Mental issues, alcohol abuse, and the tedium of pursuing psychopathic killers, leaves Sean Rooney a pathetic man, a failed forensic profiler, a bit of a loser and definitely retired. The Father, the first in a crime thriller series by critically acclaimed author Tom O. Keenan, introduces troubled retired profiler Sean Rooney. DCI Jacqueline Kaminski, faced with multiple murders – and some headless corpses – has other ideas. Jackie needs psychosleuth Rooney back on the case.
In The Castle, aka Hillwood Mental Hospital, long-term patients are mysteriously killing themselves. Sean Rooney, trainee psychologist, forms a self-help patient group to investigate the mysterious deaths. The Castle has many secrets, some going back over a hundred years. Rooney has a particular reason for choosing The Castle as his placement, posing a question: is he there to meet his own needs or that of the patients? The Hospital Management Team consider suicide in large mental hospitals as coming 'with the turf'. Rooney doesn't agree and after 'going undercover', believes there is more to these suicides. All have a common feature: after many years in hospital, these patients were all considered for 'care in the community'. The Castle doesn't give up its secrets easily, whether historical, criminal, or supernatural. It takes a group of like-minded patients – a psychotic scientist, depressed philosopher, delusional vigilante, dope-head crime writer, autistic arsonist, wannabe detective, and a bipolar psychologist to find out who or what is killing patients at The Castle. The Castle is the prequel to The Father, the first in the crime thriller series by critically acclaimed author Tom O. Keenan.
Mental issues, alcohol abuse, and the tedium of pursuing psychopathic killers, leaves Sean Rooney a pathetic man, a failed forensic profiler, a bit of a loser and definitely retired. The Father, the first in a crime thriller series by critically acclaimed author Tom O. Keenan, introduces troubled retired profiler Sean Rooney. DCI Jacqueline Kaminski, faced with multiple murders – and some headless corpses – has other ideas. Jackie needs psychosleuth Rooney back on the case.
In The Castle, aka Hillwood Mental Hospital, long-term patients are mysteriously killing themselves. Sean Rooney, trainee psychologist, forms a self-help patient group to investigate the mysterious deaths. The Castle has many secrets, some going back over a hundred years. Rooney has a particular reason for choosing The Castle as his placement, posing a question: is he there to meet his own needs or that of the patients? The Hospital Management Team consider suicide in large mental hospitals as coming 'with the turf'. Rooney doesn't agree and after 'going undercover', believes there is more to these suicides. All have a common feature: after many years in hospital, these patients were all considered for 'care in the community'. The Castle doesn't give up its secrets easily, whether historical, criminal, or supernatural. It takes a group of like-minded patients – a psychotic scientist, depressed philosopher, delusional vigilante, dope-head crime writer, autistic arsonist, wannabe detective, and a bipolar psychologist to find out who or what is killing patients at The Castle. The Castle is the prequel to The Father, the first in the crime thriller series by critically acclaimed author Tom O. Keenan.
In Glasgow, the mob is one. The Family, a collective of twelve crime families, has formed to fight the influx of migrant gangs, but Glasgow has a new menace with the arrival of an ISIS cell which has kidnapped a Glasgow cop. The Family has eyes and ears on the streets. Suffering mental illness with godly delusions, can Sean Rooney, erstwhile psychosleuth, inveigle himself with the 'twelve disciples' and save the police officer and the city from ISIS? Can Rooney and The Family do Glasgow a favour and 'set aboot' them? The Family is the follow up to the critically acclaimed The Father, short listed for the Crime Writer's Association Debut Dagger.
Sean Rooney, psychosleuth, and his wife Jackie Kaminski move to the highlands of Scotland to escape the past, but has the past caught up with them, when their young son, Calum, is tragically murdered. Set in the north-west coast of Scotland in the village of Storaig, with a population of two hundred souls - where murder is unheard of. When the formal police investigation is shown to be fatally flawed, Rooney decides to pursue his son's killer. His search takes him back to Glasgow, where, as crime lord The Father he made many enemies. Can Rooney and The Family do Glasgow a favour and 'set aboot' them? In The Son the plot is thick, the pursuit is tortuous and the payoff is terrifying.
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