Danger, art, and a touch of romance collide in Trish Esden’s second exquisitely crafted Scandal Mountain Antiques mystery, perfect for fans of Jane K. Cleland and Connie Berry. Some people are willing to die for their art. Others are willing to kill for it. When Vermont antique and art dealer Edie Brown discovers an unsettlingly dark collage by the famed reclusive “outsider” artist known only as Vespa, she opens a Pandora’s Box of deception and danger. Edie teams up with Uncle Tuck and Kala to investigate the background of the collage but only uncover secrets that are more disturbing than the artwork itself. As Edie tracks down the validity of the piece, she stumbles into an art underground where some people are willing to kill to keep their schemes a secret. Esden expertly crafts a complex cast of characters, a breathtakingly gorgeous setting, and a twisty plot that often poses more questions than answers.
Perfect for fans of Jane K. Cleland and Connie Berry, Tricia Esden's series debut is sure to please. After her mother is sent to prison for art forgery, Edie Brown returns to Northern Vermont to rebuild her family’s fine art and antiques business. She’s certain she can do it now that her mother is gone. After all, butting heads with her mom over bad business practices was what drove Edie away three years ago, including a screwup that landed Edie on probation for selling stolen property. When Edie scores a job appraising a waterfowl decoy collection at a hoarder’s farmhouse, she’s determined to take advantage of the situation to rebuild the business’s tarnished reputation and dwindling coffers. In lieu of payment, Edie intends to cherry-pick an exceptional decoy carved by the client’s renowned Quebecoise folk artist ancestors. Only the tables turn when the collection vanishes. Accused of the theft, Edie’s terrified that the fallout will destroy the business and land her in prison next to her mom. Desperate, she digs into the underbelly of the local antiques and art world. When Edie uncovers a possible link between the decoy theft and a deadly robbery at a Quebec museum, she longs to ask her ex-probation officer, and ex-lover, for help. But she suspects his recent interest in rekindling their romance may hide a darker motive. With the help of her eccentric uncle Tuck and Kala, their enigmatic new employee, Edie must risk all she holds dear to expose the thieves and recover the decoys before the FBI’s Art Crime Team or the ruthless thieves themselves catch up with her.
Perfect for fans of Jane K. Cleland and Connie Berry, Tricia Esden's series debut is sure to please. After her mother is sent to prison for art forgery, Edie Brown returns to Northern Vermont to rebuild her family’s fine art and antiques business. She’s certain she can do it now that her mother is gone. After all, butting heads with her mom over bad business practices was what drove Edie away three years ago, including a screwup that landed Edie on probation for selling stolen property. When Edie scores a job appraising a waterfowl decoy collection at a hoarder’s farmhouse, she’s determined to take advantage of the situation to rebuild the business’s tarnished reputation and dwindling coffers. In lieu of payment, Edie intends to cherry-pick an exceptional decoy carved by the client’s renowned Quebecoise folk artist ancestors. Only the tables turn when the collection vanishes. Accused of the theft, Edie’s terrified that the fallout will destroy the business and land her in prison next to her mom. Desperate, she digs into the underbelly of the local antiques and art world. When Edie uncovers a possible link between the decoy theft and a deadly robbery at a Quebec museum, she longs to ask her ex-probation officer, and ex-lover, for help. But she suspects his recent interest in rekindling their romance may hide a darker motive. With the help of her eccentric uncle Tuck and Kala, their enigmatic new employee, Edie must risk all she holds dear to expose the thieves and recover the decoys before the FBI’s Art Crime Team or the ruthless thieves themselves catch up with her.
Danger, art, and a touch of romance collide in Trish Esden’s second exquisitely crafted Scandal Mountain Antiques mystery, perfect for fans of Jane K. Cleland and Connie Berry. Some people are willing to die for their art. Others are willing to kill for it. When Vermont antique and art dealer Edie Brown discovers an unsettlingly dark collage by the famed reclusive “outsider” artist known only as Vespa, she opens a Pandora’s Box of deception and danger. Edie teams up with Uncle Tuck and Kala to investigate the background of the collage but only uncover secrets that are more disturbing than the artwork itself. As Edie tracks down the validity of the piece, she stumbles into an art underground where some people are willing to kill to keep their schemes a secret. Esden expertly crafts a complex cast of characters, a breathtakingly gorgeous setting, and a twisty plot that often poses more questions than answers.
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