By using true tales of thieves, swindlers, and fraudsters at work, Financial Serial Killers illustrates how these perpetrators get their hooks into investors' wallets, savings accounts, and portfolios—and never let go. The worst financial crisis since the great depression revealed that thousands of mom and pop investors had lost millions to so-called Mini-Madoffs. They are the thieves and conmen who had used phony financial acumen to steal investors' money, wipe out savings, and damage lives. Financial Serial Killers reveals the cons—from the grand to picayune—advisers cultivate with their victims—relationships that are essential to the fraud. Take the story of Lillian, the little old lady who invested with Warren Buffett, one of the richest men in the world. After her husband died, she thought her family's treasure of $24 million in stock controlled by Buffett was safe. It was—until a family relative introduced the eighty-nine-year-old grandmother to a pair of unscrupulous insurance agents who convinced her to reinvest her savings in life insurance—decimating her nest egg while padding the agents' pockets. Lillian's story, as well as other accounts of deceit and fraud, is the core of Financial Serial Killers. Readers will learn how to better protect their family's wealth and savings after reading this book.
Meet Jack and his talking chicken Betsy, Red, Rapunzel, Hansel and Gretel, and a host of other Little Legends as they have fantastic new adventures! Get to know your favorite fairytale characters like never before in this magical new book series. A cutting has been stolen from the magical Story Tree, and it's up to twins Hansel and Gretel to get it back. With the help of their new friend Wolfie, they find a secret fortress in the forest and a Magic Looking Glass that promises to help them. But things are not always what they seem! Can Wolfie and the twins save the day, or will the Magic Look Glass have the last laugh? Other books in the Little Legends series: The Spell Thief The Great Troll Rescue The Genie's Curse
9/12 is the saga of the epic nine-year legal battle waged by William H. Groner against the City of New York and its contractors on behalf of the more than ten thousand first responders who became ill as a result of working on the Ground Zero cleanup. These first responders—like AT&T Disaster Relief head Gary Acker and New York Police Department detectives Candiace Baker, Thomas Ryan, and Mindy Hersh—rushed to Ground Zero and remained to work on the rescue and recovery mission, which lasted for the next nine months. Their selfless bravery and humanity were rewarded with horrible health issues resulting from the toxic stew of chemicals present in the dust and debris that government officials such as Mayor Rudy Giuliani and EPA chief Christine Todd Whitman had assured them was safe. Groner, a lead attorney in the mass tort litigation, fought for their illnesses to be acknowledged and for them to receive validation and closure, as well as for compensation—an eventual aggregate award of more than $800 million. As detailed in 9/12, the battle for the Ground Zero responders was waged not only in the courtroom but also in the press, in medical and scientific research centers, and among politicians at the local, state, and federal levels, as well as in the halls of Congress to pass the Zadroga Health and Compensation Act. 9/12 weaves together Groner’s firsthand account with glimpses into the first responders’ lives as they try to understand and overcome their illnesses. The result is an intimate look into their battles—physical, mental, and legal—that will leave you cheering for these heroes who, in spite of everything, would do it all again. Told by Groner and journalist Tom Teicholz, 9/12 is the story of the brave public servants who showed up when their country needed them most, of their fight for redress, and of their victory in the face of the seemingly insurmountable.
This textbook will help you learn all the skills you need to pass all Vehicle Electrical and Electronic Systems courses and qualifications. As electrical and electronic systems become increasingly more complex and fundamental to the workings of modern vehicles, understanding these systems is essential for automotive technicians. For students new to the subject, this book will help to develop this knowledge, but will also assist experienced technicians in keeping up with recent technological advances. This new edition includes information on developments in pass-through technology, multiplexing, and engine control systems. In full colour and covering the latest course specifications, this is the guide that no student enrolled on an automotive maintenance and repair course should be without. Designed to make learning easier, this book contains: Photographs, flow charts, quick reference tables, overview descriptions and step-by-step instructions. Case studies to help you put the principles covered into a real-life context. Useful margin features throughout, including definitions, key facts and ‘safety first’ considerations.
Demystifying technology transfer—an increasingly important but little-understood aspect of research universities' mission. How do we transfer the brilliance of university research results into new products, services, and medicines to benefit society? University research is creating the technologies of tomorrow in the fields of medicine, engineering, information technology, robotics, and artificial intelligence. These early-stage technologies need investment from existing and new businesses to benefit society. But how do we connect university research outputs with business and investors? This process, Tom Hockaday explains, is what university technology transfer is all about: identifying, protecting, and marketing university research outputs in order to shift opportunities from the university into business. In this detailed introductory book—a comprehensive overview of and guide to the subject—Hockaday, an internationally recognized technology transfer expert, offers up his insider observations, opinions, and suggestions about university technology transfer. He also explains how to develop, strategically operate, and fund university technology transfer offices while behaving in accordance with the central mission of the university. Aimed at people who work in or with university technology transfer offices, as well as anyone who wants to learn the basics of what is involved, University Technology Transfer speaks to a global audience. Tackling a complex topic in clear language, the book reveals the impressive scale of patenting, licensing, and spin-out company creation while also demonstrating that university technology transfer is a commercial activity with benefits that go well beyond the opportunity to make money.
The inside story of the most audacious public health campaign of the twenty-first century. In 2002, a dynamic doctor named Thomas Frieden became health commissioner of New York City. With support from the new mayor, billionaire Michael Bloomberg, Frieden and his health department team prohibited smoking in bars, outlawed trans fats in restaurants, and attempted to cap the size of sodas, among other groundbreaking actions. The initiatives drew heated criticism, but they worked: by 2011, 450,000 people had quit smoking, childhood obesity rates were falling, and life expectancy was growing. Saving Gotham is the behind-the-scenes story of the most controversial—and successful—public health initiative of our time. Thomas A. Farley, MD, MPH, who succeeded Frieden as health commissioner, introduces a team of doctors who accepted the challenge of public health: to care for each of New York City’s eight million inhabitants as their own patients. The biggest threats they faced were not cholera or chemical toxins or lack of medical care but instead habits like smoking and unhealthy eating. As these doctors pressed to solve these problems, they found themselves battling those who encouraged those habits, and they reshaped their own agency for a different sort of fight. Farley shows what happens when science-driven doctors are given the political cover to make society-wide changes to protect people from today’s health risks—and how industries exploit legislatures, the courts, the media, and public opinion to undermine them. With Washington caught in partisan paralysis and New York City’s ideas spreading around the world, Saving Gotham demonstrates how government—local government—can protect its citizens and transform health for everyone.
The national bestseller now in paperback: the revealing personal memoir from Tom Perkins?renowned venture capitalist, Silicon Valley and biotechnology pioneer, and one of America?s most successful businessmen. Known for his idiosyncratic ideas and golden touch, Tom Perkins has always been one of the business world?s most intriguing figures. In this insightful memoir, Perkins recalls many fascinating episodes of his life, both personal and professional, including his involvement in the creation of American industries no one could have dreamed of not long ago.
Modern" philosophy in the West is said to have begun with Bacon and Descartes. Their methodological and metaphysical writings, in conjunction with the discoveries that marked the seventeenth-century scientific revolution, are supposed to have interred both Aristotelian and scholastic science and the philosophy that supported it. But did the new or "modern" philosophy effect a complete break with what preceded it? Were Bacon and Descartes untainted by scholastic influences? The theme of this book is that the new and traditional philosophies have much more in common than the orthodox account suggests. The contributors consider not only modernity in metaphysics and the sciences but also the claims of Machiavelli, Hobbes, and Spinoza to have invented "modern" ethics and politics. These two aspects of "modernity" in philosophy are connected for the first time. The book offers a broad view of the early modern philosophers, covering not only the much-studied major figures but also relatively neglected writers: Mersenne, Gassendi, White, and Sergeant.
The Fun House by Tom Bissinger is a rollicking tale of coming of age in the sixties and seventies. Based on the childhood thrills he experiences at the fun house at Playland in San Francisco, Tom comes to understand that making fun houses and exploring those of others would become the defining quest of his life. He's brought up in privilege, and like his father who had at one time performed on Broadway, Tom's drawn to the theater. After boarding school and his immersion into a repertory theater company while attending Stanford, he lives in Paris then enlists in the army then moves to New York, and we are at the birth of the sixties, erupting like a bombshell, and Tom is there to celebrate and be open to the Golden Age of New York theater while simultaneously weaving the momentous events of that era into his story: assassinations, civil rights marches, and the Vietnam War. Sexual experimentation and drugs follow Tom as he ricochets through love affairs, directs plays, and marches in Selma. He moves to Philadelphia in 1969 to become the artistic director of the Theatre of Living Arts. In 1970, Tom abandons the legitimate theater and reinvents himself on Philly's South Street. Tom paints emotionally vivid portraits of neighborhood characters who hang out in Tom's new fun house: eccentric old-timers, newly minted hippies, artists, dopers, and a murderer. In 1977, Tom, his wife, Kristen, and their two-year-old travel for nine months as nomads: they live with Samoan families, spend two months on a fifty-foot trimaran in Fiji, live at Papunya Aborigine settlement in Australia, fall into a drug smuggler's den in Bali, and end up in an ashram in Sri Lanka before returning home as the book ends.
This book provides a comprehensive summary of the latest academic research on the important topic of too-big-to-fail (TBTF) in banking. It explains TBTF from various perspectives including the range of regulatory measures proposed to counter TBTF, most notably the globally accepted regulation of global-systemically important banks (G-SIBs) and its main tool of capital surcharges. The empirical analysis quantifies the shareholder value of the G-SIB attribution by using quarterly observations from more than 750 global banks between Q2 2008 and Q3 2015. The main finding is that G-SIBs are confronted with a substantial relative valuation discount compared to non-G-SIBs. From the end of 2011 until the end of 2015, a stable discount of 0.6x–0.8x price-to-tangible common equity (P/TCE) is statistically highly significant. The results suggest that the G-SIB designation effect, which positively impacts G-SIBs’ share prices because of funding benefits from IGGs, is dominated by the regulatory G-SIB burden effect, which negatively impacts G-SIBs’ share prices because of lower profitability due to capital surcharges and other regulatory requirements placed on G-SIBs. The findings re-open the debate about whether breaking up G-SIBs would unlock shareholder value and whether G-SIBs are regulated efficiently.
This book assists scholars in conducting studies about substance use. Organized around a translational science framework, this practical guide takes readers step-by-step through issues specific to substance use research in study design, participant recruitment and retention, measurement and analysis, and the processes involved in the implementation of evidence-informed innovations.
An exploration of moral stress, distress, and injuries inherent in modern society through the maps that pervade academic and public communications worlds. In Ethics in Everyday Places, ethicist and geographer Tom Koch considers what happens when, as he puts it, “you do everything right but know you've done something wrong." The resulting moral stress and injury, he argues, are pervasive in modern Western society. Koch makes his argument "from the ground up," from the perspective of average persons, and through a revealing series of maps in which issues of ethics and morality are embedded. The book begins with a general grounding in both moral stress and mapping as a means of investigation. The author then examines the ethical dilemmas of mapmakers and others in the popular media and the sciences, including graphic artists, journalists, researchers, and social scientists. Koch expands from the particular to the general, from mapmaker and journalist to the readers of maps and news. He explores the moral stress and injury in educational funding, poverty, and income inequality ("Why aren't we angry that one in eight fellow citizens lives in federally certified poverty?"), transportation modeling (seen in the iconic map of the London transit system and the hidden realities of exclusion), and U.S. graft organ transplantation. This uniquely interdisciplinary work rewrites our understanding of the nature of moral stress, distress and injury, and ethics in modern life. Written accessibly and engagingly, it transforms how we think of ethics—personal and professional—amid the often conflicting moral injunctions across modern society. Copublished with Esri Press
Richard Evans wrote In Defence of History at a time when the historian's profession was coming under heavy attack as a result of the ‘cultural turn’ taken by the discipline during the late 1980s and the 1990s. Historians were being forced to face up to postmodern thinking, which argued that, because all texts were the product of biased writers who had incomplete information, none could be privileged above others. In this reading, there could be no objective history, merely the study of the texts themselves. While In Defence of History addresses all aspects of historical method, its key focus is on an extensive evaluation of this postmodern thinking. Evans judges the acceptability of the reasoning advanced by the postmodernists – and finds it badly wanting. He is strongly critical both of the relevance and of the adequacy of their arguments, seeking to show that, ultimately, they are guilty of failing to accept the logic of their own position. All texts are equally valid, or invalid, they suggest – while insisting that the products of their own school are in fact more ‘true’ than those of their opponents. Evans concludes by pointing out that this same argument could be advanced to suggest that the works of Holocaust deniers are just as valid as are those of historians who accept that the Nazis set out to commit genocide. So why, he demands, is no postmodernist willing to say as much? A devastating example of the usefulness of relentless evaluation.
Dark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964). After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.
The Bible of Irish income tax ...", Irish Independent, 28 January 2018. This annual publication on Irish income tax is the long-established leading authority in the area. This tax essential, formerly known as Judge, is the leading income tax book for tax practitioners, accountants and tax lawyers. Indispensable in practice, it will help you to apply the relevant legislation with ease and precision. It provides a complete analysis of the principles and practice of income tax in the Republic of Ireland. It also provides an examination of recent key decisions by the courts both in Ireland and in the UK, as well as by the Tax Appeal Commissioners. This new edition is updated to Finance Act 2021.
This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics—Burke’s Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth’s Analysis of Beauty, and Kant’s Critique of Judgment—with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis.
As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywoods horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywoods golden age of horror.
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
In this definitive new account of the emergence of human rights activism in post-war Britain, Tom Buchanan shows how disparate individuals, organisations and causes gradually came to acquire a common identity as 'human rights activists'. This was a slow process whereby a coalition of activists, working on causes ranging from anti-fascism, anti-apartheid and decolonisation to civil liberties and the peace movement, began to come together under the banner of human rights. The launch of Amnesty International in 1961, and its landmark winning of the Nobel Peace Prize in 1977 provided a model and inspiration to many new activist movements in 'the field of human rights', and helped to affect major changes towards public and political attitudes towards human rights issues across the globe.
New York City Subways traces the history of mass transportation in Manhattan and New York City's outer boroughs. Public transportation has long been vital to the city, with horse-drawn surface lines established by 1831 and elevated railroad lines constructed during the 1870s and 1880s. The concept of subways, railroads operating underground, originated in London in 1863 and was applied to New York City by 1904. This collection of vintage postcards brings you through the tunnels of the subway, onto the platforms of the long-gone els, and examines New York's renowned terminals, especially Grand Central and Penn Station.
This text challenges existing writing on ‘Abd al-Qādir al-Jazā'irī which divides his life into two juxtaposed phases separated by narratives of conversion: from Francophobia to Francophilia, from militarism to pacifism, from activism to quietism, from Islamism to pluralism, from politics to religion. This work's interdisciplinary approach demonstrates that these narratives cannot be sustained in light of the evidence. Rather, they can be shown to originate in specific historical, cultural, and methodological tendencies within western societies and academies. Drawing on primary materials including archival documents and selections from his own writing, it constructively critiques his reception in the literature while advancing a continuous and contextualised account of his life and ideas. These include the relating of his ethico-religious and jurisprudential concerns to his political decision-making, and a resituating of his mystical writings within a definite moral, epistemological, and political context. By problematising these interpretive issues, this thesis aims at opening new avenues for understanding even as it offers its own solutions. In so doing, this study contributes to discussions on Sufism, political Islam, and east-west relations. This monograph has been awarded the annual BRAIS – De Gruyter Prize in the Study of Islam and the Muslim World.
This first volume of The History of Evil covers Graeco-Roman, Indian, Near Eastern, and Eastern philosophy and religion from 2000 BCE to 450 CE. This book charts the foundations of the history of evil among the major philosophical traditions and world religions, beginning with the oldest recorded traditions: the Vedas and Upaniṣads, Confucianism and Daoism, and Buddhism, and continuing through Graeco-Roman and Judaeo-Christian schools of thought. This cutting-edge treatment of the history of evil at its crucial and determinative inception will appeal to those with particular interests in the ancient period and early theories and ideas of evil and good, as well as those seeking an understanding of how later philosophical and religious developments were conditioned and shaped.
With the release of Adobe Creative Suite CS3, Dreamweaver is now part of the world's leading suite of creative tools, making it the de facto tool of choice for anyone designing for the Web. Adobe Dreamweaver CS3 for Windows and Macintosh: Visual QuickStart Guide uses a combination of task-based instruction and strong visuals to teach beginning and intermediate users how to create, design, and publish powerful, innovative Web sites with Dreamweaver. Leading technology authors Tom Negrino and Dori Smith take readers step-by-step through the new features in Adobe Dreamweaver CS3, with all new chapters on building dynamic pages with Ajax and Spry, and designing for mobile devices. They also cover improvements to using styles and CSS in Dreamweaver, and the new Browser Compatibility Check in Dreamweaver CS3. Beginning users will learn to create their first Web site, add text, style and position page content, manage styles, work with links, incorporate images, media, tables, forms, and frames, design site navigation, and so much more. Experienced users will find this a convenient reference to the new features of Dreamweaver CS3.
From a “remarkably gifted historian” (New York Times), the definitive account of the golden age of Rome -- an ultimate superpower at the pinnacle of its greatness The Pax Romana has long been shorthand for the empire’s golden age. Stretching from Caledonia to Arabia, Rome ruled over a quarter of the world’s population. It was the wealthiest and most formidable state in the history of humankind. Pax is a captivating narrative history of Rome at the height of its power. From the gilded capital to realms beyond the frontier, historian Tom Holland shows ancient Rome in all its glory: Nero’s downfall, the destruction of Jerusalem and Pompeii, the building of the Colosseum and Hadrian’s Wall, the conquests of Trajan. Vividly sketching the lives of Romans both ordinary and spectacular, from slaves to emperors, Holland shows that Roman peace was the fruit of unprecedented military violence. A stunning portrait of Rome’s glory days, this is the epic history of the Pax Romana.
With the release of Adobe Creative Suite CS4, Dreamweaver solidifies its role as the de facto tool of choice for anyone using Photoshop and designing for the Web. Adobe Dreamweaver CS4 for Windows and Macintosh: Visual QuickStart Guide uses a combination of task-based instruction and strong visuals to teach beginning and intermediate users how to create, design, and publish powerful, innovative Web sites with Dreamweaver. Leading technology authors Tom Negrino and Dori Smith take readers step-by-step through the new features in Adobe Dreamweaver CS4, with completely revised chapters on critical tools like linking and including images and Flash animations. They also cover improvements to using styles and CSS in Dreamweaver, and the new Code Navigator in Dreamweaver CS4. Beginning users will learn to create their first Web site, add text, style and position page content, manage styles, work with links, incorporate images, media, tables, forms, and frames, design site navigation, and so much more. Experienced users will find this a convenient reference to the new features of Dreamweaver CS4.
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