Known throughout ministry circles for speaking absolutes truths about relationships, and inciting messages of hope through inspiration, Tonya Lee Carrie shares with all, her newest book…The Courage To Live In Love! A collection of her best commentaries, short stories, interview-articles, including “I Am My Fathers' Daughter,” have been read all over the world in countless print media. She shares with those who seek inspiration, motivational and forward thinking. Because Carrie has, in her own actions, an unwillingness to live a life of defeat or despair, she illuminates for others a means of living with and in God's unfailing love. She is trusted because of her core-values. With her formal theological education and over twenty years of speaking to audiences as a Public Speaker, Trainer, and Life Coach, she will help you pave your path to love, healing and understanding. "Proud of you Tonya. Your book Will Unleash Greatness!!!!" by Dr. Mike Murdock
African Americans were present in Davidson County long before it was officially formed from Rowan County in 1822. The exact time or place of settlement remains in question. They served not only in the stereotypical roles of farm laborers and house slaves but also as skilled traders, blacksmiths, furniture makers, and artisans. From Petersville, Southmont, Thomasville, Midway, Lexington, Belltown, Reeds, Churchland, and tiny areas in between, great men and women found a sense of stability. They made a life out of the scraps that were left behind. This collection of historical photographs is a textured look at African Americans in Davidson County. Images of community notables like A. B. Bingham, Charles England, Rev. A. T. Evans, and Etta Michael White and iconic structures like St. Stephen United Methodist Church, Dunbar High School, and the Hut, these photographs weave together stories that outline the African American journey.
The toppling of monuments globally in the last few years has highlighted the potency of monuments as dynamic and affectively loaded participants in society. In the context of Ottawa, Canada’s capital city, monuments inspire colonial and imperial nostalgia, compelling visitors to consistently re-imagine Canada as a white, Anglophone nation, built through the labour of white men: politicians, soldiers, and businessmen. At the same time, Ottawa monuments allow for dominant affective relationships to the nation to be challenged, demonstrated through subtle and explicit forms of defacement and other interactions that compel us to remember colonial violence, pacifism, violence against women, racisms. Organized as a series of walking tours throughout Ottawa, the chapters in Tours Inside the Snow Globe demonstrate the affective capacities of monuments and highlight how these monuments have ongoing relationships with their sites, the city, other monuments, and local, deliberate, national, and casual communities of users. The tours focus on the lives of a monument to an unnamed Indigenous scout, the National War Memorial, Enclave: the Women’s Monument, and the Canadian Tribute to Human Rights. Two of the tours offer analyses of the ambivalent representations of women and Indigeneity in Ottawa’s statue landscape.
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