In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.
In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
How unwanted dogs are rescued and then trained as service dogs to help people with disabilities. WINNER--2016 Midwest Book Award. All proceeds will go to the 501(c)(3) charity, Pawsitivity Service Dogs. "Simply astonishing in its volume, information, approach-ability, readability, transparency, experienced voice, helpfulness/usefulness and honesty. It's inspirational, as well as competent, realistic, transparent, practical'. Its tone is forthright but kind."--Dr. Beth Rausch, DVM, University of Wisconsin, River Falls "Our service dog is better than any medication. She has not just helped my daughter but the whole family. Millie is the best, most loving and loyal companion for my daughter. Tom and Julie of Pawsitivity are the kind of people that really care and just keep giving. I can not say thank you enough."--James Artisensi, father of a child with a Pawsitivity service dog
Hannah wa s hom e and back in the shop. Her sister Ruth was now engaged to be married to Daniel Crossan, She was supposed to be sharing a flat with a girlfriend but she was sharung the flat with Daniel. In reality they were living together. What her father would have made of her living in sin was beyond anyone s imagination. Sometimes she took Daniel home for Sunday lunch and on other Sundays she took another teacher namedTeresa her supposed flatmate to the Garton homestead just to have her parents believe that Teresa shared the flat. Daniel worked in The Northern Bank and he would get very favourable mortgage terms and they were saving for a deposit. David Robinson would no doubt help them in this but as Hannah was slowly discovering there was no great fortune from Garton. to share out. She was able to read the accounts now. They made depressing reading.
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