Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.
Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.
We in Japan have a saying, “A brother is the beginning of a stranger,” because on the father’s death the oldest brother acquires such absolute authority as the head of the family that the younger ones and he cannot easily be friends. After our father died, my eldest brother assumed the dictatorial authority of father, as sanctioned by Japanese law and custom. I wanted to live my own life, and I did; but I had to fight for it against the old Japanese tradition that superiors must benevolently govern their inferiors, and inferiors gratefully obey. I have experienced both bitter sorrows and bursting joys. May the young people of a new Japan obtain the happiness of my wife and myself without the struggle we have been through.—A Word From the Author, Toru Matsumoto
Advances in digital technology have driven large decreases in the costs of data transfer and telecommunications. There is a consequent increase in many kinds of international trade. One of the fastest-growing parts of this industry is "remote maintenance" whereby Indian companies debug software for companies in other parts of the world, often taking advantage of time zone differences to offer overnight service. In the existing literature on trade theory, however, relatively few attempts have been made to address the theme of communications networks and the role of time zones. The main purpose of this book is to illustrate, with simple models of international trade, how the introduction of communications networks and the utilization of time zone differences can affect both the structure of international trade and world welfare. Other technological aspects of recent international trade (e.g., competition between international standards, the impact of switching costs on imported products’ introduction) are also examined. Although a focus on theoretical trade models, the book will appeal to scholars, policy makers and business units who wish to learn from the recent changes in communications networks and its impact on the global economy. It provides information and suggestions for better policy formulation in the fast-changing world economy.
Hungry for treasure, Onizuka forces his class to dig around an island under the pretense that they are searching for turtle eggs. Before too long, Urumi figures out Onizuka's real intentions and takes appropriate measures to stop his Midas fever. And when she gets lost alone with Noboru, Anko Uehara, the bully of Class Four, begins to feel the pangs of love. Is it love? We'll see when they spend the night together. Ah, ribaldry. And if Onizuka plays cupid, sparks may fly. And if Azusa gets drunk enough...sparks will fly. This content is from a former localization of this work and may contain phrases or scenes which were and are still offensive. Rather than omit this content, we have decided to present it in its original form to harbor conversation and growth among the community. Kodansha remains committed to the distribution of compelling stories worldwide, which serve as a lens through which we may view various communities.
This Element aims to achieve three objectives. First, it explores some key institutional characteristics of several Asian economies that are relevant to corporate governance practices. Second, it reviews corporate governance codes or rules in those economies and examines levels of requirements in terms of formal rules. Third, this Element looks at recent trends related to corporate governance such as executive compensation and a proportion of independent directors on boards of large listed firms.
Takes readers through an in-depth examination of many leading industrialized nations and identifies both the drivers that propel corporations towards convergence and the major impediments that stand in the way of convergence. Also examines many mechanisms of convergence such as governance codes, MNCs, and IPOs.
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