How do you regreen millions of hectares of land without planting a single tree? World-renowned "Forest Maker" Tony Rinaudo knows the answer lies at the grass roots—or at the tree roots—as much as with farmers and communities. Tony shares his insights and inspiring life story in his autobiography The Forest Underground: Hope for a Planet in Crisis. Australian missionary agronomists Tony and Liz Rinaudo arrived at the edge of the Sahara in 1981 to plant trees. Few trees survived in the hostile terrain, and those that did were cut down by farmers. While contemplating the futility of their endeavours, Tony discovered an embarrassingly simple and affordable method of regreening land by reviving damaged trees rather than planting new ones. This is not some green fantasy. Farmer Managed Natural Regeneration (FMNR) has, from small beginnings, already regreened more than 18 million hectares in 27 countries, doubling crop yields, reducing our carbon footprint and transforming millions of lives. The Forest Underground offers tangible hope for climate change, as well as a deeply moving account of one man’s faith-journey. In a seemingly hopeless crisis, this is the good-news story that will move hearts and hands to care for the planet. Tony is a Right Livelihood Award Laureate and Principal Climate Action Advisor with World Vision.
How do you regreen millions of hectares of land without planting a single tree? World-renowned "Forest Maker" Tony Rinaudo knows the answer lies at the grass roots—or at the tree roots—as much as with farmers and communities. Tony shares his insights and inspiring life story in his autobiography The Forest Underground: Hope for a Planet in Crisis. Australian missionary agronomists Tony and Liz Rinaudo arrived at the edge of the Sahara in 1981 to plant trees. Few trees survived in the hostile terrain, and those that did were cut down by farmers. While contemplating the futility of their endeavours, Tony discovered an embarrassingly simple and affordable method of regreening land by reviving damaged trees rather than planting new ones. This is not some green fantasy. Farmer Managed Natural Regeneration (FMNR) has, from small beginnings, already regreened more than 18 million hectares in 27 countries, doubling crop yields, reducing our carbon footprint and transforming millions of lives. The Forest Underground offers tangible hope for climate change, as well as a deeply moving account of one man’s faith-journey. In a seemingly hopeless crisis, this is the good-news story that will move hearts and hands to care for the planet. Tony is a Right Livelihood Award Laureate and Principal Climate Action Advisor with World Vision.
Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the form's grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films' cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bresson's unique style as it evolved from the impassioned Les Anges du péche to such disconsolate meditations on the world as The Devil Probably and L'Argent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal.
Departing from the usual emphasis on an urban and industrial context for the rise of socialism, Socialism in Provence 1871-1914 offers instead a reinterpretation of the early years of Marxist socialism in France among the peasantry. By focusing on a limited period and a particular region, Judt provides an account both of the character of political behavior in the countryside and of the history of left-wing politics in France.
Produced in Italy from the turn of the 20th century, "sword and sandal" or peplum films were well received in the silent era and attained great popularity in the 1960s following the release of Hercules (1959), starring Mr. Universe Steve Reeves. A global craze for Bronze Age fantasy-adventures ensued and the heroic exploits of Hercules, Maciste, Samson and Goliath were soon a mainstay of American drive-ins and second-run theaters (though mainly disparaged by critics). By 1965, the genre was eclipsed by the spaghetti western, yet the 1960s peplum canon continues to inspire Hollywood epics. This filmography provides credits, cast and comments for dozens of films from 1908 through 1990.
Unlike most books, which treat labor, Socialist and Communist history separately and view French Marxism as a self-contained philosophical phenomenon, Marxism and the French Left offers a refreshingly different approach to the subject. Judt emphasizes the complex and interwoven themes that unify the topics of his essays to construct a distinctive and original interpretation of French left-wing politics over the past 150 years. “A well-informed and persuasive reinterpretation of the old French Left that is now receding beyond recall, except for historians.”—Times Literary Supplement
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