China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West. The Tower of Myriad Mirrors is the only novel of Tung Yüeh (1620–1686), a monk and Confucian scholar. Tung picks up the slapstick of the original tale and overlays it with Buddhist theory and bitter satire of the Ming government’s capitulation to the Manchus. After a nod to Journey’s storyteller format, Tung carries Monkey’s quest into an evocation of shifting psychological states rarely found in premodern fiction. An important though relatively unknown link in the development of the Chinese novel, and a window into late Ming intellectual history, The Tower of Myriad Mirrors further rewards by being a wonderful read.
China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West. The Tower of Myriad Mirrors is the only novel of Tung Yüeh (1620–1686), a monk and Confucian scholar. Tung picks up the slapstick of the original tale and overlays it with Buddhist theory and bitter satire of the Ming government’s capitulation to the Manchus. After a nod to Journey’s storyteller format, Tung carries Monkey’s quest into an evocation of shifting psychological states rarely found in premodern fiction. An important though relatively unknown link in the development of the Chinese novel, and a window into late Ming intellectual history, The Tower of Myriad Mirrors further rewards by being a wonderful read.
China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West. The Tower of Myriad Mirrors is the only novel of Tung Yüeh (1620–1686), a monk and Confucian scholar. Tung picks up the slapstick of the original tale and overlays it with Buddhist theory and bitter satire of the Ming government’s capitulation to the Manchus. After a nod to Journey’s storyteller format, Tung carries Monkey’s quest into an evocation of shifting psychological states rarely found in premodern fiction. An important though relatively unknown link in the development of the Chinese novel, and a window into late Ming intellectual history, The Tower of Myriad Mirrors further rewards by being a wonderful read.
Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity. Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency. The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.
Selected Works of Mao Tse-Tung, Volume IV focuses on the views of Mao Tse-Tung on communism, revolution, civil war, and patriotism. The volume first ponders on China's policy following victory in the war of resistance against Japan and the response of Mao Tse-Tung on Chiang Kai-shek's meddling with the surrender of Japanese forces and his plans for a counter-revolutionary civil war. The publication also takes a look at the role of rent reduction and production on the defense of liberated areas and the policy for work in the liberated areas. The book examines Mao Tse-Tung's call for his comrades to rise in arms against the leadership of Chiang Kai-shek, particularly taking note of the support that Chiang Kai-shek is getting from the United States. The text also elaborates on the concept of operations for the Liaohsi-Shenyang and Huai-hai campaigns; strengthening the party committee system; and the demand to include punishment for Japanese and Kuomintang war criminals. The volume is a dependable source of data for readers interested in the views of Mao Tse-Tung on communism, revolution, civil war, and patriotism.
This book, first published in 1976, is a collection of essays by Chinese scholars, all of whom have been criticised by the Chinese Communist Party or by the Government. The work of these authors constitutes an important part of Chinese literature, and these essays are placed in context by explanatory explanations and come with a glossary that defines words strictly within the boundaries of the story.
This book is prepared primarily for students who are interested in studying the constitutional development and government structure of twentieth-century China. Since the emergence of the Chinese consti tutional movement at the end of the nineteenth century, political institutions in China have undergone constant changes. The first four chapters treat of constitutional development and government systems from the latter part of the Ch'ing dynasty to the re-unification of China by the Nationalist Party in 1928. The other eight chapters deal with the policies, programs, and institutions of the Nationalist and Commu nist governments up to 1962. While treatises on various subjects have been consulted, the sources of this book are chiefly based on the official documents from the collections as indicated in the bibliography. Materials in the first few chapters are partly drawn from my previous works on government and politics in China. Because of the immense scope of the subject and the intricacy of the problems involved, this work is not intended to be exhaustive, but is rather a brief description and discussion of each topic under consideration. As there are many valuable works on China in general as well as on her history and inter national relations, I have tried not to cover what has already been dealt with by others. In my presentation of facts and views, I have endeavored to be as objective as possible, personal political convictions notwithstanding.
A collection of the writings that underpinned the Chinese revolution—presented by “one of the world’s best-known public intellectuals” (New York Review Books) These early philosophical writings underpinned the Chinese revolutions, and Mao’s clarion call to insurrection has lost none of its ability to stir the blood and stimulate the mind. Drawing on a dizzying array of references from contemporary culture and politics, Slavoj Žižek’s introduction reaches unsettling conclusions about the place of Mao’s thought in the revolutionary canon.
China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West. The Tower of Myriad Mirrors is the only novel of Tung Yüeh (1620–1686), a monk and Confucian scholar. Tung picks up the slapstick of the original tale and overlays it with Buddhist theory and bitter satire of the Ming government’s capitulation to the Manchus. After a nod to Journey’s storyteller format, Tung carries Monkey’s quest into an evocation of shifting psychological states rarely found in premodern fiction. An important though relatively unknown link in the development of the Chinese novel, and a window into late Ming intellectual history, The Tower of Myriad Mirrors further rewards by being a wonderful read.
One of the preeminent mathematicians of the past half century shows how physics and math were combined to give us the theory of gravity and the dizzying array of ideas and insights that has come from it Mathematics is far more than just the language of science. It is a critical underpinning of nature. The famed physicist Albert Einstein demonstrated this in 1915 when he showed that gravity—long considered an attractive force between massive objects—was actually a manifestation of the curvature, or geometry, of space and time. But in making this towering intellectual leap, Einstein needed the help of several mathematicians, including Marcel Grossmann, who introduced him to the geometrical framework upon which his theory rest. In The Gravity of Math, Steve Nadis and Shing-Tung Yau consider how math can drive and sometimes even anticipate discoveries in physics. Examining phenomena like black holes, gravitational waves, and the Big Bang, Nadis and Yau ask: Why do mathematical statements, derived solely from logic, provide the best descriptions of our physical world? The Gravity of Math offers an insightful and compelling look into the power of mathematics—whose reach, like that of gravity, can extend to the edge of the universe.
A fascinating insight into the life of the vast majority of Chinese people at the end of 19th century. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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