The connection between speech and writing in human language has been a matter of philosophical debate since antiquity. By plumbing the depths of this complex relationship, Tony E. Jackson explains how the technology of alphabetic writing has determined the nature of the modern novel. Jackson's analysis begins with the universal human act of oral storytelling. While telling stories is fundamental to human experience, writing is not. Yet the novel, perhaps more than any other literary form, depends on writing. In fact, as Jackson shows quite clearly, it is writing rather than print that most shapes the forms and contents of the genre. Through striking new readings of works by Austen, Mary Shelley, Dickens, Forster, Woolf, Lessing, and McEwan, Jackson reveals how the phenomena of speech and storytelling interact with the technological characteristics of writing. He also explains how those interactions induced the generic changes in the novel from its eighteenth-century beginnings to postmodernism and beyond. His claims, grounded in a contemporary understanding of human cognitive capacities and constraints, offer a fresh interpretive approach to all written literature. An essential text in the study of the written word, The Technology of the Novel provides new insights into the evolving nature of one of the modern world's most popular narrative forms.
Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history." "After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses." "While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism." "The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
2009 Outstanding Academic Title, Choice The connection between speech and writing in human language has been a matter of philosophical debate since antiquity. By plumbing the depths of this complex relationship, Tony E. Jackson explains how the technology of alphabetic writing has determined the nature of the modern novel. Jackson’s analysis begins with the universal human act of oral storytelling. While telling stories is fundamental to human experience, writing is not. Yet the novel, perhaps more than any other literary form, depends on writing. In fact, as Jackson shows quite clearly, it is writing rather than print that most shapes the forms and contents of the genre. Through striking new readings of works by Austen, Mary Shelley, Dickens, Forster, Woolf, Lessing, and McEwan, Jackson reveals how the phenomena of speech and storytelling interact with the technological characteristics of writing. He also explains how those interactions induced the generic changes in the novel from its eighteenth-century beginnings to postmodernism and beyond. His claims, grounded in a contemporary understanding of human cognitive capacities and constraints, offer a fresh interpretive approach to all written literature. An essential text in the study of the written word, The Technology of the Novel provides new insights into the evolving nature of one of the modern world's most popular narrative forms.
The first full-color, comprehensive history, tracing the entire development of one of the 20th century's most important musical instruments. Based on firsthand interviews with primary inventors and makers of past and present bass guitars, this new book examines the birth of the instrument, its popularization during the 1960s and 1970s, and modern variations of the instrument.
Acclaimed by researchers, students, and general readers, this informative, lively, and easy-to-use volume fills the public need for information about key recent and historical cases before the U.S. Supreme Court. Now significantly updated, this new edition includes all the new major cases-over twenty five in total-handed down by the Court since the first edition was published in 2000. The new entries include many high-profile cases that have stirred public controversy, including: Boy Scouts of America v. Dale (2000), granting the right to exclude homosexuals from leadership positions in the Boy Scouts; Bush v. Gore (2000), ceasing ballot recounts in the 2000 presidential election; PGA Tour v. Martin (2001), obliging the PGA to accommodate a disabled golfer; Lawrence v. Texas (2003), stating that a law criminalizing same-sex sodomy violates due process; Gratz/Grutter v. Bollinger (2003), stating that an affirmative action program to achieve diversity in universities may or may not violate the equal protection clause, depending on how it′s implemented. In each of the over 100 cases summarized, author Tony Mauro succinctly describes the decision, provides background and facts of the case, the vote and highlights of the decision with verbatim excerpts, and, in conclusion, discusses the long-term impact of the decision on United States citizens and U.S. society. Topic search aids let readers easily trace the evolution and impact of rulings in particular issue areas. Added features also enhance the volume, including many new portraits, political cartoons, and drawings, a comprehensive bibliography and an easy-to-access case/subject index. A perfect starting point for research on Supreme Court decisions, this newly updated volume is an essential addition to every public, high school, and college library.
With this third big volume dedicated to collectibles and memorabilia, Lyle lists more than 3,000 items in nearly 200 categories, each accompanied by a photo, a brief description and current market value. A comprehensive index provides quick access to any article listed.
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