The Bride and Moral Purity started with a supernatural dream, where a well-known author and prophet was speaking in a conference. He was handing out books, and none of the books was none of his own. Calling me forward, he handed me a book, which was written in Hebrew. As I said, "I can't read Hebrew," it changed and said, "The Bride and Moral Purity." The church is called the body of Christ, but also the bride of Christ. We are taught that this comes automatic and nothing needs to be done on our part. The bride is passionate about her groom. The bride knows her role and duties as a wife. The bride knows that all that is his belongs to her and she does not need to beg for what is rightfully hers by marriage. The bride has the right to use his name and authority.
Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith
Examining nine Asian Canadian and Asian American narratives, Eleanor Ty explores how authors empower themselves, represent differences, and re-script their identities as 'visible minorities' within the ideological, imaginative, and discursive space given to them by dominant culture. In various ways, Asian North Americans negotiate daily with 'birthmarks,' their shared physical features marking them legally, socially, and culturally as visible outsiders, and paradoxically, as invisible to mainstream history and culture. Ty argues that writers such as Denise Chong, Shirley Geok-lin Lim, and Wayson Choy recast the marks of their bodies and challenge common perceptions of difference based on the sights, smells, dress, and other characteristics of their hyphenated lives. Others, like filmmaker Mina Shum and writers Bienvenido Santos and Hiromi Goto, challenge the means by which Asian North American subjects are represented and constructed in the media and in everyday language. Through close readings grounded in the socio-historical context of each work, Ty studies the techniques of various authors and filmmakers in their meeting of the gaze of dominant culture and their response to the assumptions and meanings commonly associated with Orientalized, visible bodies.
This book is the first, single-source guide to successful experiments using the local electrode atom probe (LEAP®) microscope. Coverage is both comprehensive and user friendly, including the fundamentals of preparing specimens for the microscope from a variety of materials, the details of the instrumentation used in data collection, the parameters under which optimal data are collected, the current methods of data reconstruction, and selected methods of data analysis. Tricks of the trade are described that are often learned only through trial and error, allowing users to succeed much more quickly in the challenging areas of specimen preparation and data collection. A closing chapter on applications presents selected, state-of-the-art results using the LEAP microscope.
Published in 1914, Busting 'Em was the first of three books credited to Ty Cobb the author. Though in fact it was ghostwritten by John N. Wheeler, who also penned Mathewson's Pitching in a Pinch, the book fascinates with its insights into Cobb as a public figure. The reader is presented Cobb's explanation of the beating incident at Hilltop Park, the Baker spiking, and his contentious relationship with teammates. His thoughts--or those he sanctioned--of umpires, his contemporaries, crowds, and strategy are also shared. This book, long out of print and increasingly hard to find, is essential reading for those who would understand Cobb's awareness of and investment in the shape of his public image.
diversification to form a ranching-based social and economic way of life. The process turned a largely southern people into westerners. Others helped shape the history of the Clear Fork country as well. Notable among them were Anglo men and women - some of them earnest settlers, others unscrupulous opportunists - who followed the first pioneers; Indians of various tribes who claimed the land as their own or who were forcibly settled there by the white government; and.
Is power or love ultimate with God? Answer that one question aright, and we have the answer to all worthwhile questions. The current position of the Seventh-day Adventist Church is ...
A critical meditation of the iconic 24-7 roadside chain and its place in the southern imaginary Waffle House has long been touted as an icon of the American South. The restaurant’s consistent foregrounding as a resonant symbol of regional character proves relevant for understanding much about the people, events, and foodways shaping the sociopolitical contours of today’s Bible Belt. Whether approached as a comedic punchline on the Internet, television, and other popular media or elevated as a genuine touchstone of messy American modernity, Waffle House, its employees, and everyday clientele do much to transcend such one-dimensional characterizations, earning distinction in ways that regularly go unsung. Smothered and Covered: Waffle House and the Southern Imaginary is the first book to socioculturally assess the chain within the field of contemporary food studies. In this groundbreaking work, Ty Matejowsky argues that Waffle House’s often beleaguered public persona is informed by various complexities and contradictions. Critically unpacking the iconic eatery from a less reductive perspective offers readers a more realistic and nuanced portrait of Waffle House, shedding light on how it both reflects and influences a prevailing southern imaginary—an amorphous and sometimes conflicting collection of images, ideas, attitudes, practices, linguistic accents, histories, and fantasies that frames understandings about a vibrant if also paradoxical geographic region. Matejowsky discusses Waffle House’s roots in established southern foodways and traces the chain’s development from a lunch-counter restaurant that emerged across the South. He also considers Waffle House’s place in American and southern popular culture, highlighting its myriad depictions in music, television, film, fiction, stand-up comedy, and sports. Altogether, Matejowsky deftly and persuasively demonstrates how Waffle House serves as a microcosm of today’s South with all the accolades and criticisms this distinction entails.
This book is a filled with various thought provoking scenarios that one may encounter that make you cherish the special moments in life. From tragedy to triumph, any one of these topics can happen to you or someone you're real close to. Sometimes we take things for granted, big and small, but when faced with adversity, we tend to look at things a little differently. Right now I'm going through physical pain and it is forcing me to humble myself and look at my life in a whole new light. I can't do the things I used to do, I don't feel how I used to feel, and it's deeply affected my outlook on my present and my future. I wrote this book as a reminder to always appreciate every second of your time, because you never know when things will change or your time will run out.
A fascinating account of the world of competitive steer wrestling and the talented, live-fast, bruise-hard rodeo cowboys who do it. Ty Phillips's Blacktop Cowboys chronicles the 2004 rodeo season through the eyes of several steer wrestlers trying to make it back to rodeo's version of the Super Bowl, the National Finals Rodeo (NFR) in Las Vegas. Steer wrestling is an adventure that entails riding into an arena at 25 mph, sliding off a horse while taking hold of a 500-pound steer, and then throwing the animal to the ground. The best cowboys often accomplish all this in less than four seconds. The two main characters of Blacktop Cowboys are Luke Branquinho, a young carefree cowboy on a quest for his first title, and his best friend, Travis Cadwell, a veteran trying to make the NFR one last time. Much of Blacktop Cowboys unfolds in trucks, trailers, arenas, behind the chutes, casinos, beds and everywhere else cowboys spend their time. By taking the reader deep into the cowboys' lives, Blacktop Cowboys offers a true and intimate portrait of men having the time of their lives while living on the road in pursuit of the dream to be the best.
A mysterious hired gunfighter, known only as Kid Cheyenne, has just received a telegraph wire from a remote settlement called Bloodstone. The sender, a man named Ben Black, wants to hire his dubious talents to kill someone for him. The Kid rides to Bloodstone but soon discovers that Black is not what he seems. Kid Cheyenne might just be fighting on the wrong side.
LadySmith In 1950, The LadySmith snub-nosed .38 was developed by Smith and Wesson. It was designed especially for women. Hammerless, it didn’t snag on clothing and could be secreted in a small purse. LadySmith is the life story of Jimmy Koch, relentlessly bullied in his youth by an older brother and sister as well as classmates. He’s unable to stand up for himself until he discovers LadySmith in his grandfather’s storeroom. LadySmith is an amber world where answers are never black and white. Life is lost and found. There are shipwrecks and rescues. At the end of each, something floats to the surface to reveal what we’ve become.
Mainstream medicine in America focuses on symptoms rather than causes of chronic illness and poor health. Medical education is influenced to a great extent by pharmaceutical companies and focuses our attention dangerously onto drug therapies. Conventional medicine practice has been failing miserably to control or treat the chronic disease entities afflicting our population in the modern era. Integrative medicine concepts and practice offer people much safer and often more effective options for achieving and maintaining health, as well as combating most forms of chronic disease. The keys include understanding what it really takes to promote human health in a broad sense and what the underlying causes of chronic disease truly are. Thinking Outside the Pill Box contains an explanation of how our medical system came to be so defective and ineffectual, a thorough look at the important factors influencing human health, and an in-depth discussion of many common underlying causes of chronic illness in the modern world. It is designed as a self-help book for both the reader and their future generations.
Like a word stuck on the tip of your tongue that you can't quite remember, fairy tales aggravate us with deeper meanings we're almost certain we know, but can’t quite recall. For just enough of the old fairy faiths survive within them to tantalize us with their forgotten mysteries; teasing us with a hidden past filled with dark guardians to the underworld, bright and beautiful fairies, and long winters nights people feared would never end. There is still a mysterious heart to fairy tales, giving us a peek into a primal world, beckoning us to recall old traditions. This book will seek to explore these old traditions, to answer questions about the hidden origins of fairy tales. “From Celtic Fairies to Romanian Vampires,” this book will take you on a journey to understand fairy tales which are likely far stranger and more beautiful than you ever imagined.
Head back to the universe of Batman: The Animated Series in Batman and Harley Quinn! Harley Quinn’s name has always been synonymous with The Joker. The wacky duo has wreaked havoc upon the streets of Gotham as the Clown Prince and Princess of Crime, and caused mayhem together while truly, deeply, madly in love. But when The Joker pushes Harley’s buttons, she rats him out to Batman himself! Before Batman can haul Harley off to Arkham Asylum, her best friend Poison Ivy swoops in and rescues her. Harley and Ivy soon begin a plot of their own against Batman. Harley just wants to have a little fun while she and Ivy scheme against Bats…but all-business Ivy isn’t having it. Harley sets out to prove that she’s more than Mistah J’s henchwoman and Ivy’s lackey. Can Harley make a name for herself and prove that she’s no one’s sidekick? Featuring stories by author Ty Templeton (Batman and Robin Adventures) and Rick Burchett (Batman Adventures). Collects Batman and Harley Quinn chapters #1-7 and Harley Quinn and Batman chapters #1-5
Presidential Conflict in Côte d’Ivoire: Governance, Political Power, and Social Justice explores the 2011–2012 presidential conflict in Cȏte d’Ivoire, focusing on the conflict’s impact on governance, political power, civil society, security, and social justice. The book examines the ways in which dictatorial governance detracts from democratic and civil society aspiration, the intersection of power based conflict and its impact on citizens and their security, and the role ethnic sentiments and negation play in de-emphasizing the humanity of non-favored groups. Moreover, the presidents’ conflicting perspectives on the nature of governance and political power marginalized concerns specifically regarding the significance of democracy, civil society, and social justice. Despite President Laurent Gbagbo’s challenge and demand for democracy, his presidency was unable to avoid morphing into dictatorial and autocratic governance. Autocracy and dictatorship had already inseminated Cȏte d’Ivoire during the thirty years of President Felix Houphouët-Boigny’s benign dictatorship. It is within this rigidity that Gbagbo, a product of Ivoirian socio-political history, socialized in dictatorial, ethnic, and elite sentiments, constructed his version of autocracy and dictatorship, and refused to yield power to a new president elect, Alassane Ouattara, triggering a national presidential conflict. This analysis of the presidential conflict is an effort to forestall future similar issues around the globe, but specifically in poor and developing nations, from destabilization and violence. The book concludes with an African Conflict Transformation model constructed as a consultative option for political conflict mitigation purposes.
When their friend Shelly drowns in a sailing accident, John Keats and Gordon Byron decide to steal Shelly's ashes and, in a romantic gesture, return them to the small Lake Erie island where her body washed up.
Sagittarius Ponderosa; The Betterment Society; how to clean your room; She He Me; The Devils Between Us; Doctor Voynich and Her Children; Firebird Tattoo; Crooked Parts
Sagittarius Ponderosa; The Betterment Society; how to clean your room; She He Me; The Devils Between Us; Doctor Voynich and Her Children; Firebird Tattoo; Crooked Parts
Finalist in the 2022 Lambda Literary Awards for the LGBTQ Anthology category The Methuen Drama Book of Trans Plays for the Stage is the first play anthology to offer eight new plays by trans playwrights featuring trans characters. This edited collection establishes a canon of contemporary American trans theatre which represents a variety of performance modes and genres. From groundbreaking new work from across America's stages to unpublished work by new voices, these plays address themes such as gender identity and expression to racial and religious attitudes toward love and sex. Edited by Lindsey Mantoan, Angela Farr Schiller and Leanna Keyes, the plays selected explicitly call for trans characters as central protagonists in order to promote opportunities for trans performers, making this an original and necessary publication for both practical use and academic study. Sagittarius Ponderosa by MJ Kaufman The Betterment Society by Mashuq Mushtaq Deen how to clean your room by j. chavez She He Me by Raphaël Amahl Khouri The Devils Between Us by Sharifa Yasmin Doctor Voynich and Her Children by Leanna Keyes Firebird Tattoo by Ty Defoe Crooked Parts by Azure Osborne-Lee
Many indigenous Hawaiian men have felt profoundly disempowered by the legacies of colonization and by the tourist industry, which, in addition to occupying a great deal of land, promotes a feminized image of Native Hawaiians (evident in the ubiquitous figure of the dancing hula girl). In the 1990s a group of Native men on the island of Maui responded by refashioning and reasserting their masculine identities in a group called the Hale Mua (the “Men’s House”). As a member and an ethnographer, Ty P. Kāwika Tengan analyzes how the group’s mostly middle-aged, middle-class, and mixed-race members assert a warrior masculinity through practices including martial arts, woodcarving, and cultural ceremonies. Some of their practices are heavily influenced by or borrowed from other indigenous Polynesian traditions, including those of the Māori. The men of the Hale Mua enact their refashioned identities as they participate in temple rites, protest marches, public lectures, and cultural fairs. The sharing of personal stories is an integral part of Hale Mua fellowship, and Tengan’s account is filled with members’ first-person narratives. At the same time, Tengan explains how Hale Mua rituals and practices connect to broader projects of cultural revitalization and Hawaiian nationalism. He brings to light the tensions that mark the group’s efforts to reclaim indigenous masculinity as they arise in debates over nineteenth-century historical source materials and during political and cultural gatherings held in spaces designated as tourist sites. He explores class status anxieties expressed through the sharing of individual life stories, critiques of the Hale Mua registered by Hawaiian women, and challenges the group received in dialogues with other indigenous Polynesians. Native Men Remade is the fascinating story of how gender, culture, class, and personality intersect as a group of indigenous Hawaiian men work to overcome the dislocations of colonial history.
I know a lot of powerful Thinkers, Speakers, Poets, Spoken Word artist Etc... We've decided to put our minds and talents together in one publication to produce an entertaining thought provoking project. Although many of us are in different parts of the world, we all are connected and united for one common cause, to spread our knowledge and life experiences for the next generation to build and learn from. I know you will enjoy it as much as we did creating it... Peace
We are a powerful group of Dread Heads! From different states, different time zones, with different beliefs, different backgrounds, different goals, Etc; But we were fortunately able to come together for one common cause. Every one deals with trials and tribulations in their life, as well as joy and happiness and we decided to share our experiences with the world in our Knotty Dread Diaries. I hope that you will enjoy, be intrigued, feel sad, mad, be uplifted, Feel disappointed, fall in love, Etc, after reading our thoughts. It was with great pleasure that I was able to participate in something as special as this with such a special group of intelligent Loc'd Kings and Queens. I hope you as a reader will be as entertained as I was while going through each writer's work. Peace...
A small town in Kentucky is about to learn fear. Resting in the foothills of Appalachia, Coal Gap is the kind of place where everybody knows one another and people move to raise their children. One of those children is 10-year-old Billy Griffith, who harbors a secret of an unlimited power of the mind. Unfortunately for Billy, his special abilities can't remain hidden forever, and a stormy darkness gathers around Coal Gap, a maelstrom zeroing in on the boy. Within this storm is a stranger with powers of his own to raise the dead and have them do his bidding. This stranger wants Billy's powers for himself, and he does not come alone.
If a child can watch Barney, can’t that same child also enjoy watching Charlie Chaplin or the Marx Brothers? And as they get older, wouldn’t they grow to like screwball comedies (His Girl Friday), women’s weepies (Imitation of Life), and westerns (The Searchers)? The answer is that they’ll follow because they’ll have learned that “old” does not necessarily mean “next channel, please.”Here is an impassioned and eminently readable guide that introduces the delights of the golden age of movies. Ty Burr has come up with a winning prescription for children brought up on Hollywood junk food. FOR THE LITTLE ONES (Ages 3—6): Fast-paced movies that are simple without being unsophisticated, plainspoken without being dumbed down. Singin’ in the Rain and Bringing Up Baby are perfect.FOR THE ONES IN BETWEEN (Ages 7—12): “Killer stories,” placing easily grasped characters in situations that start simply and then throw curveballs. The African Queen and Some Like It Hot do the job well.FOR THE OLDER ONES (Ages 13+): Burr recommends relating old movies to teens’ contemporary favorites: without Hitchcock, there could be no The Texas Chainsaw Massacre, without Brando, no Johnny Depp.
This useful book, which grew out of the author's lectures at Berkeley, presents some 400 exercises of varying degrees of difficulty in classical ring theory, together with complete solutions, background information, historical commentary, bibliographic details, and indications of possible improvements or generalizations. The book should be especially helpful to graduate students as a model of the problem-solving process and an illustration of the applications of different theorems in ring theory. The author also discusses "the folklore of the subject: the 'tricks of the trade' in ring theory, which are well known to the experts in the field but may not be familiar to others, and for which there is usually no good reference". The problems are from the following areas: the Wedderburn-Artin theory of semisimple rings, the Jacobson radical, representation theory of groups and algebras, (semi)prime rings, (semi)primitive rings, division rings, ordered rings, (semi)local rings, the theory of idempotents, and (semi)perfect rings. Problems in the areas of module theory, category theory, and rings of quotients are not included, since they will appear in a later book. " (T. W. Hungerford, Mathematical Reviews)
Is your company a storyteller--or a storydoer? The old way to market a business was storytelling. But in today's world, simply communicating your brand's story in the hope that customers will listen is no longer enough. Instead, your authentic brand must be evident in every action the organization undertakes. Today's most successful businesses are storydoers. These companies create products and services that, from the very beginning, are manifestations of an authentic and meaningful story--one told primarily through action, not advertising. In True Story, creative executive Ty Montague argues that any business, regardless of size or industry, can embrace the principles of storydoing. Indeed, our best-run companies--from small start-ups to global conglomerates--organize around a coherent narrative that is then broadcast through every action they take (from product design to customer service to marketing). Montague shows why storydoing firms are nimble, more adaptive to change, and more efficiently run businesses. Montague is a founder of the growth consultancy co: collective and the former president and CCO of J. Walter Thompson, the largest advertising agency in North America. He brings his depth of creative business experience to the book and provides a clear framework and proven process for bringing you and your customers together in the creation of your brand story. Montague introduces five critical elements--what he calls the "the four truths and the action map"--that are the foundation of storydoing: - the participants (your customers, partners, and employees) - the protagonist (your company today) - the stage (the world around your business) - the quest (your driving ambition and contribution to the world) - your action map (the actions that will make your story real for participants) The book is filled with examples of how forward-thinking organizations--including Red Bull, Shaklee, Grind, TOMS Shoes, and News Corporation--are effectively using storydoing to transform their organizations and drive extraordinary results.
This guide is the ultimate resource for true fans of the BYU Cougars. Whether you were there for the 1984 championship season or cheered along with Jimmermania, these are the 100 things every fan needs to know and do in their lifetime. Cougars beat writer Jeff Call has collected every essential piece of BYU knowledge and trivia, as well as must-do activities, and ranks them all from 1 to 100, providing an entertaining and easy-to-follow checklist as you progress on your way to fan superstardom.
WITH 8 PAGES OF BLACK-AND-WHITE PHOTOGRAPHS How—and why—do we obsess over movie stars? How does fame both reflect and mask the person behind it? How have the image of stardom and our stars’ images altered over a century of cultural and technological change? Do we create celebrities, or do they create us? Ty Burr, film critic for The Boston Globe, answers these questions in this lively and fascinating anecdotal history of stardom, with all its blessings and curses for star and stargazer alike. From Mary Pickford and Charlie Chaplin to Archie Leach (a.k.a. Cary Grant) and Marion Morrison (a.k.a. John Wayne), Tom Cruise and Julia Roberts, and such no-cal stars of today as the Kardashians and the new online celebrity (i.e., you and me), Burr takes us on an insightful and entertaining journey through the modern fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately, its most revealing.
There is the story the Lone Star State likes to tell about itself—and then there is the reality, a Texas past that bears little resemblance to the manly Anglo myth of Texas exceptionalism that maintains a firm grip on the state’s historical imagination. Lone Star Mind takes aim at this traditional narrative, holding both academic and lay historians accountable for the ways in which they craft the state’s story. A clear-sighted, far-reaching work of intellectual history, this book marshals a wide array of pertinent scholarship, analysis, and original ideas to point the way toward a new “usable past” that twenty-first-century Texans will find relevant. Ty Cashion fixes T. R. Fehrenbach’s Lone Star: A History of Texas and the Texans in his crosshairs in particular, laying bare the conceptual deficiencies of the romantic and mythic narrative the book has served to codify since its first publication in 1968. At the same time, Cashion explores the reasons why the collective efforts of university-trained scholars have failed to diminish the appeal of the state’s iconic popular culture, despite the fuller and more accurate record these historians have produced. Framing the search for a collective Texan identity in the context of a post-Christian age and the end of Anglo-male hegemony, Lone Star Mind illuminates the many historiographical issues besetting the study of American history that will resonate with scholars in other fields as well. Cashion proposes that a cultural history approach focusing on the self-interests of all Texans is capable of telling a more complete story—a story that captures present-day realities.
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