Detailed account of Manson's life, including his attempt to break into the LA scene of the mid '60s, to his bizarre relationship with the Beach Boys, his obsession with The Beatles, his demo releases from prison which achieved quadruple platinum sales, the resultant lawsuit to ban his royalties, his influence on Guns n' Roses, and his links with ne-Nazi rock underground.
The Politics of Nordsploitation takes a transnational approach to exploring Nordic 'exploitation' films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also to position Nordic film cultures in a global context. Incorporating a wide range of films, from international cult classics like They Call Her One Eye (1974), homegrown martial arts films like The Ninja Mission (1984) to contemporary crowd-sourced fan productions like Iron Sky (2012), this volume examines the remarkable diversity of genre-based, commercially and culturally exploitative film production throughout the Nordic countries – emphasized here through the term 'Nordsploitation'. This volume provides a historical exposition of largely ignored marginal films and film cultural patterns. It also outlines how influential these films have been in shaping the development of Nordic cinema. The effects are visible in the films of the new millennium as previously marginalized practices now enter the mainstream. With sharp insights and new research, The Politics of Nordsploitation redefines the concept of 'exploitation' and its role in small nation cinemas.
This is just me joining the family business exposing massive global injustice. Latinx Women from South London take centre stage and dare you to call them invisible. Vogue balls. When four different worlds collide, identity, history and status become the driving forces to unveiling the biggest money laundering scandal in history. Confetti. From not having a box to tick to challenging toxic stereotypes, as Alejandra, Lucia, Honey and Catalina risk everything to expose a multinational bank, they confront the audience with what it means to be both Londoner and Latinx. Chihuahua. My Uncle Is Not Pablo Escobar relishes in the seen and unseen of communities and systems so insidiously hidden. Co-Created by Valentina Andrade, Elizabeth Alvarado, Lucy Wray & Tommy Ross-Williams, rooted in the lives and experiences of Valentina Andrade & Elizabeth Alvarado. This edition was published to coincide with the Brixton House production in London, June 2023.
Detailed account of Manson's life, including his attempt to break into the LA scene of the mid '60s, to his bizarre relationship with the Beach Boys, his obsession with The Beatles, his demo releases from prison which achieved quadruple platinum sales, the resultant lawsuit to ban his royalties, his influence on Guns n' Roses, and his links with ne-Nazi rock underground.
Metallica are easily the best, most influential heavy-metal band of the last 20 years, responsible for bringing the music back to earth. Instead of playing the usual rock star games of metal stars of the early 1980s, the band looked and talked like they were from the street, and through that connected with a disparate tribe of punks, metallers, skate kids and anyone into high-energy thrash music. Metallica expanded the limits of thrash, using speed and volume not for its own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All, marked the beginning of legitimisation of heavy metal's underground bringing a new complexity and depth to the genre. Tracing their musical development through each album, looking at their influences, the events that inspired their songs, and what they mean to their fans, this is the essential companion to Metallica's biggest songs.
Includes 90 photographs and anecdotes from the studio sessions; insights into the lyrics; cover art and developing musical direction, particularly from the hugely controversial Load/Reload eras.
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