting era in offshore technology, the history of the first fifty years of the industry provides a useful context for understanding current and future events.
Not for King or Country tells the story of Edward Cecil-Smith, a dynamic propagandist for the Communist Party of Canada during the Great Depression. He is most well-known for commanding the Mackenzie-Papineau Battalion during the Spanish Civil War.
In this book the author argues the case for the revival of an important role for monetary causes in business cycle theory, which challenges the current trend towards favouring purely real theories.
When anyone thinks of motorcycling, whether they are enthusiasts or only casually interested, the name Harley-Davidson immediately comes to mind. Harley-Davidson is among the oldest surviving motorcycle manufacturers; the company began in 1903 and continues to this day. As you can imagine, over the course of more than 100 years, the company has seen prosperous times as well as lean times, changes in focus and direction, evolution and revolution. All of that leads to a lot of company history and trivia. American Iron Magazine associate editor Tyler Greenblatt has compiled 1,001 Harley-Davidson facts into this single volume, with subjects ranging from the historic powertrains to pop culture to Harley-Davidson as a company and manufacturer. Facts begin with the early years, when a motorcycle was not much more than a bicycle with an engine attached, to the war efforts of World War I, when 15,000 were put into service. During the 1920s, Harley-Davidson grew into the largest manufacturer in the world, and that momentum helped carry it through the Great Depression and into World War II. Postwar development and AMF ownership are also covered in detail, as well as the restructuring and revival of the brand in recent years. Whether you're a casual rider, racer, or restorer, Harley-Davidson enthusiasts will be sure to find something in this book for that next conversation with fellow hobbyists. This book will keep Harley-Davidson enthusiasts entertained for hours, and is a great edition to any motorcycling library. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial}
From the New York Times bestselling author of K: A History of Baseball in Ten Pitches comes the ultimate history of the World Series—a vivid portrait of baseball at its finest and most intense, filled with humor, lore, analysis, and fascinating behind-the-scenes stories from 117 years of the Fall Classic. The World Series is the most enduring showcase in American team sports. It’s the place where legends are made, where celebration and devastation can hinge on a fly ball off a foul pole or a grounder beneath a first baseman’s glove. And there’s no one better to bring this rich history to life than New York Times national baseball columnist Tyler Kepner, whose bestselling book about pitching, K, was lauded as “Michelangelo explaining the brush strokes on the Sistine Chapel” by Newsday. In seven scintillating chapters, Kepner delivers an indelible portrait of baseball’s signature event. He digs deep for essential tales dating back to the beginning in 1903, adding insights from Hall of Famers like Reggie Jackson, Mike Schmidt, Jim Palmer, Dennis Eckersley and many others who have thrived – and failed – when it mattered most. Why do some players, like Madison Bumgarner, Derek Jeter and David Ortiz, crave the pressure? How do players handle a dream that comes up short? What’s it like to manage in the World Series, and what are the secrets of building a champion? Kepner celebrates unexpected heroes like Bill Wambsganss, who pulled off an unassisted triple play in 1920, probes the mysteries behind magic moments (Did Babe Ruth call his shot in 1932? How could Eckersley walk Mike Davis to get to Kirk Gibson in 1988?) and busts some long-time myths (the 1919 Reds were much better than the Black Sox, anyway). The Grandest Stage is the ultimate history of the World Series, the perfect gift for all the fans who feel their hearts pounding in the bottom of the ninth inning of Game Seven.
Rather than simply engaging in a triumphalist narrative of overcoming where both disability and disablement are shunned alike, Disabilities of the Color Line argues that Black authors and activists have consistently avowed disability as a part of Black social life in varied and complex ways. Sometimes their affirmation of disability serves to capture how their bodies, minds, and health have been and are made vulnerable to harm and impairment by the state and society. Sometimes their assertion of disability symbolizes a sense of commonality and community that comes not only from a recognition of the shared subjection of blackness and disability but also from a willingness to imagine and create a world distinct from the dominant social order. Through the work of David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley, Disabilities of the Color Line examines how Black writer-activists have engaged in an aesthetics of redress: modes of resistance that show how Black communities have rigorously acknowledged disability as a response to forms of racial injury and in the pursuit of racial and disability justice"--
Indigenous Legalities, Pipeline Viscosities examines the relationship between the Wet’suwet’en and hydrocarbon pipeline development, showing how colonial governments and corporations seek to control Indigenous claims and how the Wet'suwet'en resist. Tyler McCreary explores pipeline regulatory review processes, reviews attempts to reconcile Indigeneity with development, and asks fundamental questions about territory and jurisdiction. In the process, he offers historical context for the continuing influences of colonialism on Indigenous peoples. Throughout, McCreary demonstrates how the cyclical movements between resistance and reconciliation are affected by the unequal relations between Indigenous peoples, colonial governments, and development operations. This sophisticated analysis invites readers to consider the complex realities of Indigenous and Wet’suwet’en law, as well as the politics of pipeline development.
Tyler Roberts encourages scholars to abandon rigid conceptual oppositions between "secular" and "religious" to better understand how human beings actively and thoughtfully engage with their worlds and make meaning. The artificial distinction between a self-conscious and critical "academic study of religion" and an ideological and authoritarian "religion," he argues, only obscures the phenomenon. Instead, Roberts calls on intellectuals to approach the field as a site of "encounter" and "response," illuminating the agency, creativity, and critical awareness of religious actors. To respond to religion is to ask what religious behaviors and representations mean to us in our individual worlds, and scholars must confront questions of possibility and becoming that arise from testing their beliefs, imperatives, and practices. Roberts refers to the work of Hent de Vries, Eric Santner, and Stanley Cavell, each of whom exemplifies encounter and response in their writings as they traverse philosophy and religion to expose secular thinking to religious thought and practice. This approach highlights the resources religious discourse can offer to a fundamental reorientation of critical thought. In humanistic criticism after secularism, the lines separating the creative, the pious, and the critical themselves become the subject of question and experimentation.
Dodging bullets isn’t the homecoming he expected. When Detective Foster Lovett's pretty next door neighbor, Millie Dean, begs him to help her find her missing brother, the other deputies warn him not to investigate the case. But Foster’s gut says something is off, particularly once Millie becomes a target. Foster will do whatever it takes to keep her safe, but can he solve the most dangerous case of his career? From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in theThe Saving Kelby Creek Series series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: Uncovering Small Town Secrets Book 2: Searching for Evidence Book 3: Surviving the Truth
Harlequin Intrigue brings you three new titles at a great value, available now! Enjoy these suspenseful reads packed with edge-of-your-seat intrigue and fearless romance. THE TRAP A Kyra and Jake Investigation by Carol Ericson When a new copycat killer strikes, Detective Jake McAllister and Kyra Chase race to find the mastermind behind LA's serial murders. Now, to protect the woman he loves, Jake must reveal a crucial secret about Kyra's past—the real reason The Player wants her dead. UNCOVERING SMALL TOWN SECRETS The Saving Kelby Creek Series by Tyler Anne Snell Detective Foster Lovett is determined to help his neighbor, Millie Dean, find her missing brother. But when Millie suddenly becomes a target, he finds himself facing the most dangerous case of his career… COLD CASE TRUE CRIME An Unsolved Mystery Book by Denise N. Wheatley Samantha Vincent runs a true-crime blog, so when a friend asks her to investigate a murder, she's surprised to find the cops may want the case to go cold. Sam is confident she’ll catch the killer when Detective Gregory Harris agrees to help her, but everything changes once she becomes a target… Look for Harlequin Intrigue’s July 2021 Box Set 1 of 2, filled with even more edge-of-your seat romantic suspense! Look for 6 compelling new stories every month from Harlequin® Intrigue!
Kenneth Maurice Tyler identifies and describes the multiple identity components of young African American men using theoretical and empirical literatures from education and the social sciences. Identity and African American Men: Exploring the Content of Our Characterization provides a comprehensive, research-based account of the ideologies and mindsets of many young African American men. The book critically discusses eight identity components that young African American men begin to negotiate during their adolescent years. These identity components include gender, sexual, racial, ethnic, cultural, socioeconomic, athletic, and academic identity. Identity and African American Men makes a unique contribution to the literature by offering a conceptual framework that identifies the multiple identity components possessed by young African American men. Such a framework expands the conversation about African American men and their behaviors by broadening the understanding of who these individuals are, the identities they possess, and how their identity-based attitudes and orientations may influence the behaviors exhibited by them.
This book is a detailed narrative of Colonel Mason Whiting Tyler's service as a Private and an Officer from his enlistment in July 1862 to his wounding on March 25, 1865. His Regiment was the 37th Massachusetts Volunteer Infantry and he was at Fredericksburg, Chancellorsville, Gettysburg, The Wilderness and Petersburg. He also served under Sheridan in the Valley Campaign and during the Draft Riots he was transferred to New York City to help quell the mayhem there. His story is told in a continuous autobiographical narrative up to the arrival of his Corps at Petersburg in mid-June of 1864. The rest of it is in the form of excerpts from his diary and letters to family and friends with an explanatory description of the progress of the war by the Reverend Calvin Stebbins heading each chapter for Colonel Tyler died in 1907, before he had finished his manuscript. This book is part of the Historical Collection of Badgley Publishing Company and has been re-created from the original. The original contents have been edited and corrections have been made to original printing, spelling and grammatical errors when not in conflict with the author's intent to portray a particular event or interaction. Annotations have been made and additional contents have been added by Badgley Publishing Company in order to clarify certain historical events or interactions and to enhance the author's content. Photos and illustrations from the original have been touched up, enhanced and sometimes enlarged for better viewing. Additional illustrations and photos have been added by Badgley Publishing Company.
Westward expansion in the United States was deeply intertwined with the technological revolutions of the nineteenth century, from telegraphy to railroads. Among the most important of these, if often forgotten, was the lithograph. Before photography became a dominant medium, lithography—and later, chromolithography—enabled inexpensive reproduction of color illustrations, transforming journalism and marketing and nurturing, for the first time, a global visual culture. One of the great subjects of the lithography boom was an emerging Euro-American colony in the Americas: Texas. The most complete collection of its kind—and quite possibly the most complete visual record of nineteenth-century Texas, period—Texas Lithographs is a gateway to the history of the Lone Star State in its most formative period. Ron Tyler assembles works from 1818 to 1900, many created by outsiders and newcomers promoting investment and settlement in Texas. Whether they depict the early French colony of Champ d’Asile, the Republic of Texas, and the war with Mexico, or urban growth, frontier exploration, and the key figures of a nascent Euro-American empire, the images collected here reflect an Eden of opportunity—a fairy-tale dream that remains foundational to Texans’ sense of self and to the world’s sense of Texas.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.