In "The Modern Janus", Nairn argued for the democratic necessity of nationalism in the modern world. In this work, he addresses the subsequent upheavals caused by nationalism
In this acclaimed study of British statehood, identity and culture, Tom Nairn deftly dispels the conviction that the Royal Family is nothing more than an amusing relic of feudalism or a mere tourist attraction. Instead, he argues that the monarchy is both apex and essence of the British state, the symbol of a national backwardness. In this fully updated edition, Nairn’s powerful and bitterly comic prose lays bare Britain’s peculiar, pseudo-modern, national identity—which remains stubbornly fixated on the Crown and its constitutional framework, the “parliamentary sovereignty” of Westminster.
The classic text, with a new introduction by Anthony Barnett In this classic text, first published in 1977, Tom Nairn memorably depicts the “slow foundering” of the United Kingdom on the rocks of constitutional anachronism, its fall from empire and the gathering force of civic nationalism. Rich in comparisons between the nationalisms of the British Isles and those of the wider world, The Break-Up of Britain concludes by reflecting on the Janus-faced nature of national identity. Postscripts from the Thatcher and New Labour years trace the political strategies whose upshot accelerated the demise of a British order they were intended to serve. As a second Scottish independence referendum beckons, a new introduction by openDemocracy’s Anthony Barnett underlines the book’s enduring relevance.
With this delicious collection of favorite basic recipes by heavy metal bands from around the globe, Annick "The Morbid Chef” Giroux declares war on junk food, and fires up the flame for a special heavy metal feast. Hellbent for Cooking feeds voracious appetites with a varied menu of over a hundred recipes from thirty countries, including Yorkshire Pudding from England, Beer Pizza Crust from Germany, Spaghetti Barracuda from Italy, Fårikål from Norway, Country Lamb Exohiko from Greece, Churrasco from Brazil, and Mushroom Steak à la Jack Daniel’s from the United States. The dishes are legendary, and so are the bands. Feel the heat of thrash metal pioneers Sepultura, Kreator, Anthrax, and Nuclear Assau Raise your infernal fork for madman Chris Reifert’s Mummified Jalapeño Bacon Bombs, then sample Roast Beef with Green Beans prepared under the watchful eye of Udo Dirkschneider of Accept. Try After the Bombs’ Speed Metal Vegan Tofu, or Eyehategod’s favorite New Orleans Blood Red Beans and Rice. Afterwards, Doro Pesch of Warlock serves her Black Forest Cake, and Richard Christy from Death pours his trademark cocktail, the mighty Viking Testicle. Now for anyone with a taste for metal: The kitchen gates are open--grab your weapons of mass nutrition and let the feasts begin! Featuring a full flavorful menu of appetizer, breakfast, lunch, dinner, vegetarian, seafood, dessert, and drink recipes contributed by members of: Abigail, Abscess, Accept, After the Bombs, Alcoholic Rites, Amebix, Anthrax, Anvil, Armored Saint, Arphaxat, Atomizer, Autopsy, Bastardator, Bëehler, Blackfire, Blasphemy, Brutal Truth, Budgie, Bulldozer, Cauldron, Children of Technology, Control Denied, Countess, Cruachan, Dantesco, Deadmask, Death, Death SS, Deiphago, Denial of God, Desolation Angels, Destruction, Devastation, Dissection, Doro, Dusk, Electric Wizard, Elixir, Envenom, Exciter, Eyehategod, Faustcoven, Funerot, Goat Horn, Gorgoroth, Grimorium Verum, Gwar, Hidden Hand, Holocausto, Impaler, Inepsy, Judas Priest, Killers, Kreator, Lamp of Thoth, L’Impero Delle Ombre, Lord Vicar, Mantak, Master, Master’s Hammer, Mayhem, Melechesh, Messiah, Midnight, Minotaur, Mortal Sin, Mütiilation, Necromantia, Necrosadist, Nuclear Assault, Obituary, Obscurity, Orodruin, Pagan Altar, Pentagram, Piledriver, Possessed, Procession, Repulsion, Reverend Bizarre, Rigor Mortis, Rotting Christ, Sadistik Exekution, Saint Vitus, Sepultura, Shackles, Sigh, Sir Lord Baltimore, Skyforger, Slaughter, S.O.D., Spirit Caravan, Stiny Plamenu, Tankard, Thanatos, The Gates of Slumber, The Obsessed, The Rods, Lord Weird Slough Feg, Thin Lizzy, Toxic Holocaust, Trench Hell, Trouble, Tygers of Pan Tang, U.D.O.. Uriah Heep, Warlock, Warpig, Weapon, Wino, Witchfynde, Witchtrap, Xibalba, and Zemial.
What does the future hold for Britain and the relationships between England, Scotland and Wales? Tom Nairn discusses these issues, with contributions from others from across the political spectrum.
As the Scottish people prepare for their biggest ever collective decision with a proposed referendum near at hand, The Independence Book forcefully sets out the Case for Independence. The Imperative of Independence is demonstrated by varied distinguished authors, including contributions from Neil Kay, Tom Nairn and Betty Davies. Each author tackles the subject in a different way - personal, political, historical or academic - but the key denominator is clear: Independence Must Come. BACK COVER: If you believe in the Case for Independence, this book will provide you with a stirring endorsement of your view. If you are sceptical, it might well persuade you to convert to the cause. If you are downright hostile, this book could be dangeroud - it could prompt you to rethink. Suddenly Scottish Independence is within grasp. Is this a frivolous pipedream, a romantic illusion? Or is it, as the writers of this dynamic and positive collection of essays insist, an authentic political option, feasible and beneficial? As the Scottish people prepare for their biggest ever collective decision, this book forcefully sets out the Case for Independence. The distinguished authors, from a variety of different perspectives, argue the acase for the Imperative of Independence. The case is made in various styles - personal, political, academic, historical, philosophical. But the key denominator is clear - Independence Must Come: it will be good for Scotland (and England too).REVIEWS: If anyone were to ask me if there's a handy wee book which effectively argues the case for Scottish independence and, just as importantly, counters the main Unionist objections, then this is the book I'd recommend. It does what it says on the tin.
With the explosion of nationalist discontent in the USSR, the revival of fierce hostilities between ethnic groups in Central Europe and the persistence of older nationalist conflicts in Western Europe, nationalism is again firmly on the agenda of world politics. the phenomenon on a world scale. Serbia and Albania, Hungary and Romania, Germany, Poland and the Baltic States are a few of the examples brought into play in a development of Nairn's argument that nationalism is not some pathological aberration but the normal form of development for all societies and an inescapable part of modernity.
This title was first published in 2000: An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art. This in-depth analysis of a dynamic episode in Scottish visual culture looks at the work of, among others, William Johnstone, William McCance and John Duncan Fergusson.
NEW YORK TIMES BESTSELLER * “One of the best golf books this century.” —Golf Digest Tom Coyne’s A Course Called Scotland is a heartfelt and humorous celebration of his quest to play golf on every links course in Scotland, the birthplace of the game he loves. For much of his adult life, bestselling author Tom Coyne has been chasing a golf ball around the globe. When he was in college, studying abroad in London, he entered the lottery for a prized tee time in Scotland, grabbing his clubs and jumping the train to St. Andrews as his friends partied in Amsterdam; later, he golfed the entirety of Ireland’s coastline, chased pros through the mini-tours, and attended grueling Qualifying Schools in Australia, Canada, and Latin America. Yet, as he watched the greats compete, he felt something was missing. Then one day a friend suggested he attempt to play every links course in Scotland and qualify for the greatest championship in golf. The result is A Course Called Scotland, “a fast-moving, insightful, often funny travelogue encompassing the width of much of the British Isles” (GolfWeek), including St. Andrews, Turnberry, Dornoch, Prestwick, Troon, and Carnoustie. With his signature blend of storytelling, humor, history, and insight, Coyne weaves together his “witty and charming” (Publishers Weekly) journey to more than 100 legendary courses in Scotland with compelling threads of golf history and insights into the contemporary home of golf. As he journeys Scotland in search of the game’s secrets, he discovers new and old friends, rediscovers the peace and power of the sport, and, most importantly, reaffirms the ultimate connection between the game and the soul. It is “a must-read” (Golf Advisor) rollicking love letter to Scotland and golf as no one has attempted it before.
An audacious and terrifying new thriller from the author of the international bestseller The Genesis Secret. When David Martinez receives an ancient map from his dying grandfather, he is led into the heart of the Basque mountains, where a genetic curse lies buried- and a frightening secret about the Western world is hidden. Meanwhile, London journalist Simon Quinn is investigating two violent murders. Both victims had once been interned in a top-secret Nazi camp-and both came from the Basque region. With The Marks of Cain, Tom Knox (The Lost Goddess) delivers on the promise of his astonishing debut novel, crafting a terrifying and even more ambitious thriller that delves into the shocking truth of what drives human beings to violence, genocide, and war.
Social and economic changes included an increase in production of food and raw materials, in turn sustaining the remarkable growth of towns and cities over this period. However, in the folk memory of Scotland the social and cultural costs of the revolution loom much larger: the loss of land for many thousands of families; the rise of individualism and the decline of neighborhood; the death of old rural societies which had formed Scotland's character for many generations. The drama and tragedy of Highland history during this period have attracted many authors, whereas the Lowland experience, that of the majority of Scots, hardly any. This book attempts to redress that balance, and in so doing examines why this extraordinary era, inextricably associated with failure, famine and clearance in Gaeldom, is remembered as one of 'improvements' in the Lowlands, where the folk memory of dispossession, if it ever existed, is long lost in collective amnesia. In so doing, Devine addresses an issue which goes right to the heart of the nation's past.
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