Emotions are essential for human existence, both lighting the way toward the brightest of achievements and setting the course into the darkness of suffering. Not surprisingly, then, emotion research is currently one of the hottest topics in the field of psychology. Yet to divine the nature of emotion is a complex and extensive task. In this book emotions are approached thought an exploration of the nature of cognition in emotion; the nature of thoughts in feelings. Different approaches to emotions are explored, from brain research to research at the level of experience, and it is argued that all approaches must seriously take into account the experiential dimension. A qualitative study of experiences with art is therefore presented, as emotions and cognition are often expressed in experiences with art. It is the first study of its kind. Descriptions of various affective phenomena are then given which have significant implications for contemporary debates about emotions, resolving several contemporary controversies.
How does art influence us? In The Subject of Aesthetics, Tone Roald approaches aesthetics as a psychological discipline, showing how works of art challenge our habitual ways of perceiving the world. While aesthetics has traditionally been a philosophical discipline, Roald discusses how it is very much alive in the realm of psychology – a qualitative psychology of lived experience. But what actually constitutes an aesthetics of lived experience? The book answers that question by analyzing people’s own engagement with visual art. What emerges is that the object of aesthetics is indeed the subject.
A NEW TESTAMENT offers a recast economic, legal, and social history of the strangely neglected, enduring and power-laden relationship between a Scandinavian Transatlantic mission and the Santals, Boro and Bengalis of East India, Northern Bangladesh, and Eastern Nepal. Bleie's kaleidoscopic portraits transport readers back to the medieval period and Danish and British Company Rule. The British Raj and the early post-Independence period remain her principal framing, however. This customized text enables readers to navigate and selectively immerse themselves in theoretical and descriptive chapters brimming with immersive storytelling. The volume is relevant for university curricula in international history, Scandinavian and Norwegian transnational history, Santal ethnohistory, the history of religion, the sociology of religion, mission history, intercultural history of Christianity, museum studies, subaltern and postcolonial studies, comparative international law, peace and development studies, social anthropology, history of aid, tribal studies, women's studies, and the study of indigenous oral and textual history.
To understand wars and armed conflicts, we need to understand the inner logic of military institutions and warrior culture. In Making Warriors in a Global Era, Tone Danielsen employs ethnographic methods to analyze and discuss current debates among both military personnel and academics about the rise of the special operations forces and their effects on how armed conflicts are handled and wars are fought. Based on a decade of research and Danielsen's unprecedented access inside a Norwegian Naval Special Operations Commando, Danielsen describes the culture, experiences, and skill sets of a special operations unit and explores the historical and political implications these types of units have on modern warfare and society as a whole.
How does art influence us? In The Subject of Aesthetics, Tone Roald approaches aesthetics as a psychological discipline, showing how works of art challenge our habitual ways of perceiving the world. While aesthetics has traditionally been a philosophical discipline, Roald discusses how it is very much alive in the realm of psychology – a qualitative psychology of lived experience. But what actually constitutes an aesthetics of lived experience? The book answers that question by analyzing people’s own engagement with visual art. What emerges is that the object of aesthetics is indeed the subject.
Emotions are essential for human existence, both lighting the way toward the brightest of achievements and setting the course into the darkness of suffering. Not surprisingly, then, emotion research is currently one of the hottest topics in the field of psychology. Yet to divine the nature of emotion is a complex and extensive task. In this book emotions are approached thought an exploration of the nature of cognition in emotion; the nature of thoughts in feelings. Different approaches to emotions are explored, from brain research to research at the level of experience, and it is argued that all approaches must seriously take into account the experiential dimension. A qualitative study of experiences with art is therefore presented, as emotions and cognition are often expressed in experiences with art. It is the first study of its kind. Descriptions of various affective phenomena are then given which have significant implications for contemporary debates about emotions, resolving several contemporary controversies.
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