A Sherman tank crew in WWII fights it's way from Normandy beach into Berlin. We follow along with the crew, feeling what they feel, see and communicate through each other's experiences in the fog of war. The humor, the gore, the tragedy will unfold as they trek through the nightmare of trying to survive in their M4 Sherman tank named "Betsy." Though a fictional account, the places are real, and events actually happened. And as you "ride" along with them, you too will feel the pain of watching their friends die, and the anguish of life inside a 37 ton steel beast plowing through the snow of Bastogne, the mud of the Aachen Salient, the terror of fighting a TIGER tank while you dodge PANZERFAUST ROCKETS and witness the attrocities of the Nazi SS, and feel the joy of wiping them out kraut by kraut, tank by tank. The journey goes from the beaches of NORMANDY through FRANCE, BELGIUM, the push into GERMANY and finally RUSSIAN-held BERLIN. And the one shady character Sgt Gilbert, the tank commander, meets is so ruthless he almost gets the crew killed while winning the war! This is a MUST-READ for any TANKER and WWII buff, truely a ride you will not forget.
Fred is an unusual monster. After leaving scare school he realises that he doesn't want to scare little boys and girls. How can he show his face in Monster Land now? Everyone will laugh at him! Then he meets a little boy called Dale, who comes up with an unexpected plan.
The book provides a behind-the-scenes look into the unlikely partnerships, unique collaborations, variety of financial tools and bold bets led by The Kresge Foundation during a 13-year period in Detroit to foster a sustainable and equitable recovery for the city and all of its residents. The authors originally imagined the book contents as four individual case studies. In preparation, they performed an exhaustive review of Kresge Foundation historical documents and a comprehensive scan of media coverage and journalistic commentary about Detroit’s recovery. They also conducted more than four dozen interviews with the individuals who participated in, witnessed or otherwise impacted the changing tide in the city of Detroit during this period. Once assembled, the authors agreed that—assembling together in context with one another – the content could serve as an important snapshot of some of the positive forces and extreme undercurrents at play in Detroit during this extraordinary time in the city.
Reliance on devices like the photograph and slidewill lead, I rather fear, to linguistic suicide.We must keep on challenging language to engagewith all we suffer from in this new modern age.This epic sweep of a play takes us from a contemporary Westminster Abbey to the Arctic ship Fram - or Forward - specially built by the famous Norwegian explorer Fridtjof Nansen who, with his suicidal companion, Johansen, makes a bid on foot for the North Pole in the 1890s. Though incompatible, they share a bear fur sleeping-bag through the long winter. Nansen, still haunted by Johansen's ghost is appointed to the League of Nations. As a figurehead of Russian famine relief in 1922, he conducts the first celebrity campaign, searching for means, however shocking, to make people care. Tony Harrison's major new work for the theatre, Fram, premiered at the National Theatre in April 2007.
Tony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.
North America's vast land mass, sparse population, and deserted north were perfectly suited for aircraft operations on skis and pontoons. The bush pilots opened the North, exploring to its farthest reaches, establishing communication between isolated settlements, delivering supplies, medicines, medical assistance and the mail. They were superb pilots and mechanics, dare devils, barnstormers, inventors, and explorers. Operating without compasses, radios, or detailed maps, they built their awesome legends. The rest of the world soon followed their lead into the vast unmapped, untapped, and unexplored regions of the other continents.
Society at large tends to misunderstand what safety is all about. It is not just the absence of harm. When nothing bad happens over a period of time, how do you know you are safe? In reality, safety is what you and your people do moment by moment, day by day to protect assets from harm and to control the hazards inherent in your operations. This is the purpose of risk-based thinking, the key element of the six building blocks of Human and Organizational Performance (H&OP). Generally, H&OP provides a risk-based approach to managing human performance in operations. But, specifically, risk-based thinking enables foresight and flexibility—even when surprised—to do what is necessary to protect assets from harm but also achieve mission success despite ongoing stresses or shocks to the operation. Although you cannot prepare for every adverse scenario, you can be ready for almost anything. When risk-based thinking is integrated into the DNA of an organization’s way of doing business, people will be ready for most unexpected situations. Eventually, safety becomes a core value, not a priority to be negotiated with others depending on circumstances. This book provides a coherent perspective on what executives and line managers within operational environments need to focus on to efficiently and effectively control, learn, and adapt.
A period romance, set in the 1960s and follows on from Julie's Meadow. 'Tremarrow' has new characters that come to the village, some more welcome than others. One in particular hTremarrow, a period romance is set in the nineteen-sixties and follows on from Julie's Meadow. Julie and Sarah are both pregnant; Julie's love still shines through. Tremarrow has a few new characters that come to the village, some more welcome than others. One in particular has a very sad tale to tell. The story is based around the wicked Rupert who was sentenced to life imprisonment for the murder of his and Sarah's Mother. But has he found a loophole that will get him out of gaol? A lot happens around the village before we find out.as a very sad tale to tell. The story is based around the wicked Rupert who was sentenced to life imprisonment for the murder of his and Sarah's Mother
The Revolution in Time explores the idea that people in Western Europe changed the way they thought about the concept of time over the early modern period, by examining reactions to the 1688-1689 revolution in England. The study examines how those who lived through the extraordinary collapse of James II's regime perceived this event as it unfolded, and how they set it within their understanding of history. It questions whether a new understanding of chronology - one which allowed fundamental and human-directed change - had been widely adopted by this point in the past; and whether this might have allowed witnesses of the revolution to see it as the start of a new era, or as an opportunity to shape a novel, 'modern', future for England. It argues that, with important exceptions, the people of the era rejected dynamic views of time to retain a 'static' chronology that failed to fully conceptualise evolution in history. Bewildered by the rapid events of the revolution itself, people forced these into familiar scripts. Interpreting 1688-1689 later, they saw it as a reiteration of timeless principles of politics, or as a stage in an eternal and pre-determined struggle for true religion. Only slowly did they see come to see it as part of an evolving and modernising process - and then mainly in response to opponents of the revolution, who had theorised change in order to oppose it. The volume thus argues for a far more complex and ambiguous model of changes in chronological conception than many accounts have suggested; and questions whether 1688-1689 could be the leap toward modernity that recent interpretations have argued.
Despite the massive literature on the Holocaust, our understanding of it has traditionally been influenced by rather unsophisticated early perspectives and silence. This book summarizes and criticizes the existing scholarship on the subject and suggests new ways by which we can approach its study. It addresses the use of victim testimony and asks important questions: What function does recording the past serve for the victim? What do historians want from it? Are these two perspectives incompatible? It also examines the perpetrators of the Holocaust, and compares them to those responsible for other acts of genocide and ethnic cleansing in the early years of the twentieth century. In addition, it looks at the bystanders--examining the complexity and ambiguity at the heart of contemporary reaction.
Mike Leigh may well be Britain’s greatest living film director; his worldview has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, placing the emphasis instead on the importance of comedy and humour: of jokes and their functions, of laughter as a survival mechanism, and of characterisations and situations that disrupt our preconceptions of ‘realism’. Striving for the all-important quality of truth in everything he does, Leigh has consistently shown how ordinary lives are too complex to fit snugly into the conventions of narrative art. From the bittersweet observation of Life is Sweet or Secrets and Lies, to the blistering satire of Naked and the manifest compassion of Vera Drake, he has demonstrated a matchless ability to perceive life’s funny side as well as its tragedies.
In an exhilarating tale of historic adventure, the Pulitzer Prize-winning author of Confederates in the Attic retraces the voyages of Captain James Cook, the Yorkshire farm boy who drew the map of the modern world Captain James Cook's three epic journeys in the 18th century were the last great voyages of discovery. His ships sailed 150,000 miles, from the Artic to the Antarctic, from Tasmania to Oregon, from Easter Island to Siberia. When Cook set off for the Pacific in 1768, a third of the globe remained blank. By the time he died in Hawaii in 1779, the map of the world was substantially complete. Tony Horwitz vividly recounts Cook's voyages and the exotic scenes the captain encountered: tropical orgies, taboo rituals, cannibal feasts, human sacrifice. He also relives Cook's adventures by following in the captain's wake to places such as Tahiti, Savage Island, and the Great Barrier Reef to discover Cook's embattled legacy in the present day. Signing on as a working crewman aboard a replica of Cook's vessel, Horwitz experiences the thrill and terror of sailing a tall ship. He also explores Cook the man: an impoverished farmboy who broke through the barriers of his class and time to become the greatest navigator in British history. By turns harrowing and hilarious, insightful and entertaining, BLUE LATITUDES brings to life a man whose voyages helped create the 'global village' we know today.
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