Herman Melville’s masterpiece of obsession and the untamed sea, one of the greatest works of imagination in literary history—featuring an introduction by Andrew Delbanco and notes by Tom Quirk. This edition features the Northwestern-Newberry edition of Melville's text, approved by the Center for Scholarly Editions and the Center for Editions of American Authors of the MLA. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
On board the whaling ship Pequod a crew of wise men and fools, renegades and seeming phantoms is hurled through treacherous seas by a crazed captain hell-bent on hunting down the mythic White Whale. Melville transforms the little world of the whale-ship into a crucible where mankind¿s fears, faith and frailties are pitted against a relentless fate. Teeming with ideas and imagery, and with its extraordinary, compressed intensity sustained by mischievous irony and moments of exquisite beauty, Moby-Dick is both a great American epic and a most profoundly imaginative literary creation. With an afterword by Nigel Cliff. Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.
The creation myth of the United States begins with the plucky English puritans of the Mayflower--but what about the story of its sister ship, the Seaflower. Few people today know the story of the passengers aboard the Seaflower, who in 1630 founded a rival puritan colony on an isolated Caribbean island called Providence. They were convinced that England’s empire would rise not in barren New England, but rather in tropical Central America. However, Providence became a colony in constant crisis: crops failed, slaves revolted . . . and then there were the pirates. And, as Tom Feiling discovers in this surprising history, the same drama was played out by the men and women who re-settled the island one hundred years later. The Island That Disappeared presents Providence as a fascinating microcosm of colonialism--even today. At first glance it is an island of devout churchgoers - but look a little closer, and you see that it is still dependent on its smugglers. At once intimate and global, this story of puritans and pirates goes to the heart of the contradictory nature of the Caribbean and how the Western World took shape.
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment—and to understand why. Now one of America’s preeminent Twain scholars takes a closer look at this icon’s abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author’s inner life with his writings to produce a meditation on how Twain’s understanding of human nature evolved and deepened, and to show that this was one of the central preoccupations of his life. Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain’s mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain’s thinking, and he considers not only Twain’s stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition. Viewing both major and minor works through the lens of Twain’s shifting attitude, Quirk provides refreshing new perspectives on the master’s oeuvre. He offers a detailed look at the travel writings, including The Innocents Abroad and Following the Equator, and the novels, including The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, and Pudd’nhead Wilson, as well as an important review of works from Twain’s last decade, including fantasies centering on man’s insignificance in Creation, works preoccupied with isolation—notably No. 44,The Mysterious Stranger and “Eve’s Diary”—and polemical writings such as What Is Man? Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America’s best-loved writers. Mark Twain and Human Nature offers readers a better understanding of Twain’s intellect as it enriches our understanding of his craft and his ineluctable humor.
Award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox's work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper's, these essays represent ten years of Bissell's best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter. What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell's exploration of these questions make for gripping, unforgettable reading.
Written by one of the leading scholars in the field, Nothing Abstract is a collection of essays gathered over the past twenty years -- all of which, in some fashion, have to do with a genetic approach to literary study. In previous books, the author has traced the compositional histories of certain literary works, the course of individual careers, and the genesis of literary movements. In this book, Tom Quirk resists the direction taken by contemporary theory in favor of an approach to literature through source and influence study, the evolution of a writer's achievement, the establishment of biographical or other contexts, and the transition from one literary era to another.
From the author of Crying, a witty, wide-ranging cultural history of our attitudes toward work—and getting out of it Couch potatoes, goof-offs, freeloaders, good-for-nothings, loafers, and loungers: ever since the Industrial Revolution, when the work ethic as we know it was formed, there has been a chorus of slackers ridiculing and lampooning the pretensions of hardworking respectability. Reviled by many, heroes to others, these layabouts stretch and yawn while the rest of society worries and sweats. Whenever the world of labor changes in significant ways, the pulpits, politicians, and pedagogues ring with exhortations of the value of work, and the slackers answer with a strenuous call of their own: "To do nothing," as Oscar Wilde said, "is the most difficult thing in the world." From Benjamin Franklin's "air baths" to Jack Kerouac's "dharma bums," Generation-X slackers, and beyond, anti-work-ethic proponents have held a central place in modern culture. Moving with verve and wit through a series of fascinating case studies that illuminate the changing place of leisure in the American republic, Doing Nothing revises the way we understand slackers and work itself.
It is 1883 and America is at a crossroads. The Civil War is nearly twenty years in the past, Reconstruction has been crushed in the South, and the Gilded Age is bringing unprecedented prosperity to some, along with radical social and class conflicts. At a tiny college in upstate New York, an idealistic young professor has managed to convince Mark Twain, Frederick Douglass, Herman Melville, Walt Whitman, Harriet Beecher Stowe, Confederate memoirist Forrest Taylor, and romance novelist Lucy Comstock to participate in the first (and last) Auburn Writers' Conference for a public discussion about the future of the nation. Over the course of a weekend this already combustible mix is heated up by a group of Suffragists advocating for women's rights, a contingent of die-hard Confederate sympathizers, an apocalyptic street-corner preacher, and a muckraking journalist who stirs the pot in hopes of bringing things to a boil. In this wildly audacious fictional tour de force, author Tom Piazza brings these figures to life as they encounter one another onstage and off - arguing, telling stories, reading aloud, and finally engaging in a debate that leads the gathering to the edge of chaos. By turns brilliantly comic and eerily prescient, The Auburn Conference vibrates with questions as alive and urgent today as they were in 1883 - the chronic American conundrums of race, class, and gender, and the fate of the democratic ideal"--
At the end of a fateful and turbulent summer in 1987, four unique people meet at Dulles International Airport for what is to be an ill-fated flight to London. Colin Maudsley, an Englishman hiding in America, a fugitive from the law. He never intended to fall in love with a remarkable woman like Laura Johnston. Jennie Li, a young missionary, torn between her love for Mark Melville and her love for God. Hieu Van Tran, a Vietnamese refugee, abandoned and betrayed, haunted by rage, hoping to find his estranged wife and resolution in Paris. Bill Ross, an American husband who has lost his love somewhere along the way. They have lived, struggled and loved through an intense summer of their lives. Now their paths cross and their fates become entwined. None of them know the glass terminal doors may be for them the door to eternity. From Virginia's Catawba Valley to high over the North Atlantic - a tale of life, love and the silent hand of God in good and evil.
This book addresses Suzanne Collins's work from a number of literary and cultural perspectives in an effort to better understand both its significance and its appeal. It takes an interdisciplinary approach to the Hunger Games trilogy, drawing from literary studies, psychology, gender studies, media studies, philosophy, and cultural studies. An analytical rather than evaluative work, it dispenses with extended theoretical discussions and academic jargon. Assuming that readers are familiar with the entire trilogy, the book also avoids plot summary and character analysis, instead focusing on the significance of the story and its characters. It includes a biographical essay, glossaries, questions for further study, and an extensive bibliography. Instructors considering this book for use in a course may request an examination copy here.
A progressive secular society is one committed to the widening of scientific knowledge and humane feeling. It regards humanity as part of physical nature and opposes any appeal to supernatural agencies or explanations. In particular, human moral perspectives are human creations and the only basis for ethics. Secular values need re-affirming in the face of the resurgence of aggressive supernatural religious doctrines and practices. This book gives a set of ‘secular thoughts for the day' – many only a page or two long – on topics as varied as Shakespeare and Comte, economics, science and social action.
The material elements of writing have long been undervalued, and have been dismissed by recent historicising trends of criticism; but analysis of these elements - sound, signature, letters - can transform our understanding of literary texts. In this 1994 book Tom Cohen shows how, in an era of representational criticism and cultural studies, the role of close reading has been overlooked. Arguing that much recent criticism has been caught in potentially regressive models of representation, Professor Cohen undertakes to counter this by rethinking the 'materiality' of the text itself. Through a series of revealing new readings of the work of writers including Plato, Bakhtin, Poe, Whitman and Conrad, Professor Cohen exposes the limitations of new historicism and neo-pragmatism, and demonstrates how 'the materiality of language' operates to undo the representational models of meaning imposed by the literary canon.
En este segundo tomo está enfocado a los niños y abarca desde la atención del recién nacido, los problemas de salud, el crecimiento físico y el desarrollo intelectual, hasta enfermedades prevenibles por vacunación y accidentes, prevención y tratamiento de éstos.
Few people would want to test their mettle in an ice-encrusted boat with an Arctic explorer, sail the Straits of Magellan with Joshua Slocum, or watch with Owen Chase as an angry whale sends his ship to the bottom, thousands of miles from the nearest land. But it's quite another thing to read these true accounts while settled into a favorite chair. Slocum and Chase persevered in the face of travails that would have given Job pause. Their stoic accounts are stronger and more dramatic for their total lack of affection, their frankness, and their lack of ego. Their gripping stories are custom-made for the imaginative reader who seeks adventure in a more controlled environment, safe and warm, and well fed - civilized readers with their armchairs anchored firmly to the living room floor. Rich in drama and history, here are stories that will entertain, inform, and inspire--enduring stories that have attracted generations of readers.
Frail and disillusioned, Bill Rowe languishes in a prison cell. As the Luftwaffe pass overhead, he relives his journey from a basement in Gateshead to a tribunal in London tasked with examining and judging that most private and intimate of things: conscience. But will he die a coward or will he find the strength to confront his past?
Winner of the PEN Center USA Literary Award for Children's Literature A New York Public Library Book for the Teen Age Winner of the 2004 Texas TAYSHAS High School Reading List When fifteen-year-old Mick Nichols discovers a secret about his stepmother, he comes obsessed with uncovering the truth. But before he can get to the bottom of it, Mick is confronted by a series of strange robberies and a close friend with a dark secret of her own. As he seeks out answers, Mick realizes that all of his problems are zipped up together—and he may have to go to drastic lengths to untangle them. “The McNeals spin a wonderfully rich story.”—Kirkus Reviews “A well-honed novel. . . . Readers will be sucked in.”—Publishers Weekly
The poet George Oppen comments, “There are situations which cannot honorably [be] met by art, and surely no one need fiddle precisely at the moment that the house next door is burning.” To write poetry under such circumstances, he continues, “would be a treason to one’s neighbor.” Committing himself, then, to more direct and conventional forms of response and responsibility, Oppen leaves poetry behind for twenty-five years. The disasters of the 1930s, for Oppen, put poetry into a fundamental question that could not be resolved or overcome. Yet if crisis is continual, then poetry is always turning away from the neighbor in need, always an irresponsible response in a world persistently falling apart. Writing Not Writing both confirms this question into which crisis puts poetry and explores alternative modes of “response” and “responsibility” that poetry makes possible. Reading the silences of Oppen, Carl Rakosi, and Bob Kaufman, the renunciation of Laura Riding, and other more contemporary instances of poetic abnegation, Tom Fisher explores silence, refusal, and disavowal as political and ethical modes of response in a time of continuous crisis. Through a turn away from writing, these poets offer strategies of refusal and departure that leave anagrammatical hollows behind, activating the negational capacities of writing and aesthetics to disrupt the empire of sense, speech, and agency. Fisher’s work is both an engaging and detailed analysis of four individual poets who left poetry behind and a theoretically provocative exploration of the political and ethical possibilities of silence, not-doing, and disavowal. In lucid but nuanced terms, Fisher makes the case that, from at least modernism forward, poetry is marked by refusals of speech and sense in order to open possibilities of response outside conventional forms of responsibility.
In this unique and compelling book Tom Hayden argues that Barack Obama would not have been able to mount a successful presidential campaign without the movements of the 1960s. The Long Sixties shows that movements throughout history triumph over Machiavellians, gaining social reforms while leaving both revolutionaries and reactionaries frustrated. Hayden argues that the 1960s left a critical imprint on America, from civil rights laws to the birth of the environmental movement, and forced open the political process to women and people of colour. He urges President Obama to continue this legacy with a popular programme of economic recovery, green jobs and health care reform. The Long Sixties is a carefully researched history which will be of interest to activists, journalists and historians as the fiftieth anniversary of the 1960s begins.
A biography, with photographs and quotes from Bell himself, which follows this well known inventor from his childhood in Scotland through his life-long efforts to come up with ideas that would improve people's lives.
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