A comprehensive repertoire book of fiddle tunes adapted for banjo, in easy to read tablature, by the renowned player and teacher of the 5-String Banjo, Tony Trischka. for the early picker to the advanced player, this book and its companion recordings on 2 CDs will enable the player to learn by example and broaden their technical range.Fiddle tunes have been adapted for Banjo since the early 1850's. the explorations contained here include a large collection of popular American fiddle tunes and a section of Celtic tunes played in the three major Bluegrass Banjo styles. These Bluegrass, Old Time and Celtic banjo traditions will expand the players' knowledge of the instrument, and deepen their understanding of bluegrass and traditional music.The techniques employed will build the players technical prowess and broaden their enjoyment of playing. and the tunes, both popular and lesser known, will add new variety to the next jam session! Tablature only.Repertoire of fiddle tunes for the early to the advanced banjo player. In easy to read tablature with 2 companion CDs. Expands the players' knowledge of Bluegrass banjo styles and banjo music. Builds playing skills and adds variety to their playing.
A comprehensive repertoire book of fiddle tunes adapted for banjo, in easy to read tablature, by the renowned player and teacher of the 5-String Banjo, Tony Trischka. for the early picker to the advanced player, this book and its companion recordings on 2 CDs will enable the player to learn by example and broaden their technical range.Fiddle tunes have been adapted for Banjo since the early 1850's. the explorations contained here include a large collection of popular American fiddle tunes and a section of Celtic tunes played in the three major Bluegrass Banjo styles. These Bluegrass, Old Time and Celtic banjo traditions will expand the players' knowledge of the instrument, and deepen their understanding of bluegrass and traditional music.The techniques employed will build the players technical prowess and broaden their enjoyment of playing. and the tunes, both popular and lesser known, will add new variety to the next jam session! Tablature only.Repertoire of fiddle tunes for the early to the advanced banjo player. In easy to read tablature with 2 companion CDs. Expands the players' knowledge of Bluegrass banjo styles and banjo music. Builds playing skills and adds variety to their playing.
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
Over 650 bluegrass, blues and jazz licks in Scruggs, single-string and melodic style. Use licks to create solos and play back up and expand your musical understanding and knowledge of the fingerboard.
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities. Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
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