In offering to the reader this translation of the most complete and dramatic form of the great Epic of the North, we lay no claim to special critical insight, nor do we care to deal at all with vexed questions, but are content to abide by existing authorities, doing our utmost to make our rendering close and accurate, and, if it might be so, at the same time, not over prosaic: it is to the lover of poetry and nature, rather than to the student, that we appeal to enjoy and wonder at this great work, now for the first time, strange to say, translated into English." -- William Morris and Eirikr Magnusson Originally written in Icelandic -- that is, Old Norse -- in the thirteenth century A.D., by an unknown hand, most of the material in "The Story of the Volsungs" is based substantially on previous works, some centuries older. A few of these works have been preserved in the collection of Norse poetry known as the "Poetic Edda.
Zbornik referatov 1. mednarodnega posvetovanja študijske skupine Mednarodnega sveta za tradicijsko glasbo (ICTM) Glasba in manjšine, Ljubljana, Slovenija, 25. – 30. junij 2000
Zbornik referatov 1. mednarodnega posvetovanja študijske skupine Mednarodnega sveta za tradicijsko glasbo (ICTM) Glasba in manjšine, Ljubljana, Slovenija, 25. – 30. junij 2000
V zborniku je predstavljenih 27 referatov s prvega mednarodnega posvetovanja študijske skupine Mednarodnega sveta za tradicijsko glasbo (ICTM), ki je potekalo v Ljubljani od 25. do 30. junija 2000. Prispevki so razdeljeni po tematskih sklopih: najprej sta predstavljena raziskovanje manjšin in študijska skupina Glasba in manjšine, sledijo teme, ki obravnavajo različne slovenske manjšine zunaj Slovenije in manjšine v slovenskem prostoru, zgodovinske teme, ki obravnavajo manjšine v preteklosti, ter raziskave o Romih in drugi prispevki, ki obravnavajo različne etnične in narodnostne manjšine. Konferenca je potekala v angleškem jeziku, zato so tudi referati v angleščini, povzetki pa prevedeni v slovenščino. Zbornik vsebuje tudi imensko in krajevno kazalo ter CD-ploščo z 32 zvočnimi primeri.
In developing countries, traditional fermentation serves many purposes. It can improve the taste of an otherwise bland food, enhance the digestibility of a food that is difficult to assimilate, preserve food from degradation by noxious organisms, and increase nutritional value through the synthesis of essential amino acids and vitamins. Although "fermented food" has a vaguely distasteful ring, bread, wine, cheese, and yogurt are all familiar fermented foods. Less familiar are gari, ogi, idli, ugba, and other relatively unstudied but important foods in some African and Asian countries. This book reports on current research to improve the safety and nutrition of these foods through an elucidation of the microorganisms and mechanisms involved in their production. Also included are recommendations for needed research.
Since the 1960s historical studies of European folk and traditional music have had a centre in the 'Study Group on Historical Sources of Folk Music' within the International Council for Traditional Music (ICTM). The new political situation in Europe in the 1990s has given this work topical interest, since folk and traditional music is often an important component in ethnic or even national identity. The Study Group held its eleventh conference in Copenhagen at the Danish Folklore archives (Dansk Folkemindesamling) from 24 to 28 April 1995. The local organisers of the meeting were Jens Henrik Koudal and Svend Nielsen. Around 30 participants from 15 countries (Austria, Belgium, Bulgaria, Croatia, Denmark, Germany, Hungary, Italy/Albania, Latvia, Lithuania, Norway, Poland, Romania and Sweden) attended the conference, presenting recent results of their research. The meeting concentrated on historical aspects of the following topics: (I) 'Traditional Music Between Urban and Rural Communities', and (II) 'Music and Working'. MAIN HEADINGS: Preface; THEME ONE -- Traditional Music Between Urban and Rural Communities; Central Europe; Balkans; On the Borderlines and Outside Europe. THEME TWO -- Music and Working.
When the saints go marching - Traditional spiritual. Arrangement for Woodwind Quintet (intermediate level) SCORE. Flute, Oboe, Bb Clarinet, F French Horn, Bassoon.
When the saints go marching - Traditional spiritual. Arrangement for Woodwind Quintet (intermediate level). SET OF PARTS (5). Flute, Oboe, Bb Clarinet, F French Horn, Bassoon.
Guantanamera" (Girl from Guantanamo), a quintessential Cuban traditional piece, is intricately arranged for Woodwind Quintet at an intermediate level by Francesco Leone. This arrangement beautifully encapsulates the spirit and rhythm of Cuba, offering woodwind ensembles a richly textured and melodically vibrant rendition of one of the island's most celebrated songs. The ensemble configuration includes SCORE and PARTS for Flute, Oboe, Bb Clarinet, French Horn in F, and Bassoon, crafted to highlight the unique qualities of each instrument while maintaining the integrity and charm of the original melody. To accommodate various ensemble preferences and to add further depth to the quintet's sound, optional parts are provided for Eb Horn and Bass Clarinet (as an alternative to the bassoon), allowing for a customizable musical experience. An optional Conga part is also included, adding an authentic Cuban rhythmic layer that enhances the arrangement's cultural authenticity and brings a dynamic energy to the performance. This addition bridges the gap between traditional woodwind timbres and the rich percussive traditions of Cuban music, creating a compelling fusion that is both engaging and educational. Listeners and ensembles can access an audio demo of this arrangement at www.glissato.it. This demo serves as a valuable auditory guide, showcasing the arrangement's potential and providing a clear reference for tempo, style, and ensemble balance, aiding in rehearsal and performance preparation. Francesco Leone's arrangement of "Guantanamera" for Woodwind Quintet and optional Conga is an intermediate-level piece that invites musicians to delve into the heart of Cuban music. Perfect for recitals, educational settings, and performances that celebrate cultural diversity, this arrangement promises to enrich any ensemble's repertoire with its blend of historical significance and musical enchantment.
(trombone / euphonium bass clef parts) 6 Easy Dixieland Tunes: A Collection for Trombone or Euphonium and Piano. Immerse yourself in the vivacious rhythms of Dixieland with this carefully crafted collection, formulated with budding and intermediate trombone or euphonium players in mind. "6 Easy Dixieland Tunes" features melodies expertly tailored for the deep resonance and range of instruments in bass clef, like the trombone and euphonium. The intricately composed piano passages augment the sonorous tones of these brass instruments, resulting in a beautifully synchronized musical experience. Acknowledging the unifying power of music, this edition is enriched with multilingual guide sheets in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, and Chinese. For added convenience, the piano parts can also be accessed separately within the same series. Contents: Down By The Riverside - Traditional An embodiment of Dixieland's spirit, this melody emanates an undying vibrancy, capturing the hearts of its listeners. Joshua Fought The Battle of Jericho - Traditional Engage in the powerful narrative of this tune, which melodiously brings to life the biblical tales of Joshua with spirited enthusiasm. Just A Closer Walk With Thee - Traditional Radiating deep-seated feelings of faith and solace, this piece pairs harmoniously with its contemplative piano arrangement. Swing Low, Sweet Chariot - Traditional A melodic testament to time's passage, this number evokes a mixture of nostalgia and hope, comforting its listeners. Washington and Lee Swing – Composed by Mark W. Sheafe and Thornton W. Allen Step into the dynamic realm of Dixieland with this energizing composition, captivating its audience with rhythmic grace and melodic allure. When The Saints Go Marching In - Traditional Celebrating the exuberant essence of Dixieland, this iconic tune carries forth with fervor and spirit, forever captivating musical aficionados. Journey through the rich tapestry of Dixieland with these six captivating pieces, whether for on-stage renditions, practice collaborations, or introspective moments of musical solace.
Collection of 50 traditional melodies for solo French Horn in F, comfortable range and key, easy for beginners (grade 0.5-1.5). Contents: Amazing Grace - Arirang - Bamboo Flute, the - Banks of the Don, the - Bella Ciao - Big Rock Candy Mountain - Cockles and Mussels - Day-O - Down By The Sally Gardens- Drink to Me Only with Thine Eyes - El Cóndor Pasa - El Noi de la Mare - El Testament d'Amèlia - El vito - Foggy Dew - Frère Jacques - Furusato - Galway Piper, the - Happy Birthday! - Home on the range - Homeward from the Mountains - House of rising sun,The - I’se the B’y That Builds the Boat - Indiana - Kalinka - Londonderry Air -Manang Biday - Mary Don't You Weep - Mexican Hat Dance - Oh! Susanna - Old MacDonald - Raggle Taggle Gypsy,the - Rising of the Moon,the - Sakura Sakura - Santa Lucia - Scarborough Fair - Simple Gifts - Siúil a Rún - Skye Boat Song,the - Spanish Romance - Star of the County Down - Suo Gân - The Oak and the Ash -Turkey in the Straw - Waltzing Matilda -Water is wide,the - Wayfaring Stranger,the - When Johnny Comes Marching Home -Yankee Doodle - Yellow Rose of Texas,the.
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