Surely one of the most colourful characters ever to have graced the Palace of Westminster, Tom Pendry has been a boxer, a bruiser and a scholar, whose political career as an agent, candidate, Labour MP and peer has spanned over sixty years. As well as introducing key legislation, his time in Parliament saw him famously kick-start Tony Blair's political career, lead the first antiapartheid demonstration at a cricket match of an all-white South African side, and head up the successful fight to keep sport on Radio 5. During this time, he also took up the constituency case of a local GP complaining of cuts in drugs funding - Harold Shipman, Britain's most prolific serial killer. Well-known within the Labour Party as 'the best Sports Minister we never had', Pendry once dislocated his own shoulder showing Muhammad Ali how to punch, almost knocking out the world heavyweight champion's wife in the process. Full of revealing anecdotes and candid descriptions of colleagues, his memoirs throw new light on successive governments and great, epoch-making events, and are a mixture of light and shade, irreverent wit and deeply serious intent.
Surely one of the most colourful characters ever to have graced the Palace of Westminster, Tom Pendry has been a boxer, a bruiser and a scholar, whose political career as an agent, candidate, Labour MP and peer has spanned over sixty years. As well as introducing key legislation, his time in Parliament saw him famously kick-start Tony Blair's political career, lead the first antiapartheid demonstration at a cricket match of an all-white South African side, and head up the successful fight to keep sport on Radio 5. During this time, he also took up the constituency case of a local GP complaining of cuts in drugs funding - Harold Shipman, Britain's most prolific serial killer. Well-known within the Labour Party as 'the best Sports Minister we never had', Pendry once dislocated his own shoulder showing Muhammad Ali how to punch, almost knocking out the world heavyweight champion's wife in the process. Full of revealing anecdotes and candid descriptions of colleagues, his memoirs throw new light on successive governments and great, epoch-making events, and are a mixture of light and shade, irreverent wit and deeply serious intent.
A burning summer's day explodes into violence. A murderous gang targets the exclusive south coast island of Terror's Reach, home to rival business tycoons Robert Felton and Valentin Nasenko. The residents are facing annihilation, and only one man stands a chance of saving them. Four years ago, after an undercover police operation went disastrously wrong, CID officer Joe Clayton lost his career and his family. Forced to adopt a new identity, he drifted from place to place and ended up on the Reach, working as a bodyguard to Nasenko's wife, Cassie, and her children. Now he must draw upon all his experience and reserves of strength to keep them alive. But nothing is as it seems on Terror's Reach, and a long night of betrayal and murder leaves Joe fighting for his own survival ...
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. This book challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime. Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.
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