Maurice and Norman Messer, father-and-son business partners, know a good product when they see it. That product is the Holocaust, and Maurice, a Holocaust survivor with an inflated personal history, and Norman, enjoying vicarious victimhood as a participant in the second-generation movement, proceed to market it enthusiastically. Not even the disappearance of Nechama, Norman's daughter and Maurice's granddaughter, into the Carmelite convent at Auschwitz, where she is transformed into a nun, Sister Consolatia of the Cross, deters them from pushing their agenda. Father and son embark on a tour of the Auschwitz-Birkenau death camp, which Maurice—now the driving force behind the most powerful Holocaust memorialization institution in America—organizes to soften up a potential major donor, and which Norman takes advantage of to embark on a surrealistic search for his daughter. At the death camp they run into assorted groups and individuals all clamoring for a piece of the Holocaust, including Buddhist New Agers on a retreat, Israeli schoolchildren on a required heritage pilgrimage, a Holocaust artifact hustler, filmmakers, and an astonishing collection of others. All hell breaks loose when Maurice's museum is taken over by a coalition of self-styled victims seeking Holocaust status, bringing together a vivid cast of all-too-human characters, from Holocaust professionals to Holocaust wannabees of every persuasion, in the fevered competition to win the grand prize of owning the Holocaust. An inspiringly courageous and shockingly original tour-de-force, My Holocaust dares to penetrate territory until now considered sacrosanct in its brilliantly provocative and darkly comic exploration of the uses and abuses of memory and the meaning of human suffering.
Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena's twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them. Identifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions—intellectual, emotional, visceral—that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.
One Hundred Philistine Foreskins centers on the life of Temima Ba'alatOv, known also as Ima Temima, or Mother Temima, a charismatic woman rabbi of extraordinary spiritual power and learning, and an utterly original interpreter of the Hebrew Bible. Temima is revered as a guru with prophetic, even messianic powers—one who dares to raise her woman's "naked" voice even in the face of extreme hostility by the traditional establishment. Moving between two worlds—Temima as a child in Brooklyn and Temima as an adult in Jerusalem—the story reveals the forces that shaped her, including the early loss of her mother; her spiritual and intellectual awakening; her complex relationship with her father, a ritual slaughterer; her forced marriage; her "ascent" to Israel; and her intense romantic involvements with charismatic men who launch her toward her destiny as a renowned woman leader in Israel. True to Reich's voice as a satirist of humanity's darker inclinations, the story is rooted in contemporary times, revealing the extreme and ecstatic expressions of religion, as well as the power of religion and religious authorities to use and abuse the faithful, both spiritually and physically, with life–altering and crushing consequences. Cynthia Ozick said of Tova Reich that her "verbal blade is amazingly, ingeniously, startlingly, all–consumingly, all–encompassingly, deservedly, and brilliantly savage." This has never been more true than in One Hundred Philistine Foreskins, a work of literature sure to be hailed as an immensely authoritative and fearlessly bold tour–de–force.
This is the story of Mara, a Jewish girl from Riverside Drive, and a hippie from Israel whom everyone distrusts, and the Orthodox wedding that unites them.
[Tova Reich’s] verbal blade is amazingly, ingeniously, startlingly, all-consumingly, all-encompassingly, deservedly, and brilliantly savage.”—Cynthia Ozick In this extraordinary collection of short fiction, Tova Reich dives deep into the world of Orthodox Jewry—a world that her stories, like the shows "Unorthodox" and "Shtisel," embrace with respect and affection while also poking at the faultlines in its unshakeable traditions. The eight stories collected in this volume are all populated by seekers—of holiness, illumination, liberation, meaning, love. Their journeys unfold in the U.S., Israel, Poland, China, often in the very heart of the Jewish world, and are rendered with an insider’s authority. The narrative voice bringing all this to life has been described as fearlessly satiric and subversive, with a moral but not moralizing edge, equally alive to the sacred and the profane, comically absurd to the point of tragedy. From the opening story, “The Lost Girl” (winner of a National Magazine Award in Fiction) to “Dead Zone” in the closing pages of this collection, we are confronted with souls unable to rest, unable to find release, searching for their place in this life, and beyond. Between these two stories, we encounter a true believer seeking personal redemption in China (“Forbidden City”), and an aged woman longing at the end of her life to find a way back to her mother (“The Plot”). Three of the stories, “The Page Turner,” “The Third Generation,” and “Dedicated to the Dead,” are animated by the long-term fallout from the Holocaust—generational trauma, abuse of memory, competitive victimization, and more. In the midst of all this is the story “The House of Love and Prayer,” which, in its way, encompasses the entire spectrum. The novelist Howard Norman has said, "Few contemporary writers are truly original. Tova Reich is one of them." Read this book and discover her satiric genius.
It is sometime in the near future, and the Israeli Army is about to descend upon a band of militant settlers who have proclaimed the secessionist Kingdom of Judea and Samaria. So begins this timely and brilliantly satiric novel—an all-too-real story of a modern-day Masada. The Jewish War is most particularly the story of Yehudi HaGoel (formerly Jerry Goldberg of the Bronx), the fiery and charismatic king of an extreme Zionist sect. His divine mission: to hasten the coming of the Messiah and bring about the redemption. As we follow him from his youth in New York City and the Catskills to his hilarious, illicit passage to Israel during the Six-Day War and through his campaign to claim the sacred city of Hebron (the burial place of the Jewish Patriarchs and Matriarchs), we enter into a complex and troubled world rife with ancient passions. It is a world peopled with irreconcilables: religious Zionists, ultra-Orthodox anti-Zionists, Christian fundamentalists, Arab nationalists, secular Israelis, American supporters, and implacable military officers. Among these last is General Uri Lapidot, whose career is uncannily linked to HaGoel's and who is charged with the grim and unwanted task of leading the Israeli army against the secessionist kingdom in the final showdown. By turns comic and tragic, The Jewish War is a stunning account of the struggle between political realities and historical vision, between the hope for peace and a fierce commitment to sacred, eternal truth. Written with deep authority and intense power, it brings to life haunting and universally resonant characters whose deepest yearnings are those that pursue us all.
Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena's twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them. Identifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions—intellectual, emotional, visceral—that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.
One Hundred Philistine Foreskins centers on the life of Temima Ba'alatOv, known also as Ima Temima, or Mother Temima, a charismatic woman rabbi of extraordinary spiritual power and learning, and an utterly original interpreter of the Hebrew Bible. Temima is revered as a guru with prophetic, even messianic powers—one who dares to raise her woman's "naked" voice even in the face of extreme hostility by the traditional establishment. Moving between two worlds—Temima as a child in Brooklyn and Temima as an adult in Jerusalem—the story reveals the forces that shaped her, including the early loss of her mother; her spiritual and intellectual awakening; her complex relationship with her father, a ritual slaughterer; her forced marriage; her "ascent" to Israel; and her intense romantic involvements with charismatic men who launch her toward her destiny as a renowned woman leader in Israel. True to Reich's voice as a satirist of humanity's darker inclinations, the story is rooted in contemporary times, revealing the extreme and ecstatic expressions of religion, as well as the power of religion and religious authorities to use and abuse the faithful, both spiritually and physically, with life–altering and crushing consequences. Cynthia Ozick said of Tova Reich that her "verbal blade is amazingly, ingeniously, startlingly, all–consumingly, all–encompassingly, deservedly, and brilliantly savage." This has never been more true than in One Hundred Philistine Foreskins, a work of literature sure to be hailed as an immensely authoritative and fearlessly bold tour–de–force.
Maurice and Norman Messer, father-and-son business partners, know a good product when they see it. That product is the Holocaust, and Maurice, a Holocaust survivor with an inflated personal history, and Norman, enjoying vicarious victimhood as a participant in the second-generation movement, proceed to market it enthusiastically. Not even the disappearance of Nechama, Norman's daughter and Maurice's granddaughter, into the Carmelite convent at Auschwitz, where she is transformed into a nun, Sister Consolatia of the Cross, deters them from pushing their agenda. Father and son embark on a tour of the Auschwitz-Birkenau death camp, which Maurice—now the driving force behind the most powerful Holocaust memorialization institution in America—organizes to soften up a potential major donor, and which Norman takes advantage of to embark on a surrealistic search for his daughter. At the death camp they run into assorted groups and individuals all clamoring for a piece of the Holocaust, including Buddhist New Agers on a retreat, Israeli schoolchildren on a required heritage pilgrimage, a Holocaust artifact hustler, filmmakers, and an astonishing collection of others. All hell breaks loose when Maurice's museum is taken over by a coalition of self-styled victims seeking Holocaust status, bringing together a vivid cast of all-too-human characters, from Holocaust professionals to Holocaust wannabees of every persuasion, in the fevered competition to win the grand prize of owning the Holocaust. An inspiringly courageous and shockingly original tour-de-force, My Holocaust dares to penetrate territory until now considered sacrosanct in its brilliantly provocative and darkly comic exploration of the uses and abuses of memory and the meaning of human suffering.
*INSTANT NEW YORK TIMES BESTSELLER* WITH A FOREWORD BY SIR BEN KINGSLEY A powerful memoir by one of the youngest survivors of Auschwitz, Tova Friedman, following her childhood growing up during the Holocaust and surviving a string of near-death experiences in a Jewish ghetto, a Nazi labor camp, and Auschwitz. "I am a survivor. That comes with a survivor's obligation to represent one and half million Jewish children murdered by the Nazis. They cannot speak. So I must speak on their behalf." Tova Friedman was one of the youngest people to emerge from Auschwitz. After surviving the liquidation of the Jewish ghetto in Central Poland where she lived as a toddler, Tova was four when she and her parents were sent to a Nazi labour camp, and almost six when she and her mother were forced into a packed cattle truck and sent to Auschwitz II, also known as the Birkenau extermination camp, while her father was transported to Dachau. During six months of incarceration in Birkenau, Tova witnessed atrocities that she could never forget, and experienced numerous escapes from death. She is one of a handful of Jews to have entered a gas chamber and lived to tell the tale. As Nazi killing squads roamed Birkenau before abandoning the camp in January 1945, Tova and her mother hid among corpses. After being liberated by the Russians they made their way back to their hometown in Poland. Eventually Tova's father tracked them down and the family was reunited. In The Daughter of Auschwitz, Tova immortalizes what she saw, to keep the story of the Holocaust alive, at a time when it's in danger of fading from memory. She has used those memories that have shaped her life to honour the victims. Written with award-winning former war reporter Malcolm Brabant, this is an extremely important book. Brabant's meticulous research has helped Tova recall her experiences in searing detail. Together they have painstakingly recreated Tova's extraordinary story about the world's worst ever crime.
Ezekiel's Visionary Temple in Babylonian Context examines evidence from Babylonian sources to better understand Ezekiel's vision of the future temple as it appears in chapters 40–48. Tova Ganzel argues that Neo-Babylonian temples provide a meaningful backdrop against which many unique features of Ezekiel's vision can and should be interpreted. In pointing to the similarities between Neo-Babylonian temples and the description in the book of Ezekiel, Ganzel demonstrates how these temples served as a context for the prophet's visions and describes the extent to which these similarities provide a further basis for broader research of the connections between Babylonia and the Bible. Ultimately, she argues the extent to which the book of Ezekiel models its temple on those of the Babylonians. Thus, this book suggests a comprehensive picture of the book of Ezekiel’s worldview and to contextualize its visionary temple by comparing its vision to the actual temples surrounding the Judeans in exile.
How does Tonica Marlow, an evangelical female minister, find her way to becoming Tova Mordechai, an Orthodox, practicing Jew? Born the daughter of an Egyptian Jewish mother and a British Protestant evangelical father, Mordechai presents the powerful real-life account of her tumultuous journey to Judaism as she grapples with Christianity and her Jewish roots.
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