An American writer and his wife find a new home—and a new lease on life—in the charming sixteenth-century hill town of San Miguel de Allende, Mexico. When Los Angeles novelist Tony Cohan and his artist wife, Masako, visited central Mexico one winter they fell under the spell of a place where the pace of life is leisurely, the cobblestone streets and sun-splashed plazas are enchanting, and the sights and sounds of daily fiestas fill the air. Awakened to needs they didn’t know they had, they returned to California, sold their house and cast off for a new life in San Miguel de Allende. On Mexican Time is Cohan's evocatively written memoir of how he and his wife absorb the town's sensual ambiance, eventually find and refurbish a crumbling 250-year-old house, and become entwined in the endless drama of Mexican life. Brimming with mystery, joy, and hilarity, On Mexican Time is a stirring, seductive celebration of another way of life—a tale of Americans who, finding a home in Mexico, find themselves anew.
Tony Cohan’s On Mexican Time, his chronicle of discovering a new life in the small Mexican mountain town of San Miguel de Allende, has beguiled readers and become a travel classic. Now, in Mexican Days, point of arrival becomes point of departure as—faced with the invasion of the town by tourists and an entire Hollywood movie crew, a magazine editor’s irresistible invitation, and his own incurable wanderlust—Cohan undertakes a richer, wider exploration of the country he has settled in. Told with the intimate, sensuous insight and broad sweep that captivated readers of On Mexican Time, Mexican Days is set against a changing world as Cohan encounters surprise and adventure in a Mexico both old and new: among the misty mountains and coastal Caribbean towns of Veracruz; the ruins and resorts of Yucatán; the stirring indigenous world of Chiapas; the markets and galleries of Oaxaca; the teeming labyrinth of Mexico City; the remote Sierra Gorda mountains; the haunted city of Guanajuato; and the evocative Mayan ruins of Palenque. Along the way he encounters expatriates and artists, shady operatives and surrealists, and figures from his past. More than an immensely pleasurable and entertaining travel narrative by one of the most vivid, compelling travel voices to emerge in recent years, Mexican Days is both a celebration of the joys and revelations to be found in this inexhaustibly interesting country and a searching investigation of the Mexican landscape and the grip it is coming to have in the North American imagination.
A captivating, deeply affecting memoir chronicling a journey from a Hollywood childhood as the son of a fading show business figure to a bohemian life in Europe and back to his native state of California, where the author must face the man who had driven him away. Summoned from abroad to attend to the ninety-four-year-old father he’s never been close to, writer and musician Tony Cohan finds himself reliving his own peripatetic life—a kaleidoscopic odyssey from California’s sunny postwar promise through the burnt end of the 1960s to the final days of the last century. An engrossing investigation of memory and identity, love and desire, art and fate, Native State vividly portrays the author’s attempts to escape the confines of a celebrity-filled, alcoholic family through music, writing, and travel. His descent into the colorful milieus of musical and literary geniuses and lowlifes, divas and crooks, fortune tellers and culture gods in Paris, Tangier, London, Copenhagen, Barcelona, San Francisco, Kyoto, and Los Angeles coalesces into a distinctive, intimate depiction of a pivotal cultural era. Throughout, Cohan brilliantly interweaves and contrasts his past experiences with his present-day reflections on the universal youthful desire to flee home and family, and the simultaneous “undertow of origins” urging a return. The result is a work that combines unusually rich storytelling with extraordinary literary quality. Poignant, elegantly crafted, and often funny, Native State is an indelible portrait of the artist as a young man, and—as son and dying father grope toward acceptance—a coming-to-terms with self, family, origins, and the elusive American idea of home.
An American writer and his wife find a new home—and a new lease on life—in the charming sixteenth-century hill town of San Miguel de Allende, Mexico. When Los Angeles novelist Tony Cohan and his artist wife, Masako, visited central Mexico one winter they fell under the spell of a place where the pace of life is leisurely, the cobblestone streets and sun-splashed plazas are enchanting, and the sights and sounds of daily fiestas fill the air. Awakened to needs they didn’t know they had, they returned to California, sold their house and cast off for a new life in San Miguel de Allende. On Mexican Time is Cohan's evocatively written memoir of how he and his wife absorb the town's sensual ambiance, eventually find and refurbish a crumbling 250-year-old house, and become entwined in the endless drama of Mexican life. Brimming with mystery, joy, and hilarity, On Mexican Time is a stirring, seductive celebration of another way of life—a tale of Americans who, finding a home in Mexico, find themselves anew.
A captivating, deeply affecting memoir chronicling a journey from a Hollywood childhood as the son of a fading show business figure to a bohemian life in Europe and back to his native state of California, where the author must face the man who had driven him away. Summoned from abroad to attend to the ninety-four-year-old father he’s never been close to, writer and musician Tony Cohan finds himself reliving his own peripatetic life—a kaleidoscopic odyssey from California’s sunny postwar promise through the burnt end of the 1960s to the final days of the last century. An engrossing investigation of memory and identity, love and desire, art and fate, Native State vividly portrays the author’s attempts to escape the confines of a celebrity-filled, alcoholic family through music, writing, and travel. His descent into the colorful milieus of musical and literary geniuses and lowlifes, divas and crooks, fortune tellers and culture gods in Paris, Tangier, London, Copenhagen, Barcelona, San Francisco, Kyoto, and Los Angeles coalesces into a distinctive, intimate depiction of a pivotal cultural era. Throughout, Cohan brilliantly interweaves and contrasts his past experiences with his present-day reflections on the universal youthful desire to flee home and family, and the simultaneous “undertow of origins” urging a return. The result is a work that combines unusually rich storytelling with extraordinary literary quality. Poignant, elegantly crafted, and often funny, Native State is an indelible portrait of the artist as a young man, and—as son and dying father grope toward acceptance—a coming-to-terms with self, family, origins, and the elusive American idea of home.
Tony Cohan’s On Mexican Time, his chronicle of discovering a new life in the small Mexican mountain town of San Miguel de Allende, has beguiled readers and become a travel classic. Now, in Mexican Days, point of arrival becomes point of departure as—faced with the invasion of the town by tourists and an entire Hollywood movie crew, a magazine editor’s irresistible invitation, and his own incurable wanderlust—Cohan undertakes a richer, wider exploration of the country he has settled in. Told with the intimate, sensuous insight and broad sweep that captivated readers of On Mexican Time, Mexican Days is set against a changing world as Cohan encounters surprise and adventure in a Mexico both old and new: among the misty mountains and coastal Caribbean towns of Veracruz; the ruins and resorts of Yucatán; the stirring indigenous world of Chiapas; the markets and galleries of Oaxaca; the teeming labyrinth of Mexico City; the remote Sierra Gorda mountains; the haunted city of Guanajuato; and the evocative Mayan ruins of Palenque. Along the way he encounters expatriates and artists, shady operatives and surrealists, and figures from his past. More than an immensely pleasurable and entertaining travel narrative by one of the most vivid, compelling travel voices to emerge in recent years, Mexican Days is both a celebration of the joys and revelations to be found in this inexhaustibly interesting country and a searching investigation of the Mexican landscape and the grip it is coming to have in the North American imagination.
White Cottage, White House examines how Classical Hollywood cinema developed and deployed Irish American masculinities to negotiate, consolidate, and reinforce hegemonic whiteness in midcentury America. Largely confined to discriminatory stereotypes during the silent era, Irish American male characters emerge as a favored identity with the introduction of sound, positioned in a variety of roles as mediators between the marginal and mainstream. The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension. It traces key Irish American male types—the gangster, the priest, the cop, the sports hero, and the returning immigrant—who navigated these tensions in maintenance of an ethnic whiteness that was nonetheless "at home" in America, transforming from James Cagney's "public enemy" to John Wayne's "quiet man" in the process. Whether as figures of Depression-era social disruption, avatars of presidential patriarchy and national manhood, or allegories of postwar white flight and the nuclear family, Irish American masculinities occupied a distinctive and unrivaled visibility and role in popular American film.
This core textbook offers a concise, direct and easy-to-use introduction to how semiotics can be employed to understand culture. It adopts a practical and versatile approach to cultural analysis, beginning not with an abstract body of theory but with a number of examples of social sign use which are examined critically using basic semiotic terms and concepts to build up the reader's analytic vocabulary in a practical way. This book is designed to be read in several ways. First of all, it offers a structured approach to its subject with successive chapters reconsidering and building upon issues raised in earlier chapters. The layout of the text supports alternative pathways through the material, however. Written principally with the undergraduate student reader in mind, this is the essential research tool for students and lecturers. It is the ideal international starting-point for a very wide range of courses both in cultural and media studies and related subjects such as film studies, literature and sociology.
Why do some places--the concourse of Grand Central Terminal or a small farm or even the corner of a skyscraper--affect us so mysteriously and yet so forcefully? What tiny changes in our everyday environments can radically alter the quality of our daily lives? The Experience of Place offers an innovative and delightfully readable proposal for new ways of planning, building, and managing our most immediate and overlooked surroundings.
Five Eyes on the Fence: Protecting the Five Core Capitals of Your Business debunks the myth that a business’s health is judged by its bottom line alone—by its financial capital. Instead, the book proves that financial capital is a byproduct of four other capitals: (1) human capital, is defined by a company’s and its employees’ soft and ingrained attributes like personalities, intelligences, behavioral traits, values, attributes, and motivators; (2) intellectual capital, defined by the comp any’s and its employees’ knowledge and experience; (3) social capital, or the company’s network of people and associates; and (4) structural capital, the glue that holds all of these capitals together in the form of processes, systems, and modes of delivering a product or service. By exploring both positive and negative case studies, readers learn to consider these five capitals as an intricate web, making decisions according to the interplay between each of the capitals rather than focusing all of their energies on the cold, hard, and logic-driven financial statement.
Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The Encyclopedia of Politics, the Media, and Popular Culture examines the people, major events, media, and controversies in eight thematic chapters and over 150 entries to provide an invaluable resource for any student, scholar, or everyday political junkie needing a comprehensive introduction to the subject. On a typical weeknight in the United States, millions shun the traditional evening network news broadcasts and, instead, later grab their remotes to turn to Comedy Central to catch up on the political happenings of the day, delivered by the comedian Jon Stewart on the faux news program, The Daily Show. Immediately afterwards, they might stay tuned to The Colbert Report for another dosage of hilarious, fake news that, to them, comes across more honestly than the serious version they could watch on CNN. Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The Encyclopedia of Politics, the Media, and Popular Culture provides in-depth coverage of these fascinating, and often surprising intersections in both historical and contemporary culture. This highly readable and entertaining encyclopedia provides a sweeping survey of the historic and ongoing interplay between politics, the media, and popular culture in eight thought-provoking chapters. The volume is enhanced with the inclusion of over 150 entries to help students and researchers easily locate more in-depth information on topics ranging from political scandals to YouTube.
What remedy does a car manufacturer have to prevent the use of its trade mark for cosmetics, confectionery, office furniture, or any one of a number of dissimilar uses? Except in cases of public deception, the answer was none until the doctrine of trade mark dilution was first introduced into English law and into much of Europe with the advent of the Trade Marks Act 1994 and the EC Trade Marks Directive. This doctrine, `misunderstood, misconstrued, and misapplied' since it was introduced into American law nearly 70 years ago, exists to prevent one trader taking unfair advantage of the name or mark, usually well established, of one business and using it for the exploitation of goods in areas in which the well-known trader is not presently active. This controversial and complex area of law is now of very considerable interest to lawyers, trade mark and patent agents and their business clients throughout the European Union where specific anti-dilution provisions have been widely introduced. Its appearance is timely given the uncertainty about the relevant provisions of the Trade Marks Act 1994 and there can be no doubt that practitioners in the field will be eager to buy and read this book.
A factual day-by-day description of hundreds of events that took place in the year 1968, including the peak year of the Vietnam War, civil violence in the U.S. and throughout the world, a unique political year that included the assassinations of Rev. Martin Luther King Jr. and Sen. Robert F. Kennedy, the return of Richard M. Nixon and the introduction of his Southern Strategy, the first voyage to the moon by humans, the Year of the Pitcher including the Detroit Tigers' world championship, pop culture, TV, films, music, aerospace and technology.
What's happened to our leaders and to our leadership?" Based on General Zinni's leadership experiences from the battlefield to the boardroom, Leading the Charge shows a new way through the significant leadership challenges of the 21st century. The times are changing at an ever-increasing velocity. Old systems, organizations, and ways of operating no longer work in our dynamic, complex and increasingly unstable new environment. Out of this chaos and confusion, a new and different leader must emerge. Old systems and methods will no longer work. Leading the Charge is a visionary leadership book that examines the trends that have reshaped our world and the ways in which visionary leaders and organizations can effectively respond. Tomorrow's successful leaders--in all fields, including the military, academia, politics, and business--must know how to create, operate, and thrive in very fluid, flattened, and integrated structures that are remarkably different from the traditional organizations we are used to seeing. They will have to manage rapidly changing technology and flows of information, and create faster and more far-reaching spans of control. Leading the Charge shows the way, and is an incisive and compelling guide to the new world of leadership, one that will prove indispensable for years to come. Organized around "Leading a New World," a revolutionary leadership course General Zinni developed and taught at the Terry Sanford Institute of Public Policy at Duke University, Leading the Charge makes a convincing case that leaders must . . . - change with the times to be relevant. - be ready for crisis mode at any given time. - have a moral compass and the ability to steer the company in the right direction. - be forward thinking, not reactive, to provide innovation and creativity. - develop great leaders.
Mainstream textbooks present economics as an objective science, free from value judgements. This book demonstrates this to be a myth – one which serves to make such textbooks not only off-puttingly bland, but also dangerously misleading in their justification of the status quo and neglect of alternatives. In this much-needed companion volume to the popular Microeconomics Anti-Textbook, Tony Myatt reveals how the blind spots and methodological problems present in microeconomics continue to exert their influence in mainstream macroeconomics. From a flawed conception of the labour market, to a Pollyana view of the financial sector, macroeconomic principles as they are set out in conventional undergraduate textbooks consistently fail to set out a realistic, useful, or equitable framework for understanding the world. By summarising and then critically evaluating the major topics found in a typical macroeconomics textbook, the Anti-Textbook lays bare their sins of omission and commission, showing where hidden value judgements are made and when contrary evidence and alternative theories are ignored. The Macroeconomics Anti-Textbook is the student's essential guide to decoding mainstream macroeconomic textbooks, and demonstrating how real-world economics are much more interesting than most economists are willing to let on.
Poems from the Heart is exactly as I have named my book They are meant to make people happy that read them and bring back old memories that had been forgotton and locked away in the past. Hopefully the poems I have written flow's from my heart to your's when you read them. Tony Gorman
The pioneers of the motion picture industry were a group of uncommonly talented men, women, and children. Many of their films have now vanished or disintegrated, and the only evidence of them is in the memories of their creators. The twelve men and women featured in this collection of interviews share their memories of the early days of filmmaking, from the technicalities of lighting and production, to celebrities they encountered. The interviewees include Douglas Fairbanks, Jr., Virginia Cherrill, child star "Baby Peggy," director Andrew Stone, and original "Our Gang" member Jean Darling. Their stories of what it was like to make a movie in the silent era are illuminating glimpses into an era that fades with every passing year. Each interview is accompanied by a comprehensive filmography, and dozens of photographs of these celebrities and their associates are also included.
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
Tony Stimac’s book is a captivating exploration of America’s national musical theatres, with a particular focus on his experience with the emerging musical theatre in China. In granular detail, he chronicles his rollercoaster of successes and failures while sharing intimate details of collaborating with the preeminent musical theater artists of our time, including George Abbott’s last musical, Kander and Ebb’s reworking of The Rink and hosting the first readings of Disney’s Beauty and the Beast. Tony provides invaluable insights into the secrets of creating innovative musicals. Passionately devoted to his art form, he struggles with the artist’s dilemma of how to balance his two great loves—his art and his family.
A lively introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Accessible and with lavish illustrations, this is the perfect gift for art history fans and anyone looking for a new, more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.
Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists' achievements and demanding a new way forward in Marxist criticism. The author first introduces and reviews the work of the Russian Formalists, a group of theorists who made an extraordinarily vital contribution to literary criticism in the decade followig the October Revolution of 1917. Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, literary form and function and literary evolution, Bennett argues that the Formalists' concerns provided the basis for a radically historical approach to the study of literature. Bennett then turns to the situation of Marxist criticism ad sketches the risks it has run in becoming overly entangled with the concerns of traditional aesthetics. He forcefully argues that through a serious and sympathetic reassessment of the Formalists and their historical approach, Marxist critics might find their way back on to the terrain of politics, where they and theri work belong. Addressing such crucial questions as 'What is literature?' or 'How should it be studied and to what end?', Formalism and Marxism explores ideas which should be considered by any student or reader of literature and provides a particular challenge to those interested in Marxist criticism. Now with a new afterword, this classic text still offers the best available starting point for those new to the field, as well as representing a crucial intervention in twentieth-century literary theory.
This is the book to amaze and bore your friends, allies, enemies, family, the passing man in the street, the rabbi, and anyone who you can grab to tell them that nowhere else in the world is such a collection of Jewish Miscellany and Trivia. From Two-Gun Cohen to Wyatt Earp, from the Yiddish singing nuns to the astronaut who stuffed a salt beef sandwich into his suit, there is one thing that can be guaranteed. You will never be bored. You will come back to this book time and again. It is the product of 20 years collection of the arcane, and if you thought before you read it that you knew a lot, you will find there's lots more to learn. So find out why Goldfinger was banned in Israel and Oliver Twist banned in Egypt, and have fun on the way.
The Powers is an exploration of ten key factors to create and manage a strong, resonant brand in either the B2B or B2C space. Gone are the days when advertising gurus, research firms, and management consultants told a brand what to do and where to go. Today’s top brands are built from the inside out, rooted in an authenticity that resonates deeply with employees, business partners, and customers. Through their use of vivid examples and real-life, in-the-trenches experience, Tony Wessling and Peter van Aartrijk make brand-building enjoyable, interesting, and engaging. Never before has branding been so succinctly broken down into essential components. Leaders and marketers who apply these concepts will find their own brands becoming exponentially more powerful and their destiny firmly under their control.
The headlines numb the entire world: Lisa Wilde is dead. The singer known as the Canary, whose music excited a generation, is killed in a crash. Now her ex-lover, the man who helped merchandise the idol and make her a star, receives the horrifying message from the brass at RPM Records: cover up her murder.
This personal biography shows the spirit of man at its best! Strive with the author through tragedies and deprived circumstances as he shows how he overcame great obstacles to achieve his goals.
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