An exploration of white working-class English men, showing how and why some have been captured by the far-right and what the left can do about it. IS THE WHITE WORKING CLASS RIGHT-WING? AND IS IT RIGHT-WING TO EVEN SPEAK OF A "WHITE WORKING CLASS"? In recent decades, as class consciousness has been suppressed and eroded, many white working-class men have turned their backs on the left in favour of the right and the far-right. Why is this? A Small Man's England is a polemic aimed at the structures of hierarchy that ceaselessly maintain power across Britain and elsewhere, and a call for multicultural solidarity amongst the working class. In analysing the roles that class, race, masculinity and nationality play in neoliberal Britain, Sissons offers a solution to the indoctrination of white working-class English men by the right and the far-right, and explores how working-class people can collectively shape a "Common England" -- a country based on equality and justice for all.
As a failing journalist cares for his alcoholic grandfather, remnants of the elderly man’s long-buried stories resurface and drive him to an obsessional search for truth. “The land of men is an untouched one. It is the companionship of quiet. It is so many darkened boats, heading their own way, in the night.” Leeds, 2017. Disaffected journalist Fred Whitby and his mother visit Grandad Norman following the death of his callous second wife, Brenda. Norman has relapsed into alcoholism. Brenda’s daughter and her husband have invaded the house. Whilst writing a diary in attempt to revive his creativity, Fred finds himself cast adrift in his family history, trying frantically to piece together the fragmented memories, half-truths, secrets and mythologies that lie therein. Disappearances. Post-war protection rackets. An IRA bomb plot. Romantic rivalries. The kidnap of a traitorous miner. As spectres of the past meet with the looming presence of a post-truth future, Fred must navigate the illogical and unprovable stories of his grandfather and come to terms with the absence of irrecoverable voices in his quest for whatever truth and meaning remains.
As a failing journalist cares for his alcoholic grandfather, remnants of the elderly man’s long-buried stories resurface and drive him to an obsessional search for truth. “The land of men is an untouched one. It is the companionship of quiet. It is so many darkened boats, heading their own way, in the night.” Leeds, 2017. Disaffected journalist Fred Whitby and his mother visit Grandad Norman following the death of his callous second wife, Brenda. Norman has relapsed into alcoholism. Brenda’s daughter and her husband have invaded the house. Whilst writing a diary in attempt to revive his creativity, Fred finds himself cast adrift in his family history, trying frantically to piece together the fragmented memories, half-truths, secrets and mythologies that lie therein. Disappearances. Post-war protection rackets. An IRA bomb plot. Romantic rivalries. The kidnap of a traitorous miner. As spectres of the past meet with the looming presence of a post-truth future, Fred must navigate the illogical and unprovable stories of his grandfather and come to terms with the absence of irrecoverable voices in his quest for whatever truth and meaning remains.
An exploration of white working-class English men, showing how and why some have been captured by the far-right and what the left can do about it. IS THE WHITE WORKING CLASS RIGHT-WING? AND IS IT RIGHT-WING TO EVEN SPEAK OF A "WHITE WORKING CLASS"? In recent decades, as class consciousness has been suppressed and eroded, many white working-class men have turned their backs on the left in favour of the right and the far-right. Why is this? A Small Man's England is a polemic aimed at the structures of hierarchy that ceaselessly maintain power across Britain and elsewhere, and a call for multicultural solidarity amongst the working class. In analysing the roles that class, race, masculinity and nationality play in neoliberal Britain, Sissons offers a solution to the indoctrination of white working-class English men by the right and the far-right, and explores how working-class people can collectively shape a "Common England" -- a country based on equality and justice for all.
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