A key comic writer of the past three decades has created his most heartfelt and hard-hitting book. Father Joe is Tony Hendra’s inspiring true story of finding faith, friendship, and family through the decades-long influence of a surpassingly wise Benedictine monk named Father Joseph Warrillow. Like everything human, it started with sex. In 1955, fourteen-year-old Tony found himself entangled with a married Catholic woman. In Cold War England, where Catholicism was the subject of news stories and Graham Greene bestsellers, Tony was whisked off by the woman’s husband to see a priest and be saved. Yet what he found was a far cry from the priests he’d known at Catholic school, where boys were beaten with belts or set upon by dogs. Instead, he met Father Joe, a gentle, stammering, ungainly Benedictine who never used the words “wrong” or “guilt,” who believed that God was in everyone and that “the only sin was selfishness.” During the next forty years, as his life and career drastically ebbed and flowed, Tony discovered that his visits to Father Joe remained the one constant in his life—the relationship that, in the most serious sense, saved it. From the fifties and his adolescent desire to join an abbey himself; to the sixties, when attending Cambridge and seeing the satire of Beyond the Fringe convinced him to change the world with laughter, not prayer; to the seventies and successful stints as an original editor of National Lampoon and a writer of Lemmings, the off-Broadway smash that introduced John Belushi and Chevy Chase; to professional disaster after co-creating the legendary English series Spitting Image; from drinking to drugs, from a failed first marriage to a successful second and the miracle of parenthood—the years only deepened Tony’s need for the wisdom of his other and more real father, creating a bond that could not be broken, even by death. A startling departure for this acclaimed satirist, Father Joe is a sincere account of how Tony Hendra learned to love. It’s the story of a whole generation looking for a way back from mockery and irony, looking for its own Father Joe, and a testament to one of the most charismatic mentors in modern literature.
In The Messiah of Morris Avenue, Tony Hendra—the acclaimed satirist and New York Times bestselling author of Father Joe—poses the question: would we recognize the messiah if he appeared today? And delivers, in the words of Frank McCourt, “just what the country needs now—a good dose of merriment in the face of crawthumping righteousness.” In the not so distant future, the tide of righteousness—in the form of executions, barking evangelists, tank-like SUVs, and a movie industry run entirely by the Christian right—has swept the nation. Aside from the non-white, the non-Christian, and the non-wealthy, all are believers. Among the skeptics is a washed-up journalist named Johnny Greco, who hears of a media-shy young man known as “Jay” roaming through ghettos, healing the sick, and tossing off miracles. Soft-spoken and shabbily dressed, Jay is an unlikely savior for this anxious and intolerant America. But as he makes his rounds, gathers followers, and makes furious enemies among the righteous powers that be, Johnny finds it harder and harder to doubt him.
From the notorious editor of Spy magazine comes a hilarious parody of William Bennett's bestselling Book of Virtues. Immorality, dissipation, and dishonesty are elevated to the highest level in this unflinchingly funny look at the other side of virtue.
This ebook features added multimedia content: an interview with George Carlin’s daughter Kelly about life with her dad, and a tribute video with interviews with Susie Essman, Michael Ian Black, Richard Belzer, George Wendt, and Jeffrey Ross, who talk about Carlin’s incredible ability to make people laugh. One of the undisputed heavyweight champions of American comedy, with nineteen appearances on the Johnny Carson show, thirteen HBO specials, five Grammys, and a critical Supreme Court battle over censorship under his belt, George Carlin saw it all throughout his extraordinary fifty-year career, and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acerbic humor with never-before-told stories from his own life, including encounters with a Who’s Who of 1970s celebrity—from Lenny Bruce to Hugh Hefner—and the origins of some of his most famous standup routines. Carlin’s early conflicts, his long struggle with substance abuse, his turbulent relationships with his family, and his triumphs over catastrophic setbacks all fueled the unique comedic worldview he brought to the stage. From the heights of stardom to the low points few knew about, Last Words is told with the same razor-sharp wit and unblinking honesty that made Carlin one of the best-loved comedians in American history
A satirical look at the life of President Bush offers tongue in cheek descriptions of his childhood, education, military career, presidency, and involvement in the Iran Contra Affair
A key comic writer of the past three decades has created his most heartfelt and hard-hitting book. Father Joe is Tony Hendra’s inspiring true story of finding faith, friendship, and family through the decades-long influence of a surpassingly wise Benedictine monk named Father Joseph Warrillow. Like everything human, it started with sex. In 1955, fourteen-year-old Tony found himself entangled with a married Catholic woman. In Cold War England, where Catholicism was the subject of news stories and Graham Greene bestsellers, Tony was whisked off by the woman’s husband to see a priest and be saved. Yet what he found was a far cry from the priests he’d known at Catholic school, where boys were beaten with belts or set upon by dogs. Instead, he met Father Joe, a gentle, stammering, ungainly Benedictine who never used the words “wrong” or “guilt,” who believed that God was in everyone and that “the only sin was selfishness.” During the next forty years, as his life and career drastically ebbed and flowed, Tony discovered that his visits to Father Joe remained the one constant in his life—the relationship that, in the most serious sense, saved it. From the fifties and his adolescent desire to join an abbey himself; to the sixties, when attending Cambridge and seeing the satire of Beyond the Fringe convinced him to change the world with laughter, not prayer; to the seventies and successful stints as an original editor of National Lampoon and a writer of Lemmings, the off-Broadway smash that introduced John Belushi and Chevy Chase; to professional disaster after co-creating the legendary English series Spitting Image; from drinking to drugs, from a failed first marriage to a successful second and the miracle of parenthood—the years only deepened Tony’s need for the wisdom of his other and more real father, creating a bond that could not be broken, even by death. A startling departure for this acclaimed satirist, Father Joe is a sincere account of how Tony Hendra learned to love. It’s the story of a whole generation looking for a way back from mockery and irony, looking for its own Father Joe, and a testament to one of the most charismatic mentors in modern literature.
In The Messiah of Morris Avenue, Tony Hendra—the acclaimed satirist and New York Times bestselling author of Father Joe—poses the question: would we recognize the messiah if he appeared today? And delivers, in the words of Frank McCourt, “just what the country needs now—a good dose of merriment in the face of crawthumping righteousness.” In the not so distant future, the tide of righteousness—in the form of executions, barking evangelists, tank-like SUVs, and a movie industry run entirely by the Christian right—has swept the nation. Aside from the non-white, the non-Christian, and the non-wealthy, all are believers. Among the skeptics is a washed-up journalist named Johnny Greco, who hears of a media-shy young man known as “Jay” roaming through ghettos, healing the sick, and tossing off miracles. Soft-spoken and shabbily dressed, Jay is an unlikely savior for this anxious and intolerant America. But as he makes his rounds, gathers followers, and makes furious enemies among the righteous powers that be, Johnny finds it harder and harder to doubt him.
A substantial backyard has long been considered an iconic feature of the Australian suburb. Nevertheless, during the 1990s, a dramatic change occurred: substantial backyards largely disappeared from new suburban houses in Australia. Whatever the size of lot, the dwelling now covers most of its developable area. Although the planning system does not actually promote this change, it does little to prevent it. It appears to be a physical expression of the way that Australian lifestyles are changing for the worse, in particular longer working hours. This in turn raises issues about health and wellbeing, especially for children. Vegetation surrounding the dwelling plays an important role in microclimate, storm drainage and biodiversity, irrespective of whether the residents use their backyard. Its loss has serious ecological implications, a deficit rendered permanent by the changes to the housing stock. The Life and Death of the Australian Backyard is based on a detailed quantitative study of this increasing, but previously unstudied, problem. It discusses the nature, uses and meaning of the traditional backyard, presents an understanding of the changes that have been happening and suggests possible remedies. All professionals working in the landscape and development industries, local government, consultancies and in universities should read this unique study of an issue of increasing significance to urban sustainability.
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