Shifting the center of gravity from pulpits to parsonages, and from confident sermons to whispered doubts, this family narrative humanizes the Eliot saints, demystifies their liberal religion, and lifts up the largely unsung female vocation of practical ministry. Spanning 150 years from the early 19th century forward, the narrative probes the womens defining experiences: the deaths of numerous children, the anguish of infertility, persistent financial worries, and the juggling of the often competing demands that parishes make on first ladies. Here, too, we see the matriarchs granddaughters scripting larger lives as they skirt traditional marriage and womens usual roles in the church. They follow their hearts into same-sex unions and blaze new trails as they carve out careers in public health service and preschool education. These stories are linked by the womens continuing battles to speak and make themselves heard over the thundering clerical wisdom that contradicts their reality. A wealth of photographs, genealogical charts, and a family roster deepen the readers engagement with this ambitious biography.
An important and timely expansion of American racial discourse. Tucker’s demonstration of how the comic is not (just) funny and how rage is not (just) destructive is a welcome reminder that willful injustice merits irreverent scorn. "—Derek C. Maus, coeditor of Post-Soul Satire: Black Identity after Civil Rights "Adroitly explores how comic rage is a skillfully crafted, multifaceted critique of white supremacy and a soaring articulation of African American humanity and possibility. Sparkling and highly readable scholarship."—Keith Gilyard, author of John Oliver Killens: A Life of Black Literary Activism A combustible mix of fury and radicalism, pathos and pain, wit and love—Terrence Tucker calls it "comic rage," and he shows how it has been used by African American artists to aggressively critique America’s racial divide. In Furiously Funny, Tucker finds that comic rage developed from black oral tradition and first shows up in literature by George Schuyler and Ralph Ellison shortly after World War II. He examines its role in novels and plays, following the growth of the expression into comics and stand-up comedy and film, where Richard Pryor, Spike Lee, Whoopi Goldberg, and Chris Rock have all used the technique. Their work, Tucker argues, shares a comic vision that centralizes the African American experience and realigns racial discourse through an unequivocal frustration at white perceptions of blackness. They perpetuate images of black culture that run the risk of confirming stereotypes as a means to ridicule whites for allowing those destructive depictions to reinforce racist hierarchies. At the center of comic rage, then, is a full-throated embrace of African American folk life and cultural traditions that have emerged in defiance of white hegemony’s attempts to devalue, exploit, or distort those traditions. The simultaneous expression of comedy and militancy enables artists to reject the mainstream perspective by confronting white audiences with America’s legacy of racial oppression. Tucker shows how this important art form continues to expand in new ways in the twenty-first century and how it acts as a form of resistance where audiences can engage in subjects that are otherwise taboo.
This book chronicles the journey of discovery by a man who went on a quest to solve a mystery. Did his grandmother die the way he was told she had, or was she murdered? The rumor had plagued his family for almost four decades. Could the unthinkable be true, that his own grandfather might have been involved with the mysterious death of his grandmother? Along the way in his multiyear odyssey, the author discovers his family roots, his family tree, and the disturbing secrets long buried by his family. He vividly portrays the life and culture of Paducah, Kentucky, East St. Louis, Illinois, and Okeechobee, Florida, in the 1910s through the 1970s. He displays a culture and dialect of a strong breed of people that lived in rural western Kentucky in the early 1900s. He discovers extreme violence, knife fights, gunfights, bigamy, racism, thievery, bootlegging, and long-lost siblings. He discovers secrets within military and government files, unknown mental illnesses, wife-beatings, and murders. He discovers his grandfather’s World War II emprise, and the surprises it revealed. He uncovers the secrets of Freemasonry, and how it may have been involved in his grandmother’s death. He uncovers many lies from many people, and lawlessness by some in his family. The story includes attempts at a belated exhumation and autopsy to finally solve the mystery once and for all. He finally brings together all the evidence, pieces of a bizarre mystery, never before assembled by his family, to solve the enigma of his grandmother’s death. This book details the emotional pendulum experienced by a grandson on a journey to solve a riddle, and being repeatedly shocked and dumbfounded by what he found. Anne Carayon: “Great entertaining narrative! The mystery thickens as you go along! The historical and sociological backgrounds have transformed a personal sad story into a page of American Middle West history. It is also a description of what man can do to achieve his egotistical goals. That’s universal and timeless.” Deborah Schadt: “How brave it was of Dwain Tucker to put so much thought, time, and energy into looking for something he didn’t want to find! His intention to uncover evidence to disprove a family murder rumor led him to the discovery of numerous family secrets, both good and bad. “Many in Dwain Tucker’s family learned everything they knew from the school of hard knocks, and he was so honest in his portrayal of the ‘colorful’ characters in his family. His attempt at imitating the dialect used by the people of that place and time is both humorous and accurate. “Dwain has my admiration, appreciation, and gratitude for preserving a part of the Tucker family history—that if not for his perseverance would have otherwise been forever lost.”
By the time it incorporated as an independent town in 1726, Kingston had, for a century, been the prestigious "North Precinct" of the Plymouth Colony, where Pilgrim leaders such as Gov. William Bradford and Dr. Samuel Fuller established their farms and second homes. Residents were granted authority by the Massachusetts General Court in 1717 to be set off from Plymouth and, in that year, Maj. John Bradford, grandson of the governor, gave the new precinct fourteen acres of what is now centralKingston. Kingston documents the rich and varied cultural, social, and commercial histories of the town and its inhabitants through the sharing of a remarkable legacy of historical and topographical photographic images. Within these pages, you will see how early Kingston prospered because of the productive lands of the Jones River and its tributaries, how iron ore was mined in the town's bogs, and how some three hundred vessels were built in the Jones River yards in the nineteenth century. In Kingston, you also will learn of the Old Colony Railroad, which came to town in 1845, and of the railroad's first two presidents, local residents Col. John Sever and Alexander Holmes.
From the internationally bestselling author of The Simple Wild comes the story of a woman at a crossroads in her life, struggling between the safe route and the one that will only lead to more heartbreak. Veterinarian Marie Lehr knows unrequited love all too well after pining for her best friend, only to watch him marry another woman. It’s a mistake she will never make again, especially not when she can practically hear the clock ticking on her childbearing years. The trouble is, she can’t seem to find anyone who appeals to her even a fraction as much as that burly bush pilot did. Competitive musher Tyler Brady certainly doesn’t, especially not after the heated altercation with the handsome but arrogant, spiteful man. Or so she thinks. While volunteering at the Iditarod Sled Dog Race, Marie discovers that first impressions may have been false, and her attraction to Tyler is very real. But his heart belongs to someone else, leaving him with nothing to offer but friendship. Marie’s been down this road before and knows how that ends. Yet, no matter how hard she works to keep from falling for Tyler, it seems she’s doomed to follow her own trail once again.
In Mind from Body, Don Tucker, one of the most original thinkers about organic information processing, provides a fascinating analysis of how our brains have become what they are today and speculates intriguingly about what they could be tomorrow. He presents important research that explains how personal experience creates the emotional and motivational bases of each of our thoughts, even though we are usually not aware that it is happening. Tucker shows that in exploring how these bodily thought processes still determine how we react to the world andmake decisions, we can become more rational
Cases and Materials on Constitutional and Administrative Law provides an essential collection of key primary and secondary materials with incisive commentary from the authors.
An Oscar-winning Best Actress for her tour-de-force role in Come Back, Little Sheba, Shirley Booth would ultimately win every major acting award that could be bestowed on an actress. Awarded three Tony Awards, two Emmys, and a Golden Globe, Booth was described by the judges at the Cannes Film Festival as "The World's Best Actress." Yet today fans know her best as the warm-hearted, busybody maid of television's Hazel. This, the first biography of the beloved star, provides complete coverage of a career that encompassed theater, film, radio, and television, and co-stars such as Humphrey Bogart and Katharine Hepburn. It begins with Shirley's childhood in Brooklyn, and her rebellious decision to become an actress against the wishes of her strict father. Included is complete coverage of her tumultuous marriage to radio comedian Ed Gardner (of "Duffy's Tavern" fame), and a second, happier union that ended abruptly with her husband's death of a heart attack. Readers of this exhaustively researched biography will come to know a versatile and gifted star whose career spanned almost 60 years. Appendices provide extensive details of her Broadway, film, radio and television (episode-by-episode) credits.
Dubbed "The Dollar Bills," William H. Pine and William C. Thomas made 1940s Hollywood take notice with their B movies for Paramount that gave solid entertainment while cutting costs to the bone. In the 1950s, with television looming, Pine-Thomas Productions began making bigger-budget films with stars including James Cagney and Jane Wyman, and incorporating trends like 3-D. "The public is Hollywood's boss," Pine said, and the company gave moviegoers what they wanted. Written with the assistance of the Pine and Thomas families, this book draws on Thomas' never-published memoir, interviews with colleagues and relatives, and rarely seen photographs to document the story of Pine-Thomas and its founders. An annotated filmography covers their 76 feature films and five shorts. Appendices give biographical sketches of such actors as Robert Lowery, Jean Parker and John Payne, as well as the directors, cinematographers and other crew members who made movies at top speed with more ingenuity than money.
In 1929, Charles Upson Clark (1875-1960), a history Professor at Columbia University carrying out bibliographic research on the early history of the Americas in the Vatican Library, came across a remarkable illustrated Latin manuscript entitled Libellus de Medicinalibus Indorum Herbis (Little Book of Indian Medicinal Herbs) completed in 1552. The manuscript now known as the Codex Cruz-Badianus (CCB) contained 185 illustrations (phytomorphs) of plants with text that described their medicinal uses. This manuscript spread new light on botanical and medicinal knowledge of the indigenous peoples of Mexico known today as the Nahuas or Aztecs. It was to have major repercussions on our knowledge of Aztec culture and the history of New Spain in the 16th century. CCB was produced at the Colegio of Imperial de Santa Cruz at Tlatelolco established in 1536 to train sons of the Aztec nobility for the clergy. The authors were two indigenous faculty members, Martin (Martinus in Latin) de la Cruz and Juan Badiano (Juannes Badianus in Latin) whose Spanish names were conferred upon their baptism. Martin de la Cruz was the Colegio’s indigenous doctor who gave instruction in medicine and Juan Badiano, a Latin teacher and former student translated the book into Latin. The herbal dedicated to the Viceroy Francisco de Mendoza was sent to Spain as a gift to King Carlos I soon after its completion in 1552. The original ended up in the Vatican Library until 1990 when John Paul II returned it to Mexico. In 1931, the Mayanist scholar, William Gates, and the biologist Emily Walcott Emmart became aware of the manuscript and independently translated it to English. In 2009, Martin Clayton, Luigi Guerrini, and Alejandro de Avila identified plants of the CCB based on Emmart’s book and a 17th century copy found in the Windsor library. Of the 185 phytomophs, Gates identified 85 on the generic level, Emmart 9, and Clayton et al. 126. However most of these identifications disagree. In the present work, 183 of 185 phytomorphs are systematically re-evaluated and identified on the generic, as well as specific level, along with their botanical descriptions, previous identifications, putative identification, distribution, names, and uses.
Mary Francis Elizabeth James Tucker was the seventh of thirteen children. Her mother was Vina, a loving person determined to keep her family together. Her father was Emmitt, a restless soul who moved the family constantly to satisfy his desire to roam Mary, the author of Life, Love, and Death continues the story of her growing up years. She and her siblings laugh and cry over their many memories. Life isnt always a bed of roses, but falling in the thorns sure does give you good things to laugh about later on.
On stage from her childhood, Martha Raye (1916-1994) proudly embraced the role of the clown, her gift for slapstick comedy enhanced by a fine singing voice. She became a star with her first feature film, Rhythm on the Range (1936), as the zany, loudmouthed girl looking for love--or chasing it as it ran away. She won popular and critical acclaim with The Martha Raye Show (1954-1956) before it was abruptly cancelled, partly because of her chaotic personal life. Drawing on new interviews with her colleagues, this retrospective covers the life and career of an enduringly funny lady who influenced a generation of women comedians. Her reign as a top NBC star of the 1950s is covered, along with her appearances on popular variety shows, her roles in fondly remembered series like The Bugaloos, McMillan and Alice, and her film career that teamed her with the likes of Jack Benny, Charlie Chaplin and Doris Day.
This is history at its best. From Jerusalem to Irian Jaya is readable, informative, gripping, and above all honest. From Jerusalem to Irian Jaya helps readers understand the life and role of a missionary through real life examples of missionaries throughout history. We see these men and women as fallible and human in their failures as well as their successes. These great leaders of missions are presented as real people, and not super-saints. This second edition covers all 2,000 years of mission history with a special emphasis on the modern era, including chapters focused on the Muslim world, Third World missions, and a comparison of missions in Korea and Japan. It also contains both a general and an “illustration” index where readers can easily locate particular missionaries, stories, or incidents. New design graphics, photographs, and maps help make this a compelling book. From Jerusalem to Irian Jaya is as informative and intriguing as it is inspiring—an invaluable resource for missionaries, mission agencies, students, and all who are concerned about the spreading of the gospel throughout the world.
Jeffrey Tucker is well known as the author of many informative and beloved articles and books on the subject of human freedom. Now he’s turned his attention to the most shocking and widespread violation of human freedom in our times: the authoritarian lockdown of society on the pretense that it is necessary in the face of a novel virus. Learning from the experts, Jeffrey Tucker has researched this subject from every angle. In this book, Tucker lays out the history, politics, economics, and science relevant to the coronavirus response. The result is clear: there is no justification for the lockdowns. It’s liberty or lockdown. We have to choose. The book includes a foreword by George Gilder.
According to Ken Tucker, television is where the mass culture action really is. It's where the weasel goes pop. But for such a fluid, of-the-moment, democratic yet "cool" medium, a strangling accretion of false pieties, half-remembered history, and misplaced nostalgia has grown up around it--the prose equivalent of choking vines. In this book, Ken Tucker shares his zealous opinions about the best and worst of television, past and present Everyone has firm beliefs about what he loves and hates about TV. If TV fans think the high point of televised political wit was M*A*S*H, or that Johnny Carson was the true king of late-night, Ken Tucker does his damnedest to convince them that they've been hoodwinked, duped by pixilated mists of memory and bad TV criticism. His dazzling, provocative, and entertaining pieces include LOVES: James Garner as TV's Cary Grant, Pamela Anderson's breasts, David Brinkley--the only anchor who understood that being an anchor was a hollow ego-trip, Heather Locklear as the ultimate TV Personality, Bill O'Reilly--why the biggest asshole on TV is a great TV personality. And from his HATE lists: "The Sopranos" as The Great Saga That Sags, Miss Peggy as media star, Bob Newhart: Human Prozac, Worst Mothers on TV, Star Trek-Sci-Fi suckiness decked out as utopian idealism. His perception and passion about this much maligned medium gives the lie to passive cliché's like "vegging out in front of the boob tube." This book is the TV version of Michael Moore's Stupid White Men or Bill O'Reilly's The No-Spin Zone.
United States Army Cap Insignia 1902-1975 By: Michael F. Tucker America was entering a new century. Fresh from defeating Spain in the Spanish-American War, the young country was assuming its new position in the old world order. Filled with confidence and economic strength, the United Sates looked towards the future with the many opportunities and changes presented to it and its people. These changes also applied to the United States Army and its uniforms, in particular, the uniform cap and its insignia. Presented here are those changes in US Army cap insignia during the twentieth century. Shown in photographs and words drawn from US Government and US Army archives, with dimensions and close‑up images of insignia, a thorough history can now be revealed!
When the Continental Congress decided to declare independence from the British empire in 1776, ten percent of the population of their fledgling country were from Ireland. By 1790, close to 500,000 Irish citizens had immigrated to America. They were was very active in the American Revolution, both on the battlefields and off, and yet their stories are not well known. The important contributions of the Irish on military, political, and economic levels have been long overlooked and ignored by generations of historians. However, new evidence has revealed that Washington’s Continental Army consisted of a far larger percentage of Irish soldiers than previously thought—between 40 and 50 percent—who fought during some of the most important battles of the American Revolution. Romanticized versions of this historical period tend to focus on the upper class figures that had the biggest roles in America’s struggle for liberty. But these adaptations neglect the impact of European and Irish ideals as well as citizens on the formation of the revolution. Irish contributors such as John Barry, the colonies’ foremost naval officer; Henry Knox, an artillery officer and future Secretary of War; Richard Montgomery, America’s first war hero and martyr; and Charles Thomson, a radical organizer and Secretary to the Continental Congress were all instrumental in carrying out the vision for a free country. Without their timely and disproportionate assistance, America almost certainly would have lost the desperate fight for its existence. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
On the hot Sunday afternoon of June 25, 1876, Lieutenant Colonel George Armstrong Custer decided to go for broke. After dividing his famed 7th Cavalry, he ordered his senior officer, Major Marcus A. Reno, to strike the southern end of the vast Indian encampment along the Little Bighorn River, while Custer would launch a bold flank attack to hit the village's northern end. Custer needed to charge across the river at Medicine Tail Coulee Ford. We all know the ultimate outcome of this decision, but this groundbreaking new book proves that Custer's tactical plan was not so ill-conceived. The enemy had far superior numbers and more advanced weaponry. But Custer's plan could still have succeeded, as his tactics were fundamentally sound. Relying on Indian accounts that have been largely ignored by historians, this is also a story of the Sioux and Cheyenne warriors. Custer’s last move was repulsed, resulting in withdrawal to the high ground above the ford… and it was here, on the open and exposed slopes and hilltops, that Custer and his five companies were destroyed in systematic fashion. This book tells for the first time the forgotten story of the true turning point of America's most iconic battle. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
A Genealogy of the Tucker Family and Also the Families of Allen, Blackistone, Chandler, Ford, Gerard, Harmor, Hume, Monroe, Skaggs, Smith, Stevesson, Stone, Sturman, Thompson, Ward, Yowell, and Others
A Genealogy of the Tucker Family and Also the Families of Allen, Blackistone, Chandler, Ford, Gerard, Harmor, Hume, Monroe, Skaggs, Smith, Stevesson, Stone, Sturman, Thompson, Ward, Yowell, and Others
This copiously documented volume sheds new light on one of the earliest families to settle in Virginia, that of Captain William Tucker of London, and on a number of allied families whose progenitors figured in the early history of the Virginia and Maryland colonies.
Two and a half months after the Confederate Army’s drive into Union territory had been checked by the Federals at Gettysburg, the two armies met near Chattanooga, Tennessee, to dispute control of the west. Here they locked in the bloody battle of Chickamauga, one of the most hotly contested engagements of American history, and one of the most extraordinary. For two days —September 19 and 20, 1863 — 125,000 men struggled for the prize city of Chattanooga in terrain more like a jungle than a battlefield. All regarded the battle as decisive. On its outcome depended, for the South, the fate of Atlanta and all Georgia. For the North, it promised the one opportunity to cut the Confederacy through the middle and possibly end the war before Christmas. For the courage they displayed, these men surpassed any in the wars of western civilization. It was, perhaps above all else from the strategist’s point of view, a battle of strong personalities. Leading the Federals was William Starke Rosecrans, of German ancestry, hot-tempered and sometimes vacillating. Opposed to him was the hard-fighting, brave and resourceful Braxton Bragg, a martinet who could be slow moving and careless in supervising the execution of his orders. Possibly most outstanding of all was the Union General George Henry Thomas, whose remarkable courage and tactical skill saved his side from overwhelming defeat and earned him the sobriquet of “Rock of Chickamauga.
Most of the bright and talented actresses who made America laugh in the 1950s are off the air today, but their pioneering Hollywood careers irrevocably changed the face of television comedy. These smart and sassy women successfully negotiated the hazards of the male-dominated workplace with class and humor, and the work they did in the 1950s is inventive still by today's standards. Unable to fall back on strong language, shock value, or racial and sexual epithets, the female sitcom stars of the 1950s entertained with pure talent and screen savvy. As they did so, they helped to lay the foundation for the development of television comedy. This book pays tribute to 10 prominent television actresses who played lead roles in popular comedy shows of the 1950s. Each chapter covers the works and personalities of one actress: Lucille Ball (I Love Lucy), Gracie Allen (The George Burns and Gracie Allen Show), Eve Arden (Our Miss Brooks), Spring Byington (December Bride), Joan Davis (I Married Joan), Anne Jeffreys (Topper), Donna Reed (The Donna Reed Show), Ann Sothern (Private Secretary and The Ann Sothern Show), Gale Storm (My Little Margie and The Gale Storm Show: Oh! Susanna), and Betty White (Life with Elizabeth). For each star, a career sketch is provided, concentrating primarily on her television work but also noting achievements in other areas. Appendices offer cast and crew lists, a chronology, and an additional biographical sketch of 10 less familiar actresses who deserve recognition.
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