This is an important new analysis of the problematic relationship between dreams and madness as perceived by nineteenth-century French writers, thinkers, and doctors. Those wishing to know the nature of madness, wrote Voltaire, should observe their dreams. The relationship between the dream-state and madness is a key theme of nineteenth-century European, and specifically French, thought. The meaning of dreams and associated phenomena such as somnambulism, ecstasy, and hallucinations (including those induced by hashish) preoccupied writers, philosophers, and psychiatrists. In this path-breaking cross-disciplinary study, Tony James shows how doctors (such as Esquirol, Lelut, and Janet), thinkers (including Maine de Biran and Taine), and writers (for example, Balzac, Nerval, Baudelaire, Victor Hugo, and Rimbaud) grappled in very different ways with the problems raised by the so-called 'phenomena of sleep'. Were historical figures such as Socrates or Pascal in fact mad? Might dream be a source of creativity, rather than a merely subsidiary, 'automatic' function? What of lucid dreaming? By exploring these questions, Dreams, Madness, and Creativity in Nineteenth-Century France makes good a considerable gap in the history of pre-Freudian psychology and sheds new and fascinating light on the central French writers of the period.
LUCKY OR UNLUCKY? – YOU DECIDE! This engaging book chronicles the true-life adventures, and misadventures, experienced by the author and his wife during their global travels that sometimes did not go to plan! Readers will be entertained by a spectrum of stories including a rendezvous with an amorous Frenchman, a few scary moments in the presence of wild beasts, general holiday mishaps, hell raising motor journeys as well as floating holiday adventures, to name but a few. This page turning travel memoir will pull your emotions in all directions from ‘hysterics’ to ‘shock’. The author strives to provide an accurate depiction of the events and the fascinating people the dynamic duo met along the way. All information is as accurate as possible and as such is based upon meticulous notes taken at the various times.
James Jones played many roles, including short story writer, social critic, and war novelist. His most famous work, From Here to Eternity (1951), spent 20 weeks atop the New York Times bestseller’s list, won the National Book Award, was adapted into an Academy Award-winning film, and was named one of the 100 best novels of the twentieth century by the Modern Library. Despite this and the success of his other novels, Some Came Running (1957) and The Thin Red Line (1962), Jones is widely forgotten today. In James Jones: The Limits of Eternity, literary scholar Tony J. Williams examines the significance of Jones’s work not only for its nuance and daring subject matter but also for its widespread popularity. In his assessment of Jones’s catalog, Williams reveals an incisive novelist who offered groundbreaking interpretations of masculinity, sexuality, gender, and identity. Williams contends that Jones should be recognized as far more than just a popular war novelist, but also as a humanitarian and literary pioneer, particularly in probing gender and queer issues. A quintessentially American novelist, Jones was never afraid to look openly at the flaws of his society, examine how it could adversely affect individual victims, and tacitly suggest possible alternatives. He recognized the presence of gays and lesbians in American culture during an overtly repressive time, which makes his work relevant to many areas of contemporary criticism. Demonstrating his significant contribution to contemporary American literature, James Jones: The Limits of Eternity will be of interest to scholars of war narratives, gender studies, and literary studies.
The guns, the girls, the gadgets, all the key ingredients of Bond--James Bond--are captured in this one-of-a-kind collection of movie posters. These images have become some of the most memorable visual teasers in cinematic history and are now one of the hottest items of memorabilia among both Bond aficionados and movie collectors. This collection features over 200 original posters, including posters that were never released, limited edition festival posters, and rare advance posters. They are all meticulously reproduced in this oversized.
James Jones played many roles, including short story writer, social critic, and war novelist. His most famous work, From Here to Eternity (1951), spent 20 weeks atop the New York Times bestseller’s list, won the National Book Award, was adapted into an Academy Award-winning film, and was named one of the 100 best novels of the twentieth century by the Modern Library. Despite this and the success of his other novels, Some Came Running (1957) and The Thin Red Line (1962), Jones is widely forgotten today. In James Jones: The Limits of Eternity, literary scholar Tony J. Williams examines the significance of Jones’s work not only for its nuance and daring subject matter but also for its widespread popularity. In his assessment of Jones’s catalog, Williams reveals an incisive novelist who offered groundbreaking interpretations of masculinity, sexuality, gender, and identity. Williams contends that Jones should be recognized as far more than just a popular war novelist, but also as a humanitarian and literary pioneer, particularly in probing gender and queer issues. A quintessentially American novelist, Jones was never afraid to look openly at the flaws of his society, examine how it could adversely affect individual victims, and tacitly suggest possible alternatives. He recognized the presence of gays and lesbians in American culture during an overtly repressive time, which makes his work relevant to many areas of contemporary criticism. Demonstrating his significant contribution to contemporary American literature, James Jones: The Limits of Eternity will be of interest to scholars of war narratives, gender studies, and literary studies.
Thomas surveys Stewart's life and career, and reviews the circumstances and plot of each of his films, from his small part in 1935's Murder Man to his last role as a grandfather in a 1981 Lassie movie.
As this bestseller predicted, Trump has only grown more erratic and dangerous as the pressures on him mount. This new edition includes new essays bringing the book up to date—because this is still not normal. Originally released in fall 2017, The Dangerous Case of Donald Trump was a runaway bestseller. Alarmed Americans and international onlookers wanted to know: What is wrong with him? That question still plagues us. The Trump administration has proven as chaotic and destructive as its opponents feared, and the man at the center of it all remains a cipher. Constrained by the APA’s “Goldwater rule,” which inhibits mental health professionals from diagnosing public figures they have not personally examined, many of those qualified to weigh in on the issue have shied away from discussing it at all. The public has thus been left to wonder whether he is mad, bad, or both. The prestigious mental health experts who have contributed to the revised and updated version of The Dangerous Case of Donald Trump argue that their moral and civic "duty to warn" supersedes professional neutrality. Whatever affects him, affects the nation: From the trauma people have experienced under the Trump administration to the cult-like characteristics of his followers, he has created unprecedented mental health consequences across our nation and beyond. With eight new essays (about one hundred pages of new material), this edition will cover the dangerous ramifications of Trump's unnatural state. It’s not all in our heads. It’s in his.
In Henry James and the Art of Nonfiction, Tony Tanner shows how James radically transformed the nonfiction genres of travel writing, literary criticism, and autobiography, just as he transformed the novel." "Exploring the developments and characteristics of James's travel writing, Tanner observes that "absence rather than presence; shadow rather than substance; broken eloquence esteemed more than confidently replete utterance" are its central features. By deliberately withholding information, writes Tanner, James gives the reader "something rare and incomparable. Not only a sense of a place or of the past. But as one reads him, a sense of that sense. It can take one's breath away."" "Tanner then examines the kind of theory James offers for literary criticism - if indeed it does not amount to an antitheory - and looks closely at James's criticism of four writers whom the author admired: George Eliot, Ivan Turgenev, Honore de Balzac, and Gustave Flaubert, Tanner begins by discussing "The Art of Fiction," the closest James ever came to making a theoretical statement. According to Tanner, James's criticism is the "reverse of schematic." James wants to challenge prescriptive categorizations and fixed taxonomies with regard to such matters as narration, description, dialogue, character, and incident. For James, criticism is not, and cannot be, a theory. It is an art." "Finally, Tanner celebrates James as a writer of autobiography that will have nothing to do with chronology or conventional sequence. Tanner warns readers not to approach James's autobiography expecting fully scripted enactments of historically significant events. Rather they should be prepared to encounter, for example, an odd chin, an amazing eyeglass, or the words of a cross aunt. James "allows memory to browse and graze as it may, as it will," says Tanner. "The result, and effectively the last (and unfinished) piece of writing from this supreme artist, was an incomparable work of, apparently, supreme artlessness. There had never been anything quite like it.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The guns, the girls, the gadgets, all the key ingredients of Bond--James Bond--are captured in this one-of-a-kind collection of movie posters. These images have become some of the most memorable visual teasers in cinematic history and are now one of the hottest items of memorabilia among both Bond aficionados and movie collectors. This collection features over 200 original posters, including posters that were never released, limited edition festival posters, and rare advance posters. They are all meticulously reproduced in this oversized.
A riot rocks Opal City while an ailing Ted Knight recovers from a recent attack. The action forces Ted's son Jack Knight to pick up Starman's Cosmic Rod and directly oppose the villainy he swore he'd never face! Is this his calling? Or his doom? Collecting Starman #0-5
Batman and Detective Comics scribes James Tynion IV and Mariko Tamaki are joined by a cadre of incredible collaborators to tell the heretofore-untold origin stories of some of Batman’s greatest allies and archrivals. Discover the mysteries of breakout characters from Fear State and Joker War such as Miracle Molly, Clownhunter, and the Gardener! Collects Batman Secret Files: The Signal #1 , Batman Secret Files: Huntress #1, Batman Secret Files: Clownhunter #1, Batman Secret Files: Peacekeeper-01 #1, Batman Secret Files: Miracle Molly #1, and Batman Secret Files: The Gardener #1!
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