Baseball analysts often criticize pitcher win-loss records as a poor measure of pitcher performance, as wins are the product of team performance. Fans criticize WAR (Wins Above Replacement) because it takes in theoretical rather than actual wins. Player won-lost records bridge the gap between these two schools of thought, giving credit to all players for what they do--without credit or blame for teammates' performance--and measuring contributions to actual team wins and losses. The result is a statistic of player value that quantifies all aspects of individual performance, allowing for robust comparisons between players across different positions and different seasons. Using play-by-play data, this book examines players' won-lost records in Major League Baseball from 1930 through 2015.
The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchard?s introduction gives a detailed overview of the book?s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.
There is a fifth dimension beyond that which is known to man. You should all know that by now. This is a dimension which began, on national television, with Rod Serling’s The Twilight Zone. Here, Michigan horror writer Tom Sawyer (White Out) presents to you even further provocative and eerie tales as a follow-up to his first two collections in his series In Rod We Trust. Follow Mr. Sawyer, if you dare, into this dimension of imagination that knows no concepts of time or boundaries and beyond mystery and normal understanding or perception. Black Bed Sheet Books proudly presents In Rod We Trust Again.
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