It was one thing to get married when your parents, your neighbours, your community insisted on it, when a sacred union for heterosexuals was not just one option but the only option. It's quite another to keep doing it in when free of that societal and religious pressure. What is the allure of an institution grounded in patriarchy, in elitism, in white supremacy in the West, an institution that invalidated all but one kind of love till quite recently? Why do so many of us fight against these social ills while also posting pictures of proposals on Instagram? Is it possible to be married while subverting the institution by doing it one's own way, or is marriage having the last laugh after all? Tom Rasmussen comes from a Northern, working class family, for whom marriage in the centrepiece of life. They are also a male-bodied, non-binary queer person in a relationship with a man. Journeying through wildly different weddings, visits to wedding planners, interviews with the much-married, those who have questioned their decision to marry, and those who would never consider matrimony, this is an incisive, witty and moving look at marriage - as an achievement, a compromise, a selling-out, a practical solution. Tom Rasmussen examines what marriage means across the spectrum of sexuality and class, and what the future looks like for this most historic and universal of institutions.
A cocktail-spitting, norm-pinching dive into everyday queer life in the twenty-first century—a hilarious, moving memoir Life’s a drag . . . Why not be a queen? When you peel off the sequins and lashes, wipe away the lipstick and mascara, open your heart and your eyes—what does the life of a drag queen really look like? Crystal (and Tom) Rasmussen tell all in this outrageous, raunchy, moving, naked (in more ways than one) memoir about life on and off the stage. Born into a loving working-class family in northern England, Crystal finds her way to London, to a coveted, soul-crushing job in New York fashion, and back again. Searching for good sex, good stories, and “the one,” she shags men of all kinds from all sorts of platforms, sells cider to tourists, and performs with her college drag band, DENIM. She learns about true love from her mum and falls in love with her best friend. Charting her day-to-day adventures over the course of a year, we encounter tucks, twists, and unfiltered sexy bits, heinous overspending, body shame and self-love, and endless nights sprinting from snag to snafu in a full face of makeup. In these pages the previously unspeakable becomes the everyday and the celebrated, and Crystal makes sure we feel every single thing along the way. A full-hearted, full-throated, full-disclosure portrayal of the queer experience that makes you laugh and cry and wish for understanding, Diary of a Drag Queen is a dazzling, true performance of a real, flawed, extraordinary life.
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
In the Footsteps of the Etruscans describes the archaeology of the countryside within a ten km radius of the small town of Tuscania near Rome, throwing light on the unrecorded lives of the generations of farmers and shepherds who have lived there. What was the character of prehistoric settlement prior to Etruscan urbanization? How did urbanization shape the lives of the 'ordinary Etruscans' working the land, hardly ever addressed in Etruscan archaeology? What was the impact on these people of being absorbed into the expanding Roman empire and its globalised economic structures? How did the empire's collapse and the subsequent emergence of the nucleated medieval village affect Tuscania's rural population? The project's 7500-year 'archaeological history', from the first farmers to those grappling with globalisation today, contributes eloquently to our understanding of how Mediterranean peoples have constantly shaped their landscape, and been shaped by it.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.