One of Canada's pre-eminent auteur filmmakers, Atom Egoyan has been celebrated internationally, earning multiple awards from the prestigious Cannes and Toronto Film Festivals and an Academy Award nomination. One of his most accomplished and controversial early works, The Adjuster, is a dark drama about the complex and intense relationship between an insurance adjuster and his clients. In this accessible analysis, Tom McSorley traces the genesis, production, and reception of Egoyan's fourth feature film, from its Cannes Film Festival premiere to its North American commercial release. The book locates The Adjuster in the larger context of Canadian cinema history's peculiar and often troubled evolution, and offers a provocative interpretation of the film's unique analysis of the malaise of materialism in North American culture. Richly illustrated and featuring new interview material with Egoyan himself, this study in the Canadian Cinema series offers an insightful review of one of Atom Egoyan's most searching, unsettling films.
A Classic Father-Daughter Love Story by Colonel Tom Kelly. Selected Childhood chapters from; Dealer’s Choice, Better on A Rising Tide, A Year Outside, The Boat, & A Few Loose Chapters. “Age cannot wither her, nor custom stale, her infinite variety.” -William Shakespeare
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
One of Canada's pre-eminent auteur filmmakers, Atom Egoyan has been celebrated internationally, earning multiple awards from the prestigious Cannes and Toronto Film Festivals and an Academy Award nomination. One of his most accomplished and controversial early works, The Adjuster, is a dark drama about the complex and intense relationship between an insurance adjuster and his clients. In this accessible analysis, Tom McSorley traces the genesis, production, and reception of Egoyan's fourth feature film, from its Cannes Film Festival premiere to its North American commercial release. The book locates The Adjuster in the larger context of Canadian cinema history's peculiar and often troubled evolution, and offers a provocative interpretation of the film's unique analysis of the malaise of materialism in North American culture. Richly illustrated and featuring new interview material with Egoyan himself, this study in the Canadian Cinema series offers an insightful review of one of Atom Egoyan's most searching, unsettling films.
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