Showcases examples of the practical implementation of global sustainability and the triple bottom-line plus one (comprising environmental, social and cultural economic and governance dimensions) in the scholarship and operations of RMIT University.
Disasters are increasing in frequency and intensity across the world, causing significant destruction to individuals and communities. Yet many social workers are ill-prepared for the demands of this field of practice. This book discusses the role of social workers in disaster work, including in disaster-preparedness, during the disaster and in post-disaster practice. It addresses the complexities of social work disaster practice, noting the need for social workers to understand the language of trauma and to respond effectively. The authors discuss disaster theory and practice, drawing out elements of practice at macro-, meso- and micro-levels and at various stages of the disaster. They examine the factors that shape vulnerability in disasters and draw out the possibility of post-traumatic growth. The final section discusses strategies for self-care in disaster practice, noting the organisational and personal strategies that can be adopted to facilitate the wellbeing of workers in the field. With real-life case studies from top scholars in the field, this book is essential reading for social work practitioners working in the field of disaster practice, as well as social work students and academics. It will also be useful to other health professionals who wish to understand this field of practice.
Rugged, volcanic and very remote, the three tiny islands of St Helena, Ascension and Tristan da Cunha dot the South Atlantic like so many bits of flotsam. As Napoleon's place of exile following the Battle of Waterloo, St Helena has gained a notoriety that assures its place in the travel lexicon. This fully revised edition includes information on St Helena's new airport, which makes it possible for the first time for visitors to explore the island's natural and historic attractions without a five-day sea voyage to get here. Hiking, fishing, snorkelling and diving are included, plus details of marine wildlife, from whale sharks and dolphins to groupers and soldier fish. Expert author Tricia Hayne also provides a section on '24 hours in Cape Town', offering a brief overview of what to see and do with a day between voyages.
Winter is finally melting into spring — but with everything in flux, from Cody’s friendships down to her shoe size, will she be able to stay true to herself? In Cody’s life, some people keep her on her toes — just like Mother Nature, who is warm one day and snowy the next. Or like Cody’s brother, Wyatt, who has started wearing collared shirts because his girlfriend likes them. Meanwhile, Pearl has begun playing soccer and it’s all she can talk about. Spencer is busy creating a mysterious museum underneath GG’s house and he's never around to play. And Spencer’s mom doesn’t look any different. . . . Could she really have a baby growing inside her? Maybe the baby is like Cody’s beloved ants, waiting patiently inside the earth for spring to arrive. It seems like everything around Cody is changing — from seasons to friendships — but if she can just navigate it all with her trademark enthusiasm and charm, maybe the most important things will stay the same.
A moving, inter-war family saga The German Boy from Patricia Wastvedt, the Orange Prize Longlisted author of The River. In 1947, Elisabeth Mander's German nephew comes to stay: Stefan Landau, her dead sister's teenage son, whom she hates and loves before she's even set eyes on him. Orphaned by the war and traumatised by the last, vicious battles of the Hitler Youth, Stefan brings with him to England only a few meagre possessions. Among them a portrait of a girl with long copper hair by a young painter called Michael Ross - and with it the memory, both painful and precious, of her life and that time between the wars. Spanning decades and generations, The German Boy tells the moving story of two families entangled by love and friendship, divided by prejudice and war, and of a brief encounter between a woman and a man that touched each of their lives forever. 'An absorbing literary saga ... a sophisticated and subtly woven story' Daily Mail 'Hypnotic, atmospheric and exquisitely written. A novel I won't forget' Lucinda Riley, author of Hothouse Flower 'A love story at its centre which will make your heart ache' Julia Green, author of Blue Moon 'A heart-rending story of epic proportions, thrilling and utterly captivating. I am haunted by it still' Suzannah Dunn, author of The Confession of Katherine Howard Born in 1954, Patricia Wastvedt grew up in Blackheath, south London, and spent her summers in Kent. She has a degree in Creative Arts and an MA in Creative Writing, and her first novel, The River, written in her late forties, was long-listed for the Orange Prize. She teaches at Bath Spa University, and is also a manuscript editor. She lives and writes in a cottage in Somerset.
As the Sekk threaten Everien and the tribes squabble over the spoils of the Empire, Istar is given a message by a legendary Raptor: the massive Snowfalcon. It is a message that holds the key to the mystery of Tarquin of The Company.
Wigston Magna, in the heart of tranquil Leicestershire, was transformed from a peaceful existence in August 1914, as war-clouds swept across the skies of Europe. This village, the home of farming folk and framework knitters, suddenly witnessed its young men leaving, in vast numbers, to answer the call of King and Country. Greater demands were placed upon those who remained as the factories and farms responded to the needs of a wartime nation. A unique presence was the Glen Parva Barracks, the Regimental Depot of the Leicestershire Regiment, where tens of thousands of recruits and conscripted men received their basic training to prepare them for war. This is the story of Wigston in the First World War, the men who fought on the frontline – one of whom was awarded the Victoria Cross – and those who served on the Home Front during ‘the war to end all wars’.
The true story of the Ladies of Rylstone, who went "The Full Mandy" in their notorious nude calendar for cancer research--now a film starring Helen Mirren and Julie Waters from Touchstone Pictures. 21 photos.
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