My cartoons are my best appraisal of a situation presented in the funniest or most compelling way I can. Read my cartoons. What I have to say is in them."—Tom Toles It's been a decade since political cartoonist Tom Toles collected his panels in book form. He's had a busy decade and plenty of time to further sharpen both his wit, commentary, and pen. NOW Who Do We Blame? presents an editorial master at the top of his game, in all of his whimsical, sometimes scathing, and always insightful glory. Toles, editorial cartoonist for the Washington Post, includes his favorite frames from the past. His subjects include the 9/11 Commission, the 2004 presidential election, terrorism, the Middle East conflict, Yasser Arafat, Afghanistan, Iraq, and of course George W. Bush. The collection title, in fact, comes from a panel showing Bush at his desk, covered with miniatures of the GOP White House, GOP Senate, GOP House, and GOP Supreme Court. "Now who do we blame?" asks the puzzled Commander in Chief. Such is the humor, satire, and intelligence of one of the most accomplished and widely read political cartoonists working today. Toles, who draws himself as the artist working in the lower right corner of his panels, takes on every issue and every powerbroker that crosses the national screen.
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
What will the world be like between now and the next millennium? Pulitzer Prize-winning editorial cartoonist Tom Toles provides wry, irreverent, and penetrating answers to this question in this collection of witty and incisive cartoons. Black-and-white illustrations.
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
My cartoons are my best appraisal of a situation presented in the funniest or most compelling way I can. Read my cartoons. What I have to say is in them."—Tom Toles It's been a decade since political cartoonist Tom Toles collected his panels in book form. He's had a busy decade and plenty of time to further sharpen both his wit, commentary, and pen. NOW Who Do We Blame? presents an editorial master at the top of his game, in all of his whimsical, sometimes scathing, and always insightful glory. Toles, editorial cartoonist for the Washington Post, includes his favorite frames from the past. His subjects include the 9/11 Commission, the 2004 presidential election, terrorism, the Middle East conflict, Yasser Arafat, Afghanistan, Iraq, and of course George W. Bush. The collection title, in fact, comes from a panel showing Bush at his desk, covered with miniatures of the GOP White House, GOP Senate, GOP House, and GOP Supreme Court. "Now who do we blame?" asks the puzzled Commander in Chief. Such is the humor, satire, and intelligence of one of the most accomplished and widely read political cartoonists working today. Toles, who draws himself as the artist working in the lower right corner of his panels, takes on every issue and every powerbroker that crosses the national screen.
What will the world be like between now and the next millennium? Pulitzer Prize-winning editorial cartoonist Tom Toles provides wry, irreverent, and penetrating answers to this question in this collection of witty and incisive cartoons. Black-and-white illustrations.
The second edition of Environmental Oceanography is the first textbook to link the needs of the coastal oceanographer and the environmental practitioner. The ever-increasing human impact on the environment, and particularly on the coastal zone, has led governments to carefully examine the environmental implications of development proposals. This book provides the background needed to undertake coastal oceanographic investigations and sets them in context by incorporating case studies and sample problems based on the author's experience as an environmental consultant.
When the Tigers roar, only Ernie Harwell's smooth southern voice can be heard above the din. After 42 years as the Voice of the Detroit Tigers, Harwell will retire once the 2002 season ends. The only play-by-play broadcaster to cover games in seven decades, Harwell has seen (and has a story about) everyone from Babe Ruth to Ichiro Suzuki.
This massive showcasing of Tomorrow's greatest hits--unseen gems and obscurities, new material, and a color section--is the most definitive collection to date of one of the most popular cartoonists ever. Illustrations throughout. 32-page color insert.
(Screen World). Every significant U.S. and international film released from January 1 to December 31, 2002, along with complete filmographies: cast, characters, credits, production company, month released, rating and running time. Also included are biographical entires: an unmatched reference of over 2,250 living stars, including real name, school, place and date of birth.
Advances in technology and research have brought new installation products and tools to the market. Design elements have also seen a dramatic shift with the emergence of glass and stone, launching a new era of creativity. DIY handymen will welcome this completely revised and updated edition, which combines easy-to-follow installation techniques and the latest design ideas.
A TALE OF FORBIDDEN LOVE and VENGEFUL MURDER. What could make a man return to a hometown where he had suffered so much boyhood disappointment and unfair treatment? When Highway Patrol sergeant Dave Glosson sees one gruesome fatal accident too many, he decides to return to that boyhood home to face down the ghosts of his past and start over. The last thing he expects is to find there, while rebuilding a life of calm, bachelor contentment is the love of his life. Erin Winstead a young woman of incredible beauty, roams the town like a wild and canny animal, fleecing tourists, begging food, and eliciting reactions from the townspeople ranging from pity, amusement, tolerance, and sometimes disgust. She is the town's joke; an oddity they simply ignore, mostly looking the other way. But is Erin at worst insane or at best severely retarded. In time, Dave discovers she is neither. Can she be rehabilitated and lead a normal life? Will Dave's love for Erin lead to romance, marriage, and consummate happiness, or facing execution on death row- or both? and VENGEFUL MURDER
Tom Cohen's radical exploration of Hitchcock's cinema departs from conventional approaches-psychoanalytic, feminist, political-to emphasize the dense web of signatures and markings inscribed on and around his films. Aligning Hitchcock's agenda with the philosophical and aesthetic writings of Nietzsche, Derrida, and Benjamin, Cohen's project dramatically recasts the history and meaning of cinema itself.This first volume of Hitchcock's Cryptonymies provides a singularly close reading of films such as The Lady Vanishes, Spellbound, and North by Northwest, exposing the often imperceptible visual and aural puns, graphic elements, and cryptograms that traverse his entire body of work. Within Hitchcock's cinema, Cohen argues, these "secret agents" have more than just decorative or symbolic significance; they also reflect, critique, and disrupt traditional cinematic practice, undermining ways of seeing inherited from the Enlightenment and prefiguring postmodern culture. From the recurrence of the eye motif and the frequency of names beginning with "Mar" to the role of memory and the director's trademark cameos, Cohen offers an unprecedented guide to the entirety of Hitchcock's labyrinthine signature system. At the same time, he liberates Hitchcock's works from film history (modernist, auteurist), revealing them as unsettled events in the archaeology of contemporary global image culture. Tom Cohen is professor of American literary, critical, and cinematic studies at the University at Albany. He is the author of Anti-Mimesis: From Plato to Hitchcock and Ideology and Inscription: "Cultural Studies" after Benjamin, and coeditor of Material Events (Minnesota, 2000)." -- Publisher.
Director of over 150 films from 1912 to 1964, Raoul Walsh was a core figure in Hollywood from its beginnings to the end of the studio system. Perhaps best known for such films as The Big Trail (starring John Wayne in his first leading role), High Sierra, and White Heat, Walsh cut his teeth under D. W. Griffith, and, like his contemporary John Ford, found a style and signature in his silent cinema and early talkies. Through close analysis of seven of his films, six shot between 1915 and 1933 and one a remake from 1956, and stressing the visual character of their settings and situations, Tom Conley examines how composition and montage—or action—often overtake the crisp narratives these films convey. Rife with contradiction, they ask us to see what makes them possible and how they contend with prevailing codes. Films discussed include Regeneration (1915); Sadie Thompson (1928) and a likely avatar, The Revolt of Mamie Stover (1956); The Cock-Eyed World (1929); The Big Trail (1930); Me and My Gal (1932); and The Bowery (1933).
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Every significant U.S. and international film released from January 1 to December 31, 2002, along with complete filmographies: cast, characters, credits, production company, month released, rating and running time. Also included are biographical entires: an unmatched reference of over 2,250 living stars, including real name, school, place and date of birth.
When a teenaged girl dies in his emergency room for no apparent reason, San Francisco physician Dr. Gabe Austin investigates and learns that a megacorporation's newest anti-viral medication may have fatal side effects.
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