Based on scores of life-history interviews, the book illustrates a shift in the political mood from 1976 onwards. Place of Thorns: Black Political protest in Kroonstad since 1976, is a landmark study that examines the tumultuous and often fractious politics in Kroonstad's black townships. In spite of the town's relative obscurity, the author demonstrates a rich tradition of civic and political life in its townships and provides a persuasive explanation for the violence unleashed in the 1990s after decades of relative political 'quiescence'. Inspired by the philosophies of black consciousness and the Congress movement, students developed a radical attitude and they spearheaded and shaped political protests in the townships up to the 1990s. However, tensions between the local civic associations and the regional and national ANC leadership ultimately cost the ANC the first democratic local government elections in Kroonstad. As a work of revisionist history, this book showcases South Africa's nuanced liberation history that unfolded in smaller, less known places. The book is essential reading for scholars and students, and everyone interested in the South African liberation history, 'local' histories, political mobilisation and protests.
In Kingdom Come, Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism. Masango Chéry traces this Black freedom struggle and the ways that South African church leaders defied colonial domination by creating, in solidarity with Black Christians worldwide, Black-controlled religious institutions that were geared toward their liberation. She demonstrates how Black Christians positioned the church as a site of political resistance and centered specifically African visions of freedom in their organizing. Drawing on archival research spanning South Africa, Zimbabwe, Kenya, the United Kingdom, and the United States, Masango Chéry tells a global story of the twentieth century that illuminates the formations of racial identity, state control, and religious belief. Masango Chéry’s recentering of South Africa in the history of worldwide Black liberation changes understandings of spiritual and intellectual routes of dissemination throughout the diaspora.
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