Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of Hooking Up's displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe's two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe's afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.
Tom Wolfe at his very best" (The New York Times Book Review), The Right Stuff is the basis for the 1983 Oscar Award-winning film of the same name and the 8-part Disney+ TV mini-series. From "America's nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. " Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.
One of the most celebrated bestsellers of the decade, here is Wolfe's wise and wickedly brilliant novel of lust, greed, Wall Street and the American way of life in the '80s.
The Bonfire of the Vanities defined an era--and established Tom Wolfe as our prime fictional chronicler of America at its most outrageous and alive. With A Man in Full, the time the setting is Atlanta, Georgia--a racially mixed late-century boomtown full of fresh wealth, avid speculators, and worldly-wise politicians. Big men. Big money. Big games. Big libidos. Big trouble. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta's grimmest slums--is accused of raping an Atlanta blueblood's daughter, the city's delicate racial balance is shattered overnight. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real-estate syndicates, cast-off first wives of the corporate elite, the racially charged politics of college sports--Wolfe shows us the disparate worlds of contemporary America with all the verve, wit, and insight that have made him our most phenomenal, most admired contemporary novelist. A Man in Full is a 1998 National Book Award Finalist for Fiction.
Tom Wolfe's The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers, his account of the wild games the poverty program encouraged minority groups to play.
A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.
America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).
When are the 1970s going to begin?" ran the joke during the Presidential campaign of 1976. With his own patented combination of serious journalism and dazzling comedy, Tom Wolfe met the question head-on in these rollicking essays in Mauve Gloves and Madmen, Clutter and Vine -- and even provided the 1970s with its name: "The Me Decade.
The maestro storyteller and reporter provocatively argues that what we think we know about speech and human evolution is wrong. Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey that is sure to arouse widespread debate. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech -- not evolution -- is responsible for humanity's complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.
A sprawling collection of essays about the subcultures of the 1960s by Tom Wolfe, the revolutionary journalist and novelist When Tom Wolfe smashed his way onto the literary scene in 1965 with The Kandy-Kolored Tangerine-Flake Streamline Baby, he transformed reporting in American popular culture. For his next project, Wolfe traveled from La Jolla to London in search of new lifestyles. The result is The Pump House Gang (published simultaneously with The Electric Kool-Aid Acid Test in 1968): a collection of essays that chronicles life at the end of the 1960s, written with all the panache and perceptiveness that made Wolfe one of our greatest American journalists. Running throughout The Pump House Gang is a central theme of Wolfe’s writing: status. In pieces about Hugh Hefner, Natalie Wood, and a gang of affluent teenage surfers, among others, Wolfe discusses the 1960s phenomenon of retreating from conventional social hierarchies, which he calls “starting your own league.” Dancers, motorcyclists, lumpen-dandies, and stay-at-homes—everybody’s doing it. Except for die-hards in the crumbling old social worlds of New York and London, where the confusion is so great that nobody can tell whether this is really the path to the top they’ve taken or just the service elevator. Dazzlingly brilliant as a stylist, daringly provocative as a commentator, and always entertaining, in The Pump House Gang, Wolfe is thoroughly, completely himself.
Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.
Taken separately, these mythic figures of the Wild Westthe cowboy, gambler, bartender, sheriff, and soiled doveoffer interesting challenges to the carver. Together they make an enchanting scene. Fully illustrated, step-by-step instructions from the blank to the painted figure.
Tom has been making signs and other flatcarvings for many years, bringing to them the same creativity and skill he brings to his three-dimensional work. The three projects include a potholder holder, the man in the moon, and a welcome sign. Step-by-step instructions, all illustrated in full color.
Tom Wolfe takes his creative talent to the National Game: Baseball. With easy to follow, step-by-step instructions. Tom helps the carver bring the classic ballplayer out of a block of wood. Each cut is illustrated with a full-color photograph, an important visual aid to learning this fun craft. These projects are exciting and challenging, but with Tom's guidance even the novice carver will find they have the ability to bring them to successful completion.
Tom Wolfe guides the carver step-by-step through the carving, painting, and finishing of an old-world Santa. The basic figure will challenge the beginning carver, and there are plenty of fascinating details included for the more advanced. As always, Tom provides advice and techniques throughout the process that are useful for any carving project. A colorful gallery features several old-world Santa designs.
Tom's premier work on carving Santa Claus, elves, gnomes, and wizards. These fanciful, delightful characters come to life at his hands. He shares skills and projects that are perfect for the beginning carver, the person who likes to whittle for fun and relaxation, or the experienced carver.
RADICAL CHIC is Tom Wolfe's hilarious dissection of the need among wealthy liberals in late '60s America to be seen to support the correct political causes - even if that meant giving champagne receptions for the feared Black Panther Party. MAU-MAUING THE FLAK CATCHERS takes a satirical look at how, during that period of cultural upheaval, minority groups from the ghettoes refined the art of intimidating the white bureaucracy. In these essays, Wolfe's supercharged yet consummately controlled prose transports the reader back to the heady days of hippie revolution and Black Power. THE PAINTED WORD is Wolfe's insightful, flamboyant and supremely readable survey of Modern Art. Taking in Picasso, Pollock and Warhol, he describes the tense relationship between bohemian artists and their wealthy patrons, and concludes that modern art is Theory - the paintings and sculptures themselves are mere illustrations of the text. 'Tome Wolfe is a journalist who always manages to combine an encylopedic store of inside knowledge with the obstinate detachment of a visitor from Mars, not ot mention a brilliant style and incisive wit' San Francisco Chronicle
The strange saga of American architecture in the 20th century makes for both comedy and intellectual excitement as Wolfe debunks the Euro gods of modern and postmodern architecture and their American counterparts.
Step-by-step instructions for carving an amusing golfing figure from wood, painting it, and displaying it. Full of original personality and a spark of wit, the design will delight all who encounter it. Other patterns make up a foursome, with a color gallery illustrating all.
House spirits can be found almost anywhere in the wood and timbers of the home. Tom Wolfe shows you how to coax them out of their hiding places with power tools. Five patterns are included. Tom provides step-by-step instructions with over 230 color photographs. These projects will challenge the beginner and will fascinate the more advanced power carver.
To help carvers with the challenge of carving the head and face, Tom carves busts, about 8 inches tall. One figure is carved step-by-step, with clear color photographs illustrating each technique. They carry the reader from laying the pattern on the blank to the final painting. Also included are patterns for 15 other figures and a full color gallery of 23 finished busts, each shown from four angles.
A Tom Wolfe book devoted to canes and walking sticks. Patterns for eleven figures are included with two of them carved step-by-step. The carver can follow the color photographs of each step, using the concise caption.
After the great success of Santa and His Friends, Tom Wolfe presents a group of traditional Santas that have been found in American Art, literature, and advertising since the 1860s and have a warm place in the imaginations of children and the memories of adults. With easy to follow, step-by-step instructions accompanied by full color photos, this is a great book for the beginning and intermediate carver.
Legend has it that the forest of the world are inhabited by elusive creatures known as "Wood Spirits". Tom Wolfe finds them everywhere and brings them to life in this delightful new instructional book. Using found wood such as driftwood, roots, and old beams from dilapidated barns, he leads the reader through the carving of wondrous, fanciful faces, that are both enchanting and beautiful. On a smaller scale, Tom also finds the Wood Spirits in walking sticks, creating treasures that are handsome and functional at the same time. Tom has been carving these Spirits for years, and they are constantly in demand. Now he leads the carver, step-by-step, through their creation, each step illustrated in beautiful colour photographs. An extensive gallery is included, jam-packed with examples and ideas for the reader's own work.
From a caricature Texas Troubadour Humidor to a simply elegant decoy humidor, Tom opens a new range of carving for both novice and experienced carvers. The results are useful objects that catch the eye and the imagination. An amply illustrated gallery and many patterns make this book a vital addition to your carving book collection.
These fanciful figures let the imagination run wild. You can make them friendly or sinister, young or old, comic or deadly serious. Tom gives patterns and step-by-step instructions illustrated in full color. The gallery has a coven of Wizards, in both full-figure and bust forms.
Santimals capture all the charm of the season in a delightful way. Tom takes the reader step-by-step through the carving of the raccoon Santimal, from the pattern to the painting. Each step is clearly illustrated with a full-color photograph and helpful description. Other Santimals include a goose, a hound dog, a duck, a pig, a mouse, a fox, and a bear.
These four-legged friends of man have been a favorite subject for carving since the earliest years. From hunting dogs to the family pet, dogs have a special place in the hearts of people and Tom Wolfe manages to capture their personality in his own creative, witty way. Easy to follow step-by-step instruction, with color illustrations.
Wolfe details his wild cross-country ride with Ken Kesey and the Merry Pranksters, offering a vivid portrayal of the hippy subculture in its own joyful, psychedelic, excessive, and terrifying colors.
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