An irresistible mix of imagination, satire, and humor, these stories by acclaimed Japanese author Yasutaka Tsutsui imagine the consequences of a world where the fantastic and the mundane collide. The opening story, “The Dabba Dabba Tree,” details the hilarious side effects of a small conical tree that, when placed at the foot of one’s bed, creates erotic dreams. In “Commuter Army,” a sly commentary on the ludicrousness of war, a weapons supplier becomes an unwilling conscript in a war zone. “The World is Tilting” imagines a floating city that slowly begins to sink on one side, causing its citizens to reorient their daily lives to preserve a semblance of normality. And in the title story, we see how obscenely absurd the environment on Planet Porno appears to a group of scientists. The stories in Salmonella Men on Planet Porno winningly combine madcap hilarity and a sharp eye toward the insanities of contemporary life.
During the 70's it has become drastically apparent that our natural resources, including energy, are not in unlimited supply. This realization is strongly felt in the economic turmoil that is occurring, but its effects will penetrate into other areas, even causing moderate social changes. Chemists playa major role in coverting the world's natural resources into products. The public consumes these products and now depends upon them to keep the high standard of living to which they have become accustomed. This topic could easily be expounded into a whole article, but it is sufficent to say that almost everything-from the use of lightweight, strong polymers which are replacing the use of metals in today's automobiles, to the curing of diseases with asymetrically synthesized drugs-is related to the endeavors of chemistry. Catalysts have played a major role in transforming resources to useful products. Since a catalyst lowers the activation energy required for a particular reaction, and often for only one specific pathway where normally many exist, it is not surprising within the extant climate that researchers are now increasing their efforts and focusing their priorities on improving and discovering more efficient and selective catalysts.
The Plenum Press series, Monographs in Inorganic Chemistry, is intended to fill an obvious need for high-level surveys of recent research in that area, particularly in matters which go beyond the traditional or classical bound aries of the subject. The study of n-bonding of hydrocarbon groups (and their derivatives) to metals is exactly that kind of subject, for it provides a new way of understanding the behavior of metals (which constitute four-fifths of all the chemical elements). In addition, n-bonding has expanded the intriguing area of organometallic chemistry threefold, bringing in all the transition metals, the lanthanides, and the actinides. So much has been discovered and developed in the area of n-bonded "complexes" of the metals that important new industrial processes based on such substances have been developed. A truly comprehensive review of all n-bonded compounds of the metals would now result in an impossibly large and expensive volume, and would require monthly revision. Instead, the present authors have wisely decided to write a survey which outlines the general aspects of preparation, properties, structure, reactions, and uses of such compounds-a survey which can serve as a textbook, but which can also lead the more experienced practitioner to the most advanced literature on the subject. They have clarified and condensed the subject by means of good organization and a liberal use of diagrams-features which will please the general reader.
Widely acknowledged as Yasutaka Tsutsui's masterpiece, Paprika unites his surreal, quirky imagination with a mind-bending narrative about a psychiatric institute that has developed the technology to invade people's dreams. When prototype models of a dream-invading device go missing at the Institute for Psychiatric Research, it transpires that someone is using them to drive people insane. Threatened both personally and professionally, brilliant psychotherapist Atsuko Chiba has to journey into the world of fantasy to fight her mysterious opponents. As she delves ever deeper into the imagination, the borderline between dream and reality becomes increasingly blurred, and nightmares begin to leak into the everyday realm. The scene is set for a final showdown between the dream detective and her enemies, with the subconscious as their battleground, and the future of the waking world at stake.
One of Tsutsui's best-known and most popular works in his native Japan, The Girl Who Leapt through Time is the story of fifteen-year-old schoolgirl Kazuko, who accidentally discovers that she can leap back and forth in time. In her quest to uncover the identity of the mysterious figure that she believes to be responsible for her paranormal abilities, she'll constantly have to push the boundaries of space and time, and challenge the notions of dream and reality.
Nanase cannot remember when she first realized she could read people's minds, but not once during her eighteen years has she ever questioned her particularly unusual ability. Yet, working as a live-in maid, she is inevitably drawn into the lives, thoughts and desires of her employers, with dangerous and at times hilarious consequences. From the sexual rapaciousness of her first boss to the grime and stench of the house where she works next and her third employer's inability to accept she's no longer young, Nanase's adventures are a picaresque journey into the inner sanctum of the lives and psyches of ordinary Japanese people.
A newspaper-masked vigilante who broadcasts his acts of vengeance before committing them. A newly-formed police division tackling the new frontier of internet-based crime. As the sun rises on the Era of Information, can a group of people who found themselves at the bottom of the food chain rattle society through the web and avenge a fallen friend?
Fifty-seven-year-old Takeshi has just been involved in a traffic accident. When he wakes up, he is in a strange bar, no longer crippled as he has been for most of his life, but able to walk without crutches in his everyday business suit. Looking around, he sees a number of familiar faces - Izumi, a colleague who had died in a plane crash five years before; his childhood friend Yuzo, who had become a yakuza and had been killed by a rival gang member; and Sasaki, who had frozen to death as a homeless vagrant.This is Hell - a place where three days last as long as ten years on earth, and people are able to see events in both the future and the past. Yuzo can now see the yakuza that killed him as he harasses a friend of his. The actress Mayumi and the writer Torigai are chased by the paparazzi into an elevator that drops to floor 666 beneath ground level. The vivid depiction of afterlife portrayed in "e;Hell"e; admits the traditional horrors, but subjects them to Tsutsui's unique powers of enchantment: witty, amusing, praised for its poetic style and the wizard-like light touch of the author's shifting focus, "e;Hell"e; is a masterpiece of surrealist literature.
Winner of the American Sociological Association's 2019 Asia and Asian American Section Book Award Winner of the American Sociological Association's 2019 Political Sociology Section Distinguished Contribution to Scholarship Book Award Since the late 1970s, the three most salient minority groups in Japan - the politically dormant Ainu, the active but unsuccessful Koreans, and the former outcaste group of Burakumin - have all expanded their activism despite the unfavorable domestic political environment. In Rights Make Might, Kiyoteru Tsutsui examines why, and finds an answer in the galvanizing effects of global human rights on local social movements. Tsutsui chronicles the transformative impact of global human rights ideas and institutions on minority activists, which changed their understandings about their standing in Japanese society and propelled them to new international venues for political claim making. The global forces also changed the public perception and political calculus in Japan over time, catalyzing substantial gains for their movements. Having benefited from global human rights, all three groups repaid their debt by contributing to the consolidation and expansion of human rights principles and instruments outside of Japan. Drawing on interviews and archival data, Rights Make Might offers a rich historical comparative analysis of the relationship between international human rights and local politics that contributes to our understanding of international norms and institutions, social movements, human rights, ethnoracial politics, and Japanese society.
Japanese industry is the envy of the world for its efficient and humane management practices. Yet, as William Tsutsui argues, the origins and implications of "Japanese-style management" are poorly understood. Contrary to widespread belief, Japan's acclaimed strategies are not particularly novel or even especially Japanese. Tsutsui traces the roots of these practices to Scientific Management, or Taylorism, an American concept that arrived in Japan at the turn of the century. During subsequent decades, this imported model was embraced--and ultimately transformed--in Japan's industrial workshops. Imitation gave rise to innovation as Japanese managers sought a "revised" Taylorism that combined mechanistic efficiency with respect for the humanity of labor. Tsutsui's groundbreaking study charts Taylorism's Japanese incarnation, from the "efficiency movement" of the 1920s, through Depression-era "rationalization" and wartime mobilization, up to postwar "productivity" drives and quality-control campaigns. Taylorism became more than a management tool; its spread beyond the factory was a potent intellectual template in debates over economic growth, social policy, and political authority in modern Japan. Tsutsui's historical and comparative perspectives reveal the centrality of Japanese Taylorism to ongoing discussions of Japan's government-industry relations and the evolution of Fordist mass production. He compels us to rethink what implications Japanese-style management has for Western industries, as well as the future of Japan itself.
Anna's little sister Katy is a nuisance, especially when she wants Emily, Anna's favorite doll. When Katy is hospitalized, Anna decides to bring a special present to her.
The unique Japanese banking system has contributed greatly to Japan’s post-war economic advance by investing aggressively in industry and by supporting close government-business relations. The banking sector might not have come to assume such a significant role, however, had American efforts to reform Japanese finance during the Occupation (1945-52) been successful. How Japan’s banking system maintained continuity of development and avoided the occupiers’ attempts at "democratisation" and "Americanisation" is the subject of this book. It explores why the Americans were committed to reform, the reasons they failed and how important the maintenance of the financial status quo was to the subsequent development of Japan’s "miracle" economy.
Japanese Popular Culture and Globalization is the only concise overview of Japan's phenomenal impact on world pop culture available in English. Surveying Japanese forms from anime (animation) and manga (comic books) to monster movies and Hello Kitty products, this volume is an accessible introduction to Japan's pop creativity and its appeal worldwide. Written in an accessible style and illustrated with more than 20 photographs, Japanese Popular Culture and Globalization combines a historical approach to the evolution and diffusion of Japanese pop with interdisciplinary perspectives from anthropology, literary studies, political science, and the visual arts. Includes a useful glossary of terms and a bibliography of recommended readings.
This year, to mark the fiftieth anniversary of his first appearance on the screen, the original, uncut version of Godzilla was released in American theaters to the delight of Sci-Fi and B-Movie fans everywhere. Ever since Godzilla (or, Gojira, as he is known in Japan) crawled out of his radioactive birthplace to cut a swath of destruction through Tokyo, he has claimed a place alongside King Kong and others in the movie monster pantheon. He is the third most recognizable Japanese celebrity in the United States, and his fan base continues to grow as children today prove his enduring appeal. Now, Bill Tsutsui, a life-long fan and historian, takes a light-hearted look at the big, green, radioactive lizard, revealing how he was born and how he became a megastar. With humorous anecdotes, Godzilla on My Mind explores his lasting cultural impact on the world. This book is sure to be welcomed by pop culture enthusiasts, fans, and historians alike.
Rizu is a science genius who wants to study liberal arts. Fumino is effortlessly good at literature, but math makes her head spin. Nariyuki is stuck between a rock and a hard place, but who can complain about tutoring a couple of cute girls? -- VIZ Media
En refusant de laisser sa fille étudier l'astronomie, le père de Fumino se montre particulièrement cruel. Excédée, la lycéenne se réfugie chez Nariyuki. En passant prendre quelques affaires chez elle, les deux amis découvrent un mystérieux ordinateur légué par la défunte mère de Fumino et qui pourrait bien l'aider à réaliser son rêve
On the day of their entrance exam, Fumino manages to save Nariyuki from a disastrous fall, only to hurt herself in the process! Feeling guilty about Fumino’s injury, Nariyuki takes it upon himself to look after her. Will this bring the two of them closer? -- VIZ Media
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