There are many miles from the business school and basketball court at the University of Southern California to 50 million viewers for the final episode of a TV show called Magnum P.I. Tom Selleck has lived every one of those miles in his own iconoclastic and joyful way. Frank, funny and open-hearted, You Never Know is an intimate memoir from one of the most beloved actors of our time, the highly personal story of a remarkable life and thoroughly accidental career. In his own voice and uniquely unpretentious style, the famed actor brings readers on his uncharted but serendipitous journey to the top in Hollywood, his temptations and distractions, his misfires and mistakes and, over time, his well-earned success. Along the way, he clears up an armload of misconceptions and shares dozens of never-told stories from all corners of his personal and professional life. His rambunctious California childhood. His clueless arrival as a good-looking college jock in Hollywood (from the Dating Game to the Fox New Talent Program to co-starring with Mae West and escorting her to black-tie social functions). What it was like to emerge as a mega-star in his mid-thirties and remain so for decades to come, an actor whose authenticity and ease in front of the camera connected with audiences worldwide while embodying and also redefining the clichés of onscreen manhood. In You Never Know, Selleck recounts his personal friendships with a vivid army of A-listers, everyone from Frank Sinatra to Carol Burnett to Sam Elliott, paying special tribute to his mentor James Garner of The Rockford Files, who believed, like Selleck, that TV protagonists are far more interesting when they have rough edges. He also more than tips his hat to the American western and the scruffy band of actors, directors and other ruffians who helped define that classic genre, where Selleck has repeatedly found a happy home. Magnum fans will be fascinated to learn how Selleck put his career on the line to make Thomas Magnum a more imperfect hero and explains why he walked away from a show that could easily have gone on for years longer. Hollywood is never easy, even for stars who make it look that way. In You Never Know, Selleck explains how he’s struggled to balance his personal and professional lives, frequently adjusting his career to protect his family’s privacy and normalcy. His journey offers a truly fresh perspective on a changing industry and a changing world. Beneath all the charm and talent and self-deprecating humor, Selleck’s memoir reveals an American icon who has reached remarkable heights by always insisting on being himself.
Love and betrayal take center stage as Jane Sweet becomes entangled with the kooky men in her life on the day of her mother's funeral. Jane's father, her three ex-husbands, Buddha, Blade and Salty, join Jane's current lover, Dick, and Ben Kola, successful Cape Scrod business man, America's Cup skipper and creep who forced himself on Jane when she was seventeen. Jane's long day is a minefield of bittersweet confrontations with her men and their eccentricities that is made even more compelling by the unexpected discovery of Ben Kola's body skewered to a tree by the shaft of a broken golf club. Redeeming and frightening, Kola's apparent murder propels Jane on a quest for the killer that reveals the meaning of truth and the lingering loyalties that exist among the eccentric Cape Scrod ghosts from her past.
This is the companion volume to the Eadweard Muybridge exhibition opening at Stanford, and is the first showing of the pioneering artist's work in 30 years. 195 halftones.
There is a fifth dimension beyond that which is known to man. This is a dimension of imagination. In the case of these stories, it is where author Tom Sawyer’s imagination takes flight. Mr. Sawyer, as a popular Michigan horror fiction author of many delights ( From Paradise to Hell, Dark Harbors), pays an ultimate tribute to Rod Serling’s own imagination, which influenced viewers around the world since its inception decades ago with The Twilight Zone TV series. Here, Sawyer continues the tradition seamlessly on these pages. So sit back, relax, and cross over into the sight and sound and of mind which is.....The Twilight Zone.
There is a fifth dimension beyond that which is known to man. You should all know that by now. This is a dimension which began, on national television, with Rod Serling’s The Twilight Zone. Here, Michigan horror writer Tom Sawyer (White Out) presents to you even further provocative and eerie tales as a follow-up to his first two collections in his series In Rod We Trust. Follow Mr. Sawyer, if you dare, into this dimension of imagination that knows no concepts of time or boundaries and beyond mystery and normal understanding or perception. Black Bed Sheet Books proudly presents In Rod We Trust Again.
There is a fifth dimension beyond that which is known to man. This is a dimension of imagination. In the case of these stories, it is THE 2nd TIME where author Tom Sawyer’s imagination takes flight in an explosive follow-up to IN ROD WE TRUST, a collection of stories uniquely inspired by Rod Serling's THE TWILIGHT ZONE television series. Mr. Sawyer, as a celebrated Michigan horror and science fiction fiction author over many years past, presents to you further thrilling tales that will not only entertain, enchant, and leave you mesmerized, but guaranteed to completely pull you in and freak you out....which is exactly what fervent fans of Serling's The Twilight Zone fully expect!
There is a fifth dimension beyond that which is known to man. Who isn’t familiar with that phrase and concept? The third eye, what exists beyond or beneath our own daily earthly experience, Heaven, Hell, worlds beyond sight and sound, concepts beyond normal human experience. Michigan horror writer Tom Sawyer (White Out, Dark Harbors) presents his fourth collection inspired by Rod Serling’s The Twilight Zone television series and every thrilling tale in this collection portrays many captivating characters from many time periods told in the unique and original way only the author can convey, and we are certain Rod himself would be proud. Black Bed Sheet Books proudly presents In Rod We Trust Some More.
The son of famed director and screenwriter Joseph L. Mankiewicz, and nephew of Citizen Kane screenwriter Herman Mankiewicz, Tom Mankiewicz was genuine Hollywood royalty. This book is an autobiography of his life.
Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.
Hollywood legend, Academy Award-winning actor, and recipient of the Golden Globe Award for lifetime achievement in film, Frank Sinatra carved out one of the biggest careers in the history of Hollywood, yet paradoxically his screen legacy has been overshadowed by his extraordinary achievements as a singer and recording artist. Until now. With the publication of Sinatra in Hollywood, an analytical yet deeply personal look at the screen legend of Frank Sinatra, Sinatra's standing as a significant, indeed legendary, screen actor has now been placed in full perspective. Examining each of Sinatra's seventy film appearances in depth, Tom Santopietro traces the arc of his astonishing six-decade run as a film actor, from his rise to stardom in "boy next door" musical films like Anchors Aweigh and On the Town, through his fall from grace with legendary flops like The Kissing Bandit, to the near-mythic comeback with his Oscar-winning performance in From Here to Eternity. Laced throughout with Sinatra's own observations on his film work, Sinatra in Hollywood deals head-on with his tumultuous marriages to Ava Gardner and Mia Farrow and directly addresses the rumors of Mob involvement in Sinatra's Hollywood career. Ranging from the specifics of his controversial acting nickname of One Take Charlie to the iconic Rat Pack film Ocean's Eleven, from the groundbreaking performance in The Manchurian Candidate to the moving and elegiac late-career roles as tough yet vulnerable detectives, the myths and personal foibles are stripped away, placing the focus squarely on the work. Oftentimes brilliant, occasionally off-kilter, but always compelling, Frank Sinatra, the film icon who registered as nothing less than emblematic of "The American Century," here receives his full due as the serious artist he was, the actor about whom director Billy Wilder emphatically stated, "Frank Sinatra is beyond talent.
The lack of serious study on how dangerous schools as institutions can be is a little surprising given that the matter was put squarely on the research agenda in persuasive fashion by Waller back in 1932. The lack of response to the possibilities opened up means that a vibrant research agenda still awaits construction. This book will stimulate debate on the matter from the historical perspective. It consists of fifteen chapters drawing on historical case studies from the United States, Canada, England, Ireland, Scotland, and Australia written by international scholars in the field. These chapters are helpfully grouped into three sections. The first section focuses on certain dangers to which pupils were exposed in the past and on certain dangerous practices which they promoted. The second section examines dangers to which teachers were exposed in the past along with dangerous practices which they themselves promoted. In the final and third section, the chapters explore the dangers to which teachers and students were exposed in the past at the university level. Throughout the book, the emphases range from dangers emanating from the institutions themselves and the patterns of relationships that developed in them, to what occurred due to particular ideologies and practices connected with sport, sex, religion, and science. Schools as Dangerous Places delivers a historical perspective of schools in a manner that is most unusual. This unique study helps us examine education through a very different lens.
(FAQ). Many science fiction movies from the last 40 years have blazed new vistas for viewers. They've reached further into the future, traveled longer into the past, soared deeper into the vastness of the cosmos, and probed more intently inside man's consciousness than any other period of film before. And audiences ate them up, taking four of the top ten spots in all-time ticket sales in America while earning more than $2 billion at the box office. Modern Sci-Fi Films FAQ takes a look at the genre's movies from the last 40 years, where the dreams of yesterday and today may become tomorrow's realities. This FAQ travels to a long time ago, in a galaxy far, far away... visits a theme park where DNA-created dinosaurs roam... watches as aliens come to Earth, hunting humans for sport... and much, much more. Filled with biographies, synopses, production stories, and images and illustrations many seldom seen in print the book focuses on films that give audiences two hours where they can forget about their troubles, sit back, crunch some popcorn, and visit worlds never before seen... worlds of robots, time travel, aliens, space exploration, and other far-out ideas.
Television past, as LP Hartley might have once said, is another country. And, in the early 1980s it certainly was a different beast. There were still only three channels to watch; the evening's programmes finished with the playing of the national anthem; and the biggest prize on TV was not Chris Tarrant's million pounds but a speedboat on Bullseye . . . But as Tom Bromley suggests in this funny and warming memoir, all that was about to change: The 1980s saw the end of the original golden era of television, and the beginnings of TV as we know it today. In 1982, Channel 4 became the first new terrestrial channel for almost twenty years and by the end of the decade, Rupert Murdoch's Sky Television was vying to become Britain's first multi-channel provider. The result of all this was that slowly but surely, British viewers had more choice than ever before and the cost of this choice was the erosion of television as a shared national event. And no-one felt this change more deeply than Tom Bromley. Television played a large part in Tom's childhood. His first word was 'two', as in BBC Two, and his earliest childhood memory is seeing Johnny Ball at a church fete. With great humour and affection, Tom Bromley tells the story of a childhood spent with his three siblings and that other all-important family member; the television set.
A young gay man comes of age amid the AIDs epidemic of “an expertly drawn, starkly authentic, early-1980s Manhattan” in this novel by the acclaimed author (Publishers Weekly). Shy, afflicted with a stutter, and struggling with his sexuality, Will Parker comes to New York to escape his provincial western hometown. In New York, he finds himself surrounded for the first time by people who understand and celebrate his quirks and flaws. He also begins an unforgettable love affair with a volatile, six-foot-five African American drag queen and performance artist named Rose. But even as he is falling in love with Rose and growing into himself, Will must watch as AIDS escalates from a rumor into a devastating tragedy. When a vicious riot erupts in a local park, Will seizes the chance to repay the city for all it has taught him. Tom Spanbauer is the critically acclaimed author of The Man Who Fell in Love with the Moon and founder of the successful workshop Dangerous Writing, where he’s taught students including Chuck Palahniuk. With In the City of Shy Hunters, he offers a “rich and colorful” historical novel told with “raw power” (San Francisco Chronicle). “Spanbauer’s genius resides even in the asides . . . teas[ing] out the genuine complexity of human love.” —The Washington Post Book World “Ambitious and compelling . . . a mixture of the ghastly, the hilarious, and the curiously touching.” —The Seattle Times “In the City of Shy Hunters has the earmarks of a literary landmark . . . Its importance and originality are unmistakable.” —The Baltimore Sun “A big ambitious stylefest of a novel.” —Village Voice
This is a key text for any student embarking on a qualitative research project, it provides worked examples and valuable models which can be used as guides for plans and proposals, answering key questions and providing a comprehensive guide to a student’s project. It shows that when planning a qualitative research proposal, researchers should adopt an approach where they ask themselves the following four questions: What research paradigm informs my approach to my research area? What theoretical perspective do I choose within the paradigm? What methodology do I choose? What methods are most appropriate? Including examples of the write-up of two central types of research projects: studies on participants’ ‘perspectives’ on phenomena and studies on how participants manage or ‘cope with’ phenomena, the book outlines five research proposals to illustrate ways in which these two central ‘types’ can be varied and applied when engaging in five other types of studies, namely, policy studies, life history studies, retrospective interactionist longitudinal studies and interactionist historical studies, and ‘problem-focused’ studies.
No work has ever been produced previously that shows how historically geography has been constructed as a subject for the senior years of secondary schooling in Western Australia from 1917 to 1997. In doing so, this book contributes to the existing corpus of international research on the history of curriculum and particularly the history of geography as a senior secondary school subject. Much of it is based on primary sources, including the textbooks and atlases used, along with syllabus manuals and geography examination papers. It also provides a framework for investigating the construction of senior secondary school geography curricula in other constituencies, and could act as a model for engaging in further research in curriculum history for other school subjects state-wide, nationally and internationally. The book also makes an important contribution to the fields of curriculum design, curriculum development and curriculum innovation. It will be of great interest to historians of education, comparative educationists, education leaders, policy makers and librarians.
In the newly unified Germany, old horrors are reborn. It is the beginning of Chaos Days, a time when Neo-Nazi groups gather to spread violence and resurrect bad dreams. But this year, Germany isn't the only target. Plans are afoot to destabilize Europe and cause turmoil throughout the United States. Paul Hood and his team, already in Germany to buy technology for the new Regional Op-Center, become entangled in the crisis. They uncover a shocking force behind the chaos -- a group that uses cutting-edge technology to promote hate and influence world events.
A favorite of film followers for 50 years James Bond is the hero loved by everyone: Men want to be just like him women just want to be with him. Moviegoers around the world have spent more than $5 billion to watch his adventures across the last five decades. What's not to enjoy about such a glorious multitude of gadgets gals grand locations and grandiose schemes hatched by master villains and megalomaniacs? Now ÊJames Bond FAQÊ is a book that takes on the iconic cinema franchise that's lasted for so many years. Sometimes serious as SPECTRE sometimes quirkier than Q but always informative this FAQ takes the reader behind-the-scenes as well as in front of the silver screen. Everyone's included: Connery Lazenby Moore Dalton Brosnan and Craig; little-known facts about TV's first shot at 007 the same Bond story that was made into two different films; whatever happened to those wonderful cars and gizmos that thrilled everyone; plus much more. It's a book for the casual as well as hardcore James Bond fan. ÊJames Bond FAQÊ is filled with biographies synopses production stories and images and illustrations seldom seen in print leaving little else to be said about the world's favorite secret agent. This book includes a foreword by Eunice Gayson.
This book examines the radical reform that occurred during the final two decades of British rule in Ireland when William Starkie (1860–1920) presided as Resident Commissioner for the Board. Following the lead of industrialized nations, Irish members of parliament sought to encourage the establishment of a state-funded school system during the early nineteenth century. The year 1831 saw the creation of the Irish National School System. Central to its workings was the National Board of Education which had the responsibility for distributing government funds to aid in the building of schools, the payment of inspectors and teachers, the publication of textbooks, and the cost of teacher training. In the midst of radical political and cultural change within Ireland, visionaries and leaders like Starkie filled an indispensable role in Irish education. They oversaw the introduction of a radical child-centered primary school curriculum, often referred to as the ‘new education’. Filling a gap in Irish history, this book provides a much needed overview of the changes that occurred in primary education during the 22 years leading up to Ireland’s independence.
Innovation is a striking and polemical feature of contemporary schooling. The 1960s saw an upsurge of interest in progressive educational theories and debate and the benefits and disadvantages of their practical application, which continued after. But what was the reality behind the words? How far had teachers actually supported or adopted innov
Cabo, an action-adventure Christian mystery will keep you glued to its pages. Jeremy Long, a nonbeliever and an attorney suddenly finds a beautiful young Mexican woman climbing the swim ladder of his sailboat near Catalina Island wearing only her bikini. She brings with her a tearful claim that people may be trying to kill her, people on the yacht anchored about a hundred yards away. It has to do with a $100,000,000 real estate scam gone wrong. His first reaction is to throw her overboard, but she is so beautiful and so scared! Jeremy is hooked. He's got to know what it's all about.
Someone entered the California PCS office and gunned down 18-employees. Were they working alone? Did they know the victums? Can detective Bart Starcevich solve this gruesome multiple-murder case? "WITHOUT WARNING," a mistery novel by Tom McCrory, the award winning author of "Company Confidential.
A polish bear in World War II rose to the rank of colonel. Penguins can't taste fish. The ashes of the man who invented the Pringles container are buried in one one. On Neptune it rains diamonds. 'Hippopotomonstrosesquippedaliophobia' is the fear of long words. These are just 0.1% of all the facts in this incredible tome! Written by seven authors and covering subjects as diverse as The Universe, Art and Literature, The Natural World and Movies, The Colossal Book of Incredible Facts for Curious Minds is the ultimate trivia book! Why not amaze family and friends with the reasons pandas do handstands, the sinister source of the term 'rule of thumb', or that the patent for the fire hydrant was destroyed... in a fire. Every entry is weird, wonderful, inspiring and quite brilliantly, true!
Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.
Four young people graduate from one of America’s finest universities NYU. They have been more than friends during their freshman years but for the class 2008 graduation brings the shock of reality as they face the real world. The NYU graduates decide to go their different ways unaware of the tragedies that will befall them in their pursuit of wealth and fame in the real world of materialism and man’s inhumanity to man. Their families are from different walks of life, from excessive wealth to working class. We live in an insanely competitive and individualistic world . . . one that worships, money, possessions, perfection and celebrity that never let us take a step off the treadmill. This is a drama of insurmountable proportions where, tragedy, murder, betrayal, fraud and industrial espionage are all part of their tremulous journey in the real world and the reality that with every decision we make there is always a price!
The focus of this book is on the situation prevailing in the United States, England and Wales, Ireland, Australia and New Zealand from 1922 to 1965, whereby Catholic schools were used to maximise the possibility of recruiting new members to the religious oders and to minimise the temptation to leave the religious life amongst those who had already joined. Four major practices are examined in this regard. First, Catholic schools deliberately set out to encourage pupils to join the ranks of the religious. Secondly, they replicated within the schools the authoritarianism of the religious life. Thirdly, they worked continuously to marginalize lay teachers from their decision-making. Finally, they were ever vigilant in their opposition to co-education and sex education. The contribution of the religious orders to Catholic education is recognized, but consideration is also given to child abuse, both physical and sexual, in whhich members of various religious teaching orders engaged. The book closes with some consideration of current practices in Catholic education. -- book cover.
A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
Professor Margaret Archer is a leading critical realist and major contemporary social theorist. This edited collection seeks to celebrate the scope and accomplishments of her work, distilling her theoretical and empirical contributions into four sections which capture the essence and trajectory of her research over almost four decades. Long fascinated with the problem of structure and agency, Archer’s work has constituted a decade-long engagement with this perennial issue of social thought. However, in spite of the deep interconnections that unify her body of work, it is rarely treated as a coherent whole. This is doubtless in part due to the unforgiving rigour of her arguments and prose, but also a byproduct of sociology’s ongoing compartmentalisation. This edited collection seeks to address this relative neglect by collating a selection of papers, spanning Archer’s career, which collectively elucidate both the development of her thought and the value that can be found in it as a systematic whole. This book illustrates the empirical origins of her social ontology in her early work on the sociology of education, as well as foregrounding the diverse range of influences that have conditioned her intellectual trajectory: the systems theory of Walter Buckley, the neo-Weberian analysis of Lockwood, the critical realist philosophy of Roy Bhaskar and, more recently, her engagement with American pragmatism and the Italian school of relational sociology. What emerges is a series of important contributions to our understanding of the relationship between structure, culture and agency. Acting to introduce and guide readers through these contributions, this book carries the potential to inform exciting and innovative sociological research.
Don’t restrict your creative property to one media channel. Make the essential leap to transmedia! From film to television to games and beyond, Storytelling Across Worlds gives you the tools to weave a narrative universe across multiple platforms and meet the insatiable demand of today’s audience for its favorite creative property. This, the first primer in the field for both producers and writers, teaches you how to: * Employ film, television, games, novels, comics, and the web to build rich and immersive transmedia narratives * Create writing and production bibles for transmedia property * Monetize your stories across separate media channels * Manage transmedia brands, marketing, and rights * Work effectively with writers and producers in different areas of production * Engage audiences with transmedia storytelling Up-to-date examples of current transmedia and cross-media properties accompany each chapter and highlight this hot but sure-to-be enduring topic in modern media.
Love and betrayal take center stage as Jane Sweet becomes entangled with the kooky men in her life on the day of her mother's funeral. Jane's father, her three ex-husbands, Buddha, Blade and Salty, join Jane's current lover, Dick, and Ben Kola, successful Cape Scrod business man, America's Cup skipper and creep who forced himself on Jane when she was seventeen. Jane's long day is a minefield of bittersweet confrontations with her men and their eccentricities that is made even more compelling by the unexpected discovery of Ben Kola's body skewered to a tree by the shaft of a broken golf club. Redeeming and frightening, Kola's apparent murder propels Jane on a quest for the killer that reveals the meaning of truth and the lingering loyalties that exist among the eccentric Cape Scrod ghosts from her past.
Tom Kelly, the legendary signature voice of USC sports for nearly five decades, combines with coauthor Tom Hoffarth of the Daily News of Los Angeles to take Trojan fans on a journey of memories and previously untold anecdotes from and about many of the great coaches, players, teams, and games in USC football history, as well as other sports. His story in Southern California starts with the recommendation of Jack Buck that he be hired as Chick Hearn’s color man on USC football and basketball games in 1961. During Kelly’s forty-plus year run, the Trojans boasted five Heisman Trophy winners, won five national championships, and played in 14 Rose Bowls and 24 overall bowl games. Kelly, who won five Golden Mike Awards and was named California’s Sportscaster of the Year three times, was inducted into USC’s Hall of Fame. His stories and anecdotes will become a must-read for all Trojan fans.
In 2003, an independent film called The room ... made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head,' the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The room is an international cult phenomenon ... In [this book], actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans ... as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made?"--
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