Tom Perkins has a life. One that's safe, straight forward and predictable - until he decides to attend a school reunion in a London pub. Soon Tom's pleasant but dull bachelor universe is turned upside down as he becomes embroiled in a world of intrigue, globetrotting and exploding chickens. Drawn to the vivacious yet unfathomable Jo Richards, and forced to rub shoulders with arms-dealing diamond traders, murderous double agents and the higher echelons of the Civil Service, Tom is out of his depth. In fact, the only thing that stands between him and certain death is a crazed aunt who keeps an arms cache where her vacuum cleaner should be.
Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.
Have you ever dreamed of playing on an all-star baseball team? Ten-year-old Matthew did, and he made it. Believe is an inspirational story about a boy’s dreams and what he did to make them real. It is about his journey, the friends he made along the way, and how he touched their lives. Flip the pages and see how Matthew teaches you how important it is to never give up. Sometimes when things seem impossible, all you have to do is believe. You never know, that word could be magic.
Fully updated to include Ireland's historic victory over the All Blacks and their 2018 Six Nations Grand Slam. From Jack Kyle's immortals to Brian O'Driscoll's golden generation, this is the story of Irish rugby told in the players' words. Celebrated rugby writer Tom English embarks on a pilgrimage through the four provinces to reveal the fascinating and illuminating story of playing test rugby in the emerald green of Ireland - all the glory of victory, all the pain of defeat, and all the craic behind the scenes.But this is more than just a nostalgic look back through the years, it is a searing portrait of the effects of politics and religion on Irish sport, a story of great schisms and volatile divisions, but also as story of the profound unity, passionate friendships and the bonds of a brotherhood. With exclusive new interview material with a host of Ireland rugby greats, No Borders unveils the compelling truth of what it means to play for Ireland at Lansdowne Road, Croke Park and around the world. This is the ultimate history of Irish rugby - told, definitively, by the men who have been there and done it.
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
A powerful and deeply personal exploration of mental health, and an indelible account of the legacy of familial illness and living with a fracturing mind Like many people, Tom Lee remembers the presence - somewhere out of sight, on the outskirts of town - of the local psychiatric hospital. It was a place that inspired jokes, rumours and dread, a place where the strange and deranged were kept away. But among those people were, at different times, Tom's own parents. Afterwards, those times were not much spoken about and before long the hospital closed, as part of the nationwide shutting down of psychiatric institutions. For many years, Tom believed that he had dodged the bullet of the mental illness that had marked the lives of his parents. But then, quite out of the blue, he has a crisis of his own and finds himself returning to the past for clues. The Bullet is an attempt to piece together and understand what happened to his parents and what happened to him. It is also a story about how we have tried and spectacularly failed to care for people suffering with mental illness, and about the terrifying fragility and unknowability of the human mind.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
An argument against the “lifeboat ethic” of contemporary bioethics that views medicine as a commodity rather than a tradition of care and caring. Bioethics emerged in the 1960s from a conviction that physicians and researchers needed the guidance of philosophers in handling the issues raised by technological advances in medicine. It blossomed as a response to the perceived doctor-knows-best paternalism of the traditional medical ethic and today plays a critical role in health policies and treatment decisions. Bioethics claimed to offer a set of generally applicable, universally accepted guidelines that would simplify complex situations. In Thieves of Virtue, Tom Koch contends that bioethics has failed to deliver on its promises. Instead, he argues, bioethics has promoted a view of medicine as a commodity whose delivery is predicated not on care but on economic efficiency. At the heart of bioethics, Koch writes, is a “lifeboat ethic” that assumes “scarcity” of medical resources is a natural condition rather than the result of prior economic, political, and social choices. The idea of natural scarcity requiring ethical triage signaled a shift in ethical emphasis from patient care and the physician's responsibility for it to neoliberal accountancies and the promotion of research as the preeminent good. The solution to the failure of bioethics is not a new set of simplistic principles. Koch points the way to a transformed medical ethics that is humanist, responsible, and defensible.
The notorious Nazi leader’s attempt to take war prisoners hostage at the end of WWII is revealed in this lively and expertly researched history. During the final weeks of the Second World War, Heinrich Himmler assembled the most famous and noteworthy SS prisoners be taken hostage. Himmler’s plan was to use these individuals as bargaining chips to save the Reich—or, failing that, himself. Known as the Prominenten, this group included European politicians and former heads of state, five British survivors of the ‘Great Escape,’ two MI5 agents, and Irish born POWs. This meticulously researched study sheds new light on how the British prisoners came to be integrated with a multinational group of VIPs in Dachau concentration camp, including German family groups of men, women and children; relatives of those implicated in plot to kill Hitler. The lively narrative describes kidnapping, escape attempts, interpersonal conflict, betrayal and comradeship. It also reveals intrigues and love affairs among the prisoners, culminating in their dramatic attempt to free themselves from the SS.
In 1922, when Howard Carter and Lord Carnarvon discovered the tomb of Tutankhamen, much of what was then known about mummies came from the writing of Greek historian Herodotus and from the paintings on the walls of Egyptian tombs. Even before 1922, the mummy had been the subject of fiction, with such writers as Bram Stoker and Sir Arthur Conan Doyle tackling the subject, and early films dating back to 1901. In this work, the authors present the religious, social and scientific aspects of mummies as well as an in-depth discussion of facts about them (largely Egyptian, but including other kinds of mummies). Then, how mummies are portrayed in fiction and in the movies is discussed. Stories and films in which the mummy is a focal character are listed.
Michael Fingleton was an Irish banking legend, the ultimate big money lender. He took Irish Nationwide Building Society from an obscure mortgage provider to a multi-billion euro property-lending casino, leaving the taxpayer to pick up the tab for €5.4 billion when the society eventually went bust. Fingleton earned over €2 million per year and built up a pension fund worth €27 million. But it was his loans to a small group of property developers and the way the society was mismanaged, under the nose of the Financial Regulator that cost Irish citizens so dearly. In Fingers, Tom Lyons and Richard Curran use previously unpublished material to blow open the failings of the society's internal systems and controls, its culture and the dominance of one man. They get inside the organisation and bring startling new revelations about how money was really lent out to a small group of developers, how INBS failed, and what the Financial Regulators knew. Fingers explores: - Fingleton's connections with politics, the media and the powerful - How the society wasn't just a lender but became a player, taking stakes and shares in the profits of the ventures it bankrolled - How Fingleton quaffed vintage wine in the finest restaurants, stayed in five-star hotels and put it all on the society's tab - How ordinary borrowers in arrears were treated ruthlessly, while the mega-rich walked away owing billions to us. Fingers goes to the heart of the state's failure to hold anybody to account for the Irish financial crash. It highlights the need for a proper banking inquiry to explain to the public what went wrong, how, and who is to blame.
Learn effective ways to assess and evaluate reference services in YOUR library Innovation and the constant evolution of technology continually spur academic librarians to find superior ways to deliver high quality reference service to students, faculty, and researchers. Reference Assessment and Evaluation offers librarians and administrators a plethora of fresh ideas and methods to effectively assess and evaluate reference service in any academic library. Leading experts share their own best practices in delivering digital reference, training staff and student workers, and providing instruction through case studies from academic libraries of all sizes. Because of fiscal pressures, the need to attract the best and brightest students and faculty to the academy, and increased competition from Internet search engines, the evaluation and assessment of reference service remains one of the most important challenges for academic libraries. Reference Assessment and Evaluation provides practical tips and clear examples on assessing and evaluating several diverse aspects of reference services. This book discusses in detail case studies from various colleges and universities on wide-ranging issues such as virtual reference evaluation, merging reference desks, peer evaluations, library instruction, and staff development. Academic libraries of all types will find opportunities to modify these innovative ideas to remain at the forefront of reference service. Topics in Reference Assessment and Evaluation include: a case study of the library at the University of Colorado at Boulder’s efforts to implement a drop-in research consultation program for students enrolled in the introductory writing course coordination of an annual professional development program for specialized instruction targeted at faculty and staff members at Colorado State University peer observation between the reference staff members of Augustana College Library and St. Ambrose University Library the merging of San Jose State University’s government publication desk with the reference services desk—along with the public library’s reference desk Valparaiso University’s main library’s training and use of student assistants analyzing user and librarian satisfaction within virtual reference transactions evaluation of the University of South Alabama’s Baugh Biomedical Library’s chat reference service evaluation of the University of Texas at Arlington’s virtual reference service library technology’s impact on reference desk statistics statistical analysis of reference desk data for staffing needs at the University of Tennessee at Chattanooga Reference Assessment and Evaluation is timely, important reading for academic references librarians and supervisors.
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Since moving west over a decade ago, Tom Groneberg has worked with horses as a trail guide, as a ranch hand, and as the manager of his own ranch in Montana, but he has never owned a really good horse. Until, on an autumn night, in a warm barn under a blanket of snow, Blue is born. Soon, he will belong to Tom Groneberg. "If I had a good horse," writes Tom, "I could give it my life. I could ride it for years. We could grow old together." So begins this unique American love story about a man and his horse. In straightforward, poetic prose, Tom Groneberg chronicles the early successes and failures of trying to train Blue, earning the animal's trust, and saddling him for the first time. The experience is challenging, but ultimately rewarding for Tom. Through his relationship with the animal, he develops a deeper understanding of the land and his community, and of himself -- as a man, and as a husband and father. In a world in which horses are fast becoming nothing more than warm-blooded lawn ornaments, Tom still believes these animals are important in human lives. At its heart, One Good Horse is about the power of hope, the simple story of a horse and the way people connect with nature and with each other across the generations.
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